Zoraida di Granata

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Operas by Gaetano Donizetti

Il Pigmalione (1816)
Enrico di Borgogna (1818)
Pietro il grande (1819)
Zoraida di Granata(1822)
La zingara (1822)
Alfredo il grande (1823)
L'ajo nell'imbarazzo (1824)
Emilia di Liverpool (1824)
Alahor in Granata (1826)
Elvida (1826)
Gabriella di Vergy (1826)
Olivo e Pasquale (1827)
Otto mesi in due ore (1827)
L'esule di Roma (1828)
Alina, regina di Golconda (1828)
Gianni di Calais (1828)
Il castello di Kenilworth (1829)
Il diluvio universale (1830)
Imelda de' Lambertazzi (1830)
Anna Bolena (1830)
Le convenienze ed
inconvenienze teatrali (1831)
Gianni di Parigi (1831)
Francesca di Foix (1831)
Fausta (1832)
Ugo, conte di Parigi (1832)
L'elisir d'amore (1832)
Sancia di Castiglia (1832)
Parisina (1833)
Torquato Tasso (1833)
Lucrezia Borgia (1833)
Rosmonda d'Inghilterra (1834)
Gemma di Vergy (1834)
Marino Faliero (1835)
Maria Stuarda (1835)
Lucia di Lammermoor (1835)
Belisario (1836)
Il campanello (1836)
Betly, o La capanna svizzera (1836)
L'assedio di Calais (1836)
Roberto Devereux (1837)
Maria de Rudenz (1838)
Poliuto (1838)
Pia de' Tolomei (1838)
Le duc d'Albe (1839)
La fille du régiment (1840)
La favorita (1840)
Adelia (1841)
Rita (1841)
Maria Padilla (1841)
Linda di Chamounix (1842)
Caterina Cornaro (1844)
Don Pasquale (1843)
Maria di Rohan (1843)
Dom Sébastien (1843)

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Zoraida di Granata (also Zoraide di Granata or Zoraïda di Granata) is a melodramma eroico (opera seria or 'heroic' opera), in two acts by Gaetano Donizetti. The Italian libretto was written by Bartolomeo Merelli, based on the French play, Gonzalve de Cordoue ou Grenade Reconquise by Jean Pierre Claris de Florian (1791), and on a libretto by Luigi Romanelli to an opera by Nicolini called Abenamet e Zoraide.

Although it was Donizetti's first theatrical success, the original 1822 version of this violent love story was never given a complete performance because Amerigo Sbigoli, the tenor originally cast in the role of Abenamet, died shortly before the first night, with no replacement available. Donizetti quickly adapted this role for contralto, though omitting three numbers in the process. The first performance took place at the Teatro Argentina, Rome, on January 28, 1822. The opera was presented in a revised edition at the same theatre on January 7, 1824.

Contents

[edit] Roles

Role Voice type Premiere Cast, January 28, 1822
(Conductor: - )
Almuzir, King of Granada tenor Domenico Donzelli
Almanzor, friend of Abenamet bass Gaetano Rambald
Zoraida, in love with, and loved by, Abenamet, Majella Cu soprano Maria Ester Mombelli
Abenamet, General of the Moors tenor (then contralto) Amerigo Sbigoli
Ines, a Spanish slave and friend of Zoraida mezzo-soprano Gaetana Corini
Aw Zegri bass Alberto Torri

[edit] Synopsis

Place: Granada, Spain.

The murderous and duplicitous Almuzir wishes to marry Zoraida, the daughter of the late king, who in turn loves Abenamet, the victorious General of the Moors. To save Abenamet from the sentence of death passed on him consequent to the machinations of Almuzir, Zoraida agrees to the marriage. She survives Abenamet’s doubts as to her fidelity and somewhat implausibly is allowed to marry him.

[edit] The first lines of the libretto

CORO:Ah! patria un di sì forte!...

Ah! luoghi un dì felici!...
Ah! vi darà la sorte
in preda dei nemici
or che depresso geme
il vostro difensor.

[edit] Selected recordings

Gustave Doré: Zoraida falls in the Captive's arms
Gustave Doré: Zoraida falls in the Captive's arms
  • Donizetti: Zoraida Di Granata
Given in new performing editions prepared by Chris Moss and Robert Roberts
Cast for the 1822 edition (CD 1, CD 2. CD 3 trs 1-9)
Almuzir, King of Granada. Bruce Ford (ten);
Zoraida, in love with, and loved by, Abenamet, Majella Cullagh (sop);
Abenamet, General of the Moors, Paul Austin Kelly (ten);
Ali, Almuzir's confidant, Matthew Hargreaves (bass);
Almanzor, friend of Abenamet, Dominic Natoli (ten);
Ines, a Spanish slave and friend of Zoraida, Cristina Pastorello (sop)
Changes in cast for the 1824 revisions (CD 3 trs.10-14 and CD 4)
Abenamet, Diana Montague (mezzo)
The Geoffrey Mitchell Choir. The Academy of St Martin in the Fields/David Parry
Recorded at St. Clements Church, London. October and December 1998
OPERA RARA ORC17
[4CDs: 74.22 + 71.40 + 54.54 + 64.19]

[edit] External links