Yuki Kajiura

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Yuki Kajiura
Born August 6, 1965 (1965-08-06) (age 42)
Origin Japanese flag Tokyo, Japan
Genre(s) Pop, Classical, New Age
Occupation(s) Composer, Musician
Instrument(s) Keyboard/Piano
Years active 1992–present
Label(s) Victor Entertainment
Associated acts See-Saw
FictionJunction YUUKA
FictionJunctionKAORI, FictionJunctionASUKA
(FictionJunction)
Saeko Chiba
Website FictionJunction.com

Yuki Kajiura (梶浦由記 Kajiura Yuki?), born August 6, 1965 in Tokyo, Japan, is a Japanese composer and music producer. She has provided the music for several popular anime series, such as Madlax, Noir, .hack//SIGN, Aquarian Age, My-HiME, My-Otome, Tsubasa Chronicle, and one of the Kimagure Orange Road movies (amongst others). She also assisted Toshihiko Sahashi with Mobile Suit Gundam SEED and Mobile Suit Gundam SEED Destiny. Kajiura has also composed for the Xenosaga video game series, namely the cutscene music for Xenosaga II and the entire Xenosaga III game soundtrack. She currently resides in Tokyo.

Contents

[edit] Biography

Due to her father's work, Kajiura lived in West Germany since 1972 and until her middle school years. Her first music piece, which she had written at the age of 7, was a farewell song for her grandmother.[1] After graduating from college (back in Tokyo), she began working as a systems engineering programmer, but in 1992, she turned her career around to focus on her activities on music. She admits that it was her father who greatly influenced this decision, for he was a great opera and classical music admirer.[2]

In July of 1992, she made her debut in an all-female trio See-Saw, then consisting of Chiaki Ishikawa (lead vocals), herself (back-up vocals, keyboards), and Yukiko Nishioka. In the following two years, the group released six singles and two albums but in 1995 they temporarily broke up. Nishioka decided to become a writer while Kajiura carried on with her solo musician career, composing music for other artists as well as sound producing for TV, commercials, films, animation and games.

In 2001, she and Chiaki Ishikawa reunited as See-Saw. Around the same time she became involved with Koichi Mashimo's animation studio Bee Train and their first widely popular project, Noir. Despite the series' controversial status among the reviewers, all critics generally praised its OST[citation needed] as a breakthrough in the animation music scene for its risky but highly successful mix of synth, opera, and French-flaired sound.

Kajiura greatly enjoyed the degree of artistic freedom that Mashimo as the series' director offered her while collaborating on Noir, therefore their collaboration extended to many of his later projects, with the latest (as of 2007) being El Cazador de la Bruja. For example, Mashimo would never set any distinctive limitations or goals before her, allowing her to compose whatever she pleases. Afterwards, he would just take the samples he thought appropriate and insert it to whenever he wanted them to play.

In 2002, See-Saw participated in another Mashimo's project, .hack//SIGN, which became widely known for its TV and game combined development, and its soundtrack sold over 300,000 copies.[citation needed] During the production of the series, Kajiura met Emily Bindiger and impressed by her vocals, offered her to perform over 10 of the series' insert songs. She has also jokingly called Bindiger "her English teacher" on Anime Expo 2003.[3]

One of See-Saw's further major hits was the ending theme song for Mobile Suit Gundam SEED ("Anna ni Issho Datta no ni"), which sold over 200,000 copies causing a sensation in the animation world.[citation needed] Dream Field, See-Saw's first original album release in nine years, became a hit, as well, in 2003, selling over 100,000 copies.[citation needed] In the same year, Kajiura released her first solo album, Fiction, which she performed and promoted at Anime Expo 2003 in Anaheim, California.

One of Kajiura's solo projects include FictionJunction, which contrary to common belief is not an alias but the name of the project itself.[citation needed] The project involves collaboration with artists such as Yuuka Nanri, Asuka Kato, and Kaori Oda. FictionJunction YUUKA, with Nanri as the vocalist, is the most prolific of these collaborations. In 2004, the duo produced the opening and ending songs for Koichi Mashimo's MADLAX and in the next year, published their first collaborative album, Destination.

In October 2007, it was announced that Yuki Kajiura would be attending the performances of the Eminence Orchestra's concert, 'A Night In Fantasia 2007 - Symphonic Anime Edition', as a special guest.[4]

[edit] Discography

[edit] Animation soundtracks

Animation Title Year of Release
Kimagure Orange Road 1996
Eat-Man 1997
Noir 2001
Aquarian Age 2002
.hack//SIGN 2002
.hack//Liminality 2002
Le Portrait de Petit Cossette 2004
Madlax 2004
My-HiME 2004
My-Otome 2005
Tsubasa Chronicle 2005
Elemental Gelade 2005
My-Otome Zwei 2006
Fist of the North Star True Saviour Legend 2007
El Cazador de la Bruja 2007
Tsubasa TOKYO REVELATIONS 2007

