Witness for the Prosecution (play)
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Witness for the Prosecution | |
Written by | Agatha Christie |
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Date of premiere | September 28, 1953 |
Original language | English |
Witness for the Prosecution is a play adapted by Agatha Christie based upon her short story titled The Witness for the Prosecution. The play opened in London on October 28, 1953 at the Winter Garden Theatre (although the first performance had actually been in Nottingham on September 28). It was produced by Peter Saunders.
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[edit] Reception of London production
The Times of October 29, 1953 was enthusiastic in its praise stating, "The author has two ends in view, and she attains them both. She takes us now into the Old Bailey during an exciting trial for murder, now into chambers where the human reactions of the lawyers engaged in the case may be studied; and when the trial is over and there seems no more to be said, she swiftly ravels again the skein which the law has confidently unravelled and leaves herself with a denouement which is at once surprising and credible." The reviewer outlined the basics of the plot, commenting that Patricia Jessel's performance in the dock was "cold-bloodied" and that she "makes a clear-cut image of hatred releasing itself suddenly from inhibitions which have become intolerable" and that Derek Blomfield was "equally good". The greatest praise was reserved for the climax; "Mrs Christie has by this time got the audience in her pocket. A timely intervention of a woman of the streets offering new evidence seems precisely what the trial needs and when it is resumed the evidence brings it triumphantly to a satisfying conclusion. It is only then that the accomplished thriller writer shows her real hand."[1]
Ivor Brown of The Observer said in the issue of November 1, 1953 that the play had, "all the usual advantages of Counsel in conflict, agonised outbreak in the dock, and back-answers from the witness-box. To these are added a considerable and ingenious appendix; the jury's verdict is only the beginning of a story that has as many twists as a pigtail." He summed up with a comment on the performance of Patricia Jessel who, "takes the title-part with cool efficiency. Whether she is snake in the grass or butterfly on the wheel playgoers must find out for themselves. There will be plenty doing that."[2]
Philip Hope-Wallace in The Guardian's issue of October 30, 1953 said of the ending, "Justice has been done and has been seen to be done. We nod approvingly, at which moment Mrs Christie says in effect "Oh, so you thought that did you?" and with an unforeseen twist of the cards lets us see how wrong we were. This is satisfying, but it makes criticism almost impossible; first, one must not give away the clue and second, one must reconsider whether those witnesses who seemed the most plausible were not, in fact, less good players than those who seemed somehow not quite 'in character'". Nevertheless, Hope-Wallace did admit that the opening night was, "a great success" and stated that the play presented a, "well-made, humorous, exciting case".[3]
[edit] Credits of London production
Director: Wallace Douglas
Cast:
Rosalie Westwater as Greta, typist to Sir Wilfred
Walter Horsbrugh as Carter, Sir Wilfred's Chief Clerk / Alderman
Milton Rosmer as Mr Mayhew, a solicitor
Derek Blomfield as Leonard Vole
David Horne as Sir Wilfred Robarts, QC
David Raven as Inspector Hearne
Kenn Kennedy as Plain-Clothes Detective / Third Member of the Jury
Patricia Jessel as Romaine
Philip Holles as Clerk of the Court
Percy Marmont as Mr Justice Wainright
D. A. Clarke-Smith as Mr Myers, QC
Nicolas Tannar as Court Usher
John Bryning as Court Stenographer
Denzil Ellis as Warder
Muir Little as The Judge's Clerk
George Dudley as First Barrister
Jack Bulloch as Second Barrister
Lionel Gadsen as Third Barrister
John Farries Moss as Fourth Barrister
Richard Coke as Fifth Barrister
Agnes Fraser as Sixth Barrister
Lauderdale Beckett as First Member of the Jury
Iris Fraser Foss as Second Member of the Jury
David Homewood as a Policeman
Graham Stuart as Dr. Wyatt, a Police Surgeon
Jean Stewart as Janet MacKenzie
Peter Franklin as Mr. Clegg, a laboratory assistant
Rosemary Wallace as The Other Woman
The character of The Other Woman was, as the play revealed Romaine in disguise. Therefore, although credited, Rosemary Wallace was a pseudonym used to preserve the play's ending.
