Wilkie Collins

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Wilkie Collins

William 'Wilkie' Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright, and author of short stories. He was hugely popular in his time, and wrote 27 novels, more than 50 short stories, at least 15 plays, and over 100 pieces of non-fiction work. His best-known works are The Woman in White, The Moonstone, Armadale and No Name.

1 Life
2 Works
3 Bibliography
4 References
5 External links

[edit] Life

Collins was born in London, the son of a well-known Royal Academician landscape artist, William Collins. Named after his father, he swiftly became known by his second name (which honoured his godfather, David Wilkie). From the ages of 12-15 he lived with his parent in Italy, which made a great impression on him. At the age of 17 he left school and was apprenticed as a clerk to a firm of tea merchants, but after five unhappy years, during which he wrote his first novel, Iolani, he entered Lincoln's Inn to study law. (Iolani remained unpublished for over 150 years until 1999.) After his father's death in 1847, Collins produced his first published book, Memoirs of the Life of William Collins, Esq., R.A. (1848), and also considered a career in painting, exhibiting a picture at the Royal Academy summer exhibition in 1849, but it was with the publication of his first published novel Antonina in 1850 that his career as a writer began in earnest.

An instrumental event in Collins' career occurred in 1851 when he was introduced to Charles Dickens by a mutual friend, Augustus Egg. They became lifelong friends and collaborators; Collins became an editor of Dickens' "Household Words", and several of Collins' novels were serialized in Dickens' weekly publication All the Year Round, and Dickens later edited and published them himself. Collins' younger brother Charles Allston married Dickens' younger daughter Kate.

Collins suffered from a form of arthritis known as 'rheumatic gout' and became severely addicted to the opium that he took (in the form of laudanum) to relieve the pain. As a result he experienced paranoid delusions, the most notable being his conviction that he was constantly accompanied by a subjective doppelgänger he dubbed 'Ghost Wilkie'. His novel The Moonstone prominently features the effects of opium and opium addiction. While he was writing it, Collins' consumption of laudanum was such that he later claimed to have no memory of writing large parts of the novel.

Collins never married, but lived, on and off from 1858, with a widow, Mrs. Caroline Graves, and her daughter. He also fathered three children by another woman, Martha Rudd, whom he met after Mrs. Graves left him in 1868. Mrs. Graves returned to Collins after two years, and he continued both relationships until his death in 1889.

He is buried in Kensal Green Cemetery, West London. His grave notes him as the author of The Woman in White. Grave Number 31754, Square 141, Row 1.

[edit] Works

His works were classified at the time as 'sensation novels', a genre seen nowadays as the precursor to detective fiction and suspense fiction. He also wrote penetratingly on the plight of women and on the social and domestic issues of his time. Like many writers of his time, he published most of his novels as serials in magazines such as Dickens's All the Year Round, and was known as a master of the form, creating just the right degree of suspense to keep his audience reading from week to week. (Sales of All The Year Round actually increased when The Woman in White followed A Tale of Two Cities.)

He enjoyed ten years of great success following publication of The Woman in White in 1859. His next novel, No Name combined social commentary - the absurdity of the law as it applied to children of unmarried parents (see illegitimacy) - with a densely-plotted revenge thriller. Armadale, the first and only of Collins' major novels of the 1860s to be serialised in a magazine other than Dickens' "All The Year Round", provoked strong criticism, generally centered upon its transgressive villainess Lydia Gwilt; and provoked in part by Collins's typically confrontational preface. The novel was simultaneously a financial coup for its author and a comparative commercial failure: the sum paid by Cornhill for the serialisation rights was exceptional, eclipsing the prices paid for the vast majority of similar novels by a substantial margin, yet the novel itself failed to recoup its publishers' investment. The Moonstone, published in 1868, and the last novel of what is generally regarded as the most successful decade of its author's career, was, despite a somewhat cool reception from both Dickens and the critics, a significant return to form and reestablished the market value of an author whose success in the competitive Victorian literary marketplace had been gradually waning in the wake of his first "masterpiece." Viewed by many to represent the advent of the detective story within the tradition of the English novel, The Moonstone remains one of Collins's most critically acclaimed productions.

However, various factors (most often cited is the death of Dickens in 1870 and thus the loss of his literary mentoring; Collins's increased dependence upon laudanum; and a somewhat ill-advised penchant for using his fiction to rail against social injustices) appear to have led to a decline in the two decades following the success of his sensation novels of the 1860s. His novels and novellas of the '70s and '80s, whilst by no means entirely devoid of merit or literary interest, are generally regarded as inferior to his previous productions and receive comparatively little critical attention today.

The Woman in White and The Moonstone share an unusual narrative structure, somewhat resembling an epistolary novel, in which different portions of the book have different narrators, each with a distinctive narrative voice (Armadale has this to a lesser extent through the correspondence between some characters). The Moonstone, being the most popular of Collin's novels, is known as a precursor for detective fiction such as Sherlock Holmes.

After The Moonstone, Collins's novels contained fewer thriller elements and more social commentary. The subject matter continued to be "sensational", but his popularity declined. Swinburne commented: "What brought good Wilkie's genius nigh perdition? Some demon whispered - 'Wilkie! have a mission.'"

[edit] Bibliography

Iolani, or Tahiti as it was. A Romance (written 1844; published 1999)
Memoirs of the Life of William Collins, Esq., R.A. (1848)
Antonina (1850)
Rambles Beyond Railways (1851)
Basil (1852)
Mr Wray's Cash Box (1852)
Hide and Seek (1854)
The Ostler (1855)
After the Dark (1856)
The Dead Secret (1857)
A Rogue's Life (1857/1879)
The Frozen Deep (1857), a play co-written with Charles Dickens
A Terribly Strange Bed (1858)
A House to Let (1858), a short story co-written with Charles Dickens, Elizabeth Gaskell and Adelaide Anne Procter
The Queen of Hearts (1859)
The Woman in White (1860)
No Name (1862)
My Miscellanies (1863)
Armadale (1866)
No Thoroughfare (1867), a story and play co-written with Charles Dickens
The Moonstone (1868)
Man and Wife (1870)
Poor Miss Finch (1872)
Miss or Mrs? (1873)
The New Magdalen (1873)
The Frozen Deep and Other Stories (1874)
- The Frozen Deep
- Dream Woman
- John Jago's Ghost; or The Dead Alive
The Law and the Lady (1875)
The Two Destinies (1876)
The Haunted Hotel (1878)
The Fallen Leaves (1879)
My Lady's Money (1879)
Jezebel's Daughter (1880)
The Black Robe (1881)
Heart and Science (1883)
I Say No (1884)
The Ghost's Touch and Other Stories (1885)
The Evil Genius (1886)
The Guilty River (1886)
Little Novels (1887)
The Legacy of Cain (1889)
Blind Love (1889 - unfinished. Completed by Walter Besant)