Zémire et Azor
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| Operas by André Ernest Modeste Grétry |
|---|
Le Huron (1767) |
Zémire et Azor (Zémire and Azor) is an opéra comique, described as a comédie-ballet mêlée de chants et de danses, in four acts by the Belgian composer André Grétry, The French text was by Jean François Marmontel based on La belle et la bête (Beauty and the beast) by Jeanne-Marie Le Prince de Beaumont, and Amour pour amour by P C Nivelle de La Chaussé. The opera includes the famous coloratura display piece La fauvette in which the soprano imitates birdsong. A suite of ballet music from the work was recorded by Sir Thomas Beecham.
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[edit] Performance history
It was first performed at Fontainebleau on 9 November 1771 and at the Comédie-Italienne, Paris on 16 December 1771. It stayed in the French repertory until at least 1821 and enjoyed worldwide success. It was staged at the court of Saint Petersburg, Russia in 1774. It was performed at the swedish court at the Drottningholm Palace Theatre in Sweden in 1778 and 1993 and in London at the King's Theatre in 1779.
[edit] Roles
| Role | Voice type | Premiere Cast, November 9, 1771 (Conductor: - ) |
|---|---|---|
| Sander | baritone | Jean-Louis Laruette |
| Ali | tenor | Joseph Caillot |
| Zémire | soprano | Marie-Thérèse Laruette |
| Azor | tenor | Jean-Baptiste Guignard "Clairval" |
| Fatmé | soprano | Marie-Jeanne Trial |
| Lisbé | soprano | Beaupré |
[edit] Synopsis
Having been shipwrecked in a storm, the merchant Sander and his servant Ali find their way to a strange palace. A banquet has been laid, though there is no sign of the owner, and the two help themselves to the feast. When Sander plucks a rose from the palace garden to give to his daughter Zémire, the beast-like Azor appears. He is the owner of the palace and says Sander must pay with his life for stealing the rose, unless he can persuade one of his daughters to take his place. When she hears what has happened, Zémire agrees to sacrifice her life for her father and Ali leads her to the palace, where she almost faints at the fearsome sight of Azor. However, Azor proves to be a kind host, showing Zémire her family in a magic mirror and even allowing her to visit home again so long as she promises to return. After a stay with her family, Zémire decides to return to Azor and finds him in despair because he believes she has abandoned him. She protests that she cares about him and the magic spell on Azor is lifted now he has found love. He changes from a beast to a handsome prince and claims his kingdom with Zémire at his side.
[edit] Selected recordings
- Zémire et Azor Mady Mesplé, Roland Bufkens, Orchestre Philharmonique de la RTB, conducted by Edgar Doneux (EMI, 1975; reissued on CD, 2002)
[edit] Sources
- Zémire et Azor by David Charlton, in 'The New Grove Dictionary of Opera', ed. Stanley Sadie (London, 1992) ISBN 0-333-73432-7
- Notes to the EMI recording.
- Amadeus almanac]