[edit] Broadway production
The play opened in America at Henry Miller's Theatre, New York on December 16, 1954. It was produced by Gilbert Miller and Peter Saunders. Patricia Jessel was the only member of the cast to transfer from the London production. The London Times reported on the success of the production in its issue of December 23, 1954 when they quoted a review in the New York Herald Tribune which said that the play should be, "A walloping success. The finish is done with such dedicated conviction, such patient plausibility, such respect for the medium as a thing of beauty that you are apt to find yourself gasping out loud."[4]
Sullivan and Jessel both won Tony Award's for their roles. The play ran for 645 performances, closing on June 30, 1956[5].
[edit] Credits of Broadway production
Director: Robert Lewis
Cast:
Gordon Nelson as Carter
Mary Barclay as Greta
Francis L. Sullivan as Sir Wilfred Robarts, QC
Robin Craven as Mr Mayhew
Gene Lyons as Leonard Vole
Claude Horton as Inspector Hearne
Ralph Leonard as Plain-Clothes Detective
Patricia Jessel as Romaine
Dolores Rashid as Third Juror
Andrew George as Second Juror
Jack Bittner as Foreman of the Jury
Arthur Oshlag as Court Usher
Ronald Dawson as Clerk of the Court
Ernest Clark as Mr Myers, QC
Horace Braham as Mr Justice Wainwright
R. Cobden-Smith as Alderman
Harold Webster as Judge's Clerk
W. H. Thomas as Court Stenographer
Ralph Roberts as Warder
Henry Craig Nelso as Barrister
Brace Conning as Barrister
Ruth Greene as Barrister
Albert Richards as Barrister
Franklyn Monroe as Barrister
Sam Kramer as Barrister
Bryan Herbert as Policeman
Guy Spaull as Dr Wyatt
Una O'Connor as Janet MacKenzie
Michael McAloney as Mr Clegg
Dawn Steinkamp as The Other Woman
As with the London production, Dawn Steinkamp was a pseudonym.
[edit] Publication and further adaptations
The play was first published in the UK in Famous Plays of 1954 by Victor Gollancz Ltd in 1954. The first printing in the US was in the same year in a paperback edition by Samuel French Ltd. French also published the play in the UK in 1957 as French's Acting Edition No 648 priced at five shillings. It was reprinted in hardback for the US market in The Mousetrap and Other Plays by Dodd, Mead and Company in 1993 (ISBN 0-39-607631-9) and in the UK by Harper Collins in 1993 (ISBN 0-00-243344-X).
The very first performance of the story, just pre-dating the debut of Christie's play, was in the form of a live telecast which aired on CBS's Lux Video Theatre on 17 September 1953 and which starred Edward G. Robinson (making his television debut), Andrea King and Tom Drake[6].
The film version, based on Christie's play, was released on February 6, 1958 and directed by Billy Wilder. Charles Laughton played Sir Wilfred, Marlene Dietrich played Romaine (renamed Christine) and Tyrone Power played Vole in his second to last role. A character not in the play, Sir Wilfred's nurse Miss Plimsoll, was created for the film and played by Laughton's wife Elsa Lanchester. Una O'Connor who had played Janet MacKenzie, the housekeeper of the murder victim, on the New York stage, reprised her role in the film. Laughton and Lanchester were nominated for Academy Awards.
A later adaptation was made for television in 1982 with Ralph Richardson, Deborah Kerr, Beau Bridges, Donald Pleasence, Wendy Hiller, and Diana Rigg. It was adapted by Lawrence B. Marcus and John Gay from the original screenplay and directed by Alan Gibson.
[edit] References
- ^ The Times October 29, 1953 (Page 7)
- ^ The Observer November 1, 1953 (Page 11)
- ^ The Guardian October 30, 1953 (Page 5)
- ^ The Times December 23, 1954 (Page 8)
- ^ Internet Broadway Database page on play
- ^ Page from Andrea King website on telecast