[edit] Game soundtracks

Game Title Game Platform Year of Release Company
Double Cast
ダブルキャスト (Daburukyasuto)		 PlayStation 1998 Sony Computer Entertainment
Meguri-aishite
めぐり愛して (Meguriaishite)		 PlayStation 1999 SME
Blood: The Last Vampire PlayStation 2 2000 Sony Computer Entertainment
Xenosaga Episode II: Jenseits von Gut und Böse (Movie scenes) PlayStation 2 2004 Namco
Xenosaga Episode III: Also sprach Zarathustra PlayStation 2 2006 Namco

[edit] Movie soundtracks

Movie Title Year of Release Director
Tokyo-Kyodai 1995 Jun Ichikawa
RUBY FRUIT 1995 Takumi Kimiduka
Rainbow 1999 Naoto Kumazawa
Boogiepop and others 2000 Ryu Kaneda
MOON 2000 Takumi Kimiduka
Kara no Kyoukai: Fukan Fuukei 2007 Ei Aoki, Takuya Nonaka & Mitsuru Oburai
Tsubasa: Tokyo Revelations 2008 Shunsuke Tada

[edit] Musicals

Musical Title Year of Release
Sakura-Wars 1998
Fine 1998
FUNK-a-STEP 1998
FUNK-a-STEP II 1999
Christmas Juliette 1999-2000
High-School Revolution 2000
Christmas Juliette 2000
Shooting-Star Lullaby 2001
Love's Labour's Lost/SET 2002
Angel Gate 2006

[edit] Solo albums

Album Title Year of Release
Fiction 2003

[edit] Produced albums

(vocalist: Saeko Chiba)

Album Title Year of Release
melody 2003
everything 2004

[edit] See-Saw albums

(vocalist: Chiaki Ishikawa)

Album Title Year of Release
I have a dream 1993
See-Saw 1994
Dream Field 2003
Early Best 2003

[edit] Other involvements

Genre Project Involvement Year
Anime Mobile Suit Gundam Seed Closing Theme & Insert Songs 2002
Anime Chrono Crusade Closing Theme Song (Sayonara Solitaire) 2003
Game .hack//QUARANTINE Song Yasashii Yoake(also used in .hack//SIGN) 2003
Anime The World of Narue Closing Theme 2003
Anime Mobile Suit Gundam Seed Destiny Closing Theme & Insert Songs 2004
Anime .hack//Legend of the Twilight Closing Theme 2004
Anime Loveless Theme Song 2005
Anime Shōnen Onmyōji Opening Theme Song 2006
Anime .hack//Roots Opening Theme Song 2006
Anime Bakumatsu Kikansetsu Irohanihoheto Opening Theme Song 2006
Anime My-Otome Zwei Ending Themes Songs 2-3 2007
Anime Baccano! Ending Theme Song 2007
Anime Amatsuki Ending Theme Song 2008
TV Drama Negima (Live Action) Ending Theme Song 2008

[edit] Hired vocalists

[edit] Trademarks

  • Genre mixes: It is not uncommon to hear operatic style with a pop beat to it. Kajiura's greatest inspiration, her father, was a classical fan; therefore her soundtracks have both pop and classic motifs.
  • Piano: Elaborate self-performed piano solos.
  • European themes: Some of her music has European style. Some of her songs are written in German, Spanish or Italian.
  • Chants: It is not uncommon for Kajiura's songs to have a choir performing ominous chants (either as a supporting role or as the main driving force of the song) and some have dubbed this style 'Kajiuran'.[5] The Yamanii chants in the song nowhere that is featured in MADLAX is a good example of this. Other examples of Kajiuran are from the songs A Song of Storm and Fire (from Tsubasa Chronicle) and MATERIALISE (from My-Otome).
  • Bee Train: Frequently composes for Bee Train Productions, and works with Koichi Mashimo
  • Violin Solos: Very elaborate violin solos are heard often in the middle of her songs

[edit] Trivia

  • Kajiura does not have the pleasure of seeing the rough cut of the show she writes for.[citation needed] She is usually handed sketches of the characters, and what she and Koichi Mashimo have dubbed Music Menues,[6] so she is often confused when she writes.
  • Kajiura speaks limited English. This fact was demonstrated at the Anime Expo event when she was invited to perform her music. She was able to address the audience with simple but clear English. However on one occasion she called her interpreter to explain some ideas that she could not express at will.

[edit] References

  1. ^ RocketBaby's interview with Yuki Kajiura
  2. ^ Yuki Kajiura's biography at the Internet Movie Database
  3. ^ Report of Yuki Kajiura's concert at Anime Expo 2003
  4. ^ IGN AU announces the date of ANIF 07 Symphonic Anime Edition concert
  5. ^ Labyrinthos.org's description of the Xenosaga II Movie Scene Soundtrack
  6. ^ Wong, Amos (March 2005). "Inside Bee Train". Newtype USA: 8-15. 

[edit] External links


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FictionJunction YUUKA
Members
Yuki Kajiura  · Yuuka Nanri
Singles
Albums
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