Where the Wild Things Are (opera)
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Where the Wild Things Are is a 'fantasy' opera in one act by Oliver Knussen, his Opus 20, to a libretto by Maurice Sendak, based on Sendak's own children's book of the same title. Knussen composed the music over the period 1979 to 1983, on commission from the Opèra National, Brussels. The first version of the opera was premiered in Brussels at the Théâtre de La Monnaie on 28 November 1980, conducted by Ronald Zollman. Knussen continued work on the score, and the final version was first performed by Glyndebourne Touring Opera at the National Theatre, London on 9 January 1984, with the composer conducting. The first US production was at the Minnesota Opera in September 1985, directed by Frank Corsaro.[1]. The same Minnesota production was given at the New York City Opera in November 1987.[2]
In form and subject matter the work relates to Maurice Ravel's L'enfant et les sortilèges, as well as Stravinsky's The Nightingale. Knussen also included a number of musical quotations, including Debussy's La boîte à joujoux and the bell motif from the Coronation Scene of Mussorgsky's Boris Godunov.[3] Robin Holloway has noted affinities of the score with aspects of Harrison Birtwistle's Punch and Judy and Benjamin Britten's Death in Venice.[4]
Contents |
[edit] Roles
- Max (soprano)
- Mama (mezzo-soprano)
- Tzippy, female Wild Thing (mezzo-soprano)
- Wild Thing with Beard (tenor)
- Wild Thing with Horns (baritone)
- Rooster Wild Thing (bass-baritone)
- Bull Wild Thing (bass)
- Goat Wild Thing (dance-mime)
The published score notes that "all the Wild Things may be played by dancers on stage with singers (amplified) off-stage".
[edit] Synopsis
Max is a rambunctious boy who dresses in a wolf suit. After he throws a tantrum, Mama (his mother) confines him to his room. Max then escapes in his dreams to a forest, and then to the island of the Wild Things. The Wild Things eventually hail Max as their king, and the "coronation" culminates in a frenzied dance, the Wild Rumpus. In the course of the Rumpus, Tzippy, the female Wild Thing, loses her head, which causes Max to halt the Rumpus. At the end, the dream is over, and Max starts to eat the food his Mama had left for him during his dream time.
[edit] Recordings
- Unicorn-Kanchana DKP 9044 / Arabesque 6535-L: Rosemary Hardy, Mary King, Hugh Hetherington, Stephen Richardson, Stephen Rhys-Williams, Andrew Gallacher; London Sinfonietta; Oliver Knussen, conductor[5] [6]
- Deutsche Grammophon 469 556-2: Lisa Saffer, Mary King, Christopher Gillett, Quentin Hayes, David Wilson-Johnson, Stephen Richardson; London Sinfonietta; Oliver Knussen, conductor[7]
[edit] References
- ^ Michael Walsh. "Mastering the Wild Things", Time, 14 October 1985. Retrieved on 2007-09-15.
- ^ John Rockwell. "City Opera: A Mozart and Knussen Pairing", New York Times, 14 November 1987. Retrieved on 2007-09-15.
- ^ Andrew Clements. "London Sinfonietta/Knussen (review of Prom 10, 2002)", The Guardian, 27 July 2002. Retrieved on 2007-09-15.
- ^ Holloway, Robin, "First Performances: Where the Wild Things Are" (June 1981). Tempo (New Ser.), 137: pp. 36-38.
- ^ Hunt, Christopher (1986). "Where the Wild Things Are. Oliver Knussen". The Opera Quarterly 4 (1): 152–154. doi:.
- ^ Bray, Trevor, "Recordings - Knussen: Where the Wild Things Are" (March 1986). Tempo (New Ser.), 156: pp. 27-28.
- ^ Galloway, Malcolm, "Record Reviews - Oliver Knussen: Higglety Pigglety Pop!; Where the Wild Things Are" (October 2001). Tempo (New Ser.), 218: pp. 62-63.
