Works of William Gibson

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William Gibson, noir prophet of cyberpunk.
William Gibson, noir prophet of cyberpunk.[1]

The works of William Gibson encompass literature, journalism, acting, recitation, and performance art. Primarily renowned as a novelist and short fiction writer in the cyberpunk milieu, Gibson invented the metaphor of cyberspace in "Burning Chrome" (1982) and emerged from obscurity in 1984 with the publication of his debut novel Neuromancer.[2][3] Gibson's early short fiction is recognized as cyberpunk's finest work,[4] effectively renovating the science fiction genre which had been hitherto considered widely insignificant.[5]

At the turn of the 1990s, after the completion of his Sprawl trilogy of novels, Gibson contributed the text to a number of performance art pieces and exhibitions,[3][6][7] as well as writing lyrics for musicians Yellow Magic Orchestra and Deborah Harry.[8][9] He wrote the critically acclaimed artist's book Agrippa (A Book of the Dead) in 1992 before co-authoring The Difference Engine, an alternate history novel that would become a central work of the steampunk genre.[10] He then spent an unfruitful period as a Hollywood screenwriter, with few of his projects seeing the light of day and those that did being critically unsuccessful.[11]

Although he had largely abandoned short fiction by the mid-1990s, Gibson returned to writing novels, completing his second trilogy, the Bridge trilogy at the close of the millennium. After writing two episodes of the television series The X-Files around this time, Gibson was featured as the subject of a documentary film, No Maps for These Territories, in 2000.[12] Gibson has been invited to address the National Academy of Sciences (1993) and the Director's Guild of America (2003) and has had a plethora of articles published in outlets such as Wired, Rolling Stone and The New York Times. His latest novels, Pattern Recognition (2003) and Spook Country (2007) have put Gibson's work onto mainstream bestseller lists for the first time.[13]

Contents

[edit] Novels

Skyscape of Chiba City, Tokyo in 2006. The city formed the primary setting of Neuromancer (1984), Gibson's breakthrough debut novel.
Skyscape of Chiba City, Tokyo in 2006. The city formed the primary setting of Neuromancer (1984), Gibson's breakthrough debut novel.
Gibson discussing Spook Country (2007) on August 8, 2007 while touring in support of the novel.
Gibson discussing Spook Country (2007) on August 8, 2007 while touring in support of the novel.

[edit] Short fiction

[edit] Collected

Burning Chrome (1986, Preface by Bruce Sterling):

[edit] Uncollected

The San Francisco-Oakland Bay Bridge, a fictional squatted version of which formed the setting for Gibson's short story "Skinner's Room" (1990). He would later revisit the setting in his Bridge trilogy of novels.
The San Francisco-Oakland Bay Bridge, a fictional squatted version of which formed the setting for Gibson's short story "Skinner's Room" (1990). He would later revisit the setting in his Bridge trilogy of novels.

[edit] Excerpted

[edit] Screenplays

A neck barcode tattoo, the sole element of Gibson's Alien³ script which was included in the final cut of the film.
A neck barcode tattoo, the sole element of Gibson's Alien³ script which was included in the final cut of the film.[17]

[edit] Unrealized

[edit] Screen appearances

[edit] Acting appearances

[edit] Documentaries

[edit] Television appearances

[edit] Articles

Nightscape of Singapore, which Gibson characterized as "Disneyland with the death penalty" in a Wired article of the same name.
Nightscape of Singapore, which Gibson characterized as "Disneyland with the death penalty" in a Wired article of the same name.
An unshiny amateur example of dorodango, the subject of Gibson's eponymous "Shiny Balls Of Mud" article for Tate Magazine in 2002.
An unshiny amateur example of dorodango, the subject of Gibson's eponymous "Shiny Balls Of Mud" article for Tate Magazine in 2002.

