Yoruba literature

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Yoruba literature is the spoken and written literature of the Yoruba people, the largest ethno-linguistic group in Nigeria, and in Africa. The Yorùbá language is spoken in Nigeria, Benin, and Togo, as well as in dispersed Yoruba communities throughout the world.

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[edit] Writing

Yoruba did not have a written form before the nineteenth century. Many of the early contributions to Yoruba writing and formal study were made by English-educated Anglican priests. The first Yoruba grammar was published in 1843 by Bishop Samuel Ajayi Crowther. He himself was of Yoruba origin. The written form of the Yoruba language comes from a Conference on Orthography from the Church Missionary Society in Lagos, in 1875. The first history of the Yoruba people was compiled by Reverend Samuel Johnson in 1897 who was also of Yoruba origin. Thus, it must be noted that the formation of written Yoruba was facilitated by Yoruba people themselves despite the use of the Roman alphabet.

[edit] Mythology

Yoruba mythology is intertwined with history, with Yoruba claiming to descend from gods, and some kings becoming deified after their deaths. Itan is the word for the sum of Yoruba myth, poetry, song, and history. Yoruba deities are called Orishas, and make up one of the most complex pantheons in Africa.

Ifá, a complex system of divination, involves recital of Yoruba poetry containing stories and proverbs bearing on the divination. A divination recital can take a whole night. The body of this poetry is vast, and passed on between Ifa oracles.

[edit] Fiction

The first novel in the Yorùbá language was Ogboju Ode ninu Igbo Irunmale (The Forest of A Thousand Demons), written in 1938 by Chief Daniel O. Fagunwa (1903-1963). It contains the picaresque tales of a Yoruba hunter encountering folklore elements, such as magic, monsters, spirits, and gods. It was one of the first novels to be written in any African language. Fagunwa wrote other works based on similar themes, and remains the most widely-read Yorùbá-language author.

Amos Tutuola (1920-1997) was greatly inspired by Fagunwa, but wrote in an intentionally rambling, broken English, reflecting the oral tradition. Tutuola gained fame for The Palm-Wine Drinkard (1946, pub 1952), and other works based on Yoruba folklore.

Senator Afolabi Olabimtan (1932-1992) was a writer, along with professor, and politician. He wrote Yoruba language novels about modern Nigerian life and love, such as Kekere Ekun (1967; [Lad Nicknamed] Leopard Cub), and Ayanmo (1973; Predestination).

[edit] Drama

Chief Hubert Ogunde (1916-1990) founded the first professional Nigerian theatre company in 1945, and served in many roles, including playwright, in both English and Yoruba. He is considered the father of the Nigerian theatre.

Wole Soyinka (1934-) is sometimes considered Africa's most distinguished playwright, and was awarded the 1986 Nobel Prize in Literature. He writes in English, sometimes a Nigerian pidgin English, and his subjects, both plays and novels, include a mixture of Western, traditional, and modern African elements.

Akinwunmi Isola is a popular novelist (beginning with O Le Ku, Heart-Rending Incidents, in 1974), playwright, screenwriter, film producer, and professor of Yoruba language. His works include historical dramas and analyses of modern Yoruba novels.

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