[edit] Forewords, introductions and afterwords

Transgressive artist Stelarc, the subject of Marquard Smith's Stelarc: The Monograph for which Gibson wrote the foreword. Stelarc shown here performing in Parasite: Event for Invaded and Involuntary Body, at the 1997 Ars Electronica Festival.
Transgressive artist Stelarc, the subject of Marquard Smith's Stelarc: The Monograph for which Gibson wrote the foreword. Stelarc shown here performing in Parasite: Event for Invaded and Involuntary Body, at the 1997 Ars Electronica Festival.

[edit] Miscellaneous

[edit] References

  1. ^ Bennie, Angela (2007-09-07). A reality stranger than fiction. Sydney Morning Herald. Fairfax Media. Retrieved on 2007-11-11.
  2. ^ Prucher, Jeff (2007). Brave New Words: The Oxford Dictionary of Science Fiction. Oxford University Press, 31. ISBN 9780195305678. OCLC 76074298. 
  3. ^ a b van Bakel, Rogier (June 1995). "Remembering Johnny: Notes on a process". Wired (3.06). 
  4. ^ McCaffery, Larry (1991). Storming the Reality Studio: a casebook of cyberpunk and postmodern science fiction. Durham, North Carolina: Duke University Press. ISBN 9780822311683. OCLC 23384573. 
  5. ^ Rapatzikou, Tatiani (2003-06-17). "William Gibson.". The Literary Encyclopedia. The Literary Dictionary Company. Retrieved on 2007-08-27.
  6. ^ Goldberger, Paul. "In San Francisco, A Good Idea Falls With a Thud", Architecture View, The New York Times, 1990-08-12. Retrieved on 2007-11-06. 
  7. ^ a b S. Page. William Gibson Bibliography / Mediagraphy. Retrieved on 2007-10-17.
  8. ^ a b Yellow Magic Orchestra - Technodon. Discogs. Retrieved on 2008-01-10.
  9. ^ a b Pener, Degen. "EGOS & IDS; Deborah Harry Is Low-Key -- And Unblond", The New York Times, 1993-08-22. Retrieved on 2007-11-07. 
  10. ^ Bebergal, Peter. "The age of steampunk", The Boston Globe, 2007-08-26, p. 3. Retrieved on 2007-10-14. 
  11. ^ Johnny Mnemonic at Rotten Tomatoes. Retrieved 2008-01-15.
  12. ^ Mark Neale (director), William Gibson (subject). (2000). No Maps for These Territories [Documentary]. Docurama.
  13. ^ Hirst, Christopher (2003-05-10). Books: Hardbacks. The Independent. Retrieved on 2007-07-08.
  14. ^ Maddox, Tom (1989). Maddox on Gibson. Retrieved on 2007-10-26. “This story originally appeared in a Canadian 'zine, Virus 23, 1989.”
  15. ^ a b Brown, Charles N.; William G. Contento (2004-07-10). Stories, Listed by Author. The Locus Index to Science Fiction (1984–1998). Locus. Archived from the original on 2007-03-04. Retrieved on 2007-10-29.
  16. ^ a b Bibliography of Works By William Gibson. Centre for Language and Literature. Athabasca University (2007-05-17). Retrieved on 2007-09-09.
  17. ^ Gibson, William (2003-09-01). Alien 3 Again. Retrieved on 2008-01-20.
  18. ^ Tom Maddox Unreal-Time Chat. Shop Talk. Retrieved on 2007-07-13.
  19. ^ a b c Gibson, William. Interview with Giuseppe Salza. Cannes. May 1994. (Interview). Retrieved on 2007-10-28.
  20. ^ Gibson, William (2006-07-22). Where The Holograms Go. Retrieved on 2007-11-26.
  21. ^ Cast. Mon Amour Mon Parapluie. Retrieved on 2007-10-26.
  22. ^ Gibson, William (1996-03-31). Foreword to City Come a-walkin'. Retrieved on 2007-05-01.
  23. ^ Shameless Self-Promotion: The Letter Column. Ansible 45 (February 1986).

[edit] External links