Voss (novel)

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Voss

Author	Patrick White
Country	Australia
Language	English
Genre(s)	Novel
Publisher	Eyre & Spottiswoode
Publication date	1957
Media type	Print (Hardback & Paperback)
Pages	478 pp
ISBN	ISBN 0-09-932471-7
Preceded by	The Tree of Man
Followed by	Riders in the Chariot

Voss is an epic novel by Patrick White, first published in 1957. It is based upon the life of the nineteenth-century Prussian explorer and naturalist Ludwig Leichhardt who disappeared whilst on an expedition into the Australian outback.

1 Plot summary
2 Symbolism
3 Film, TV or theatrical adaptations
4 Notes
5 References

[edit] Plot summary

The novel centres on two characters, Voss, a German; and Laura Trevalyan, a young woman, orphaned and new to the colony of Australia. It opens as they meet for the first time in the house of Laura's uncle and the patron of Voss's expedition, Mr Bonner.

Johann Ulrich Voss sets out to cross the Australian continent in 1845. After collecting a party of settlers and two Aboriginals, his party heads inland from the coast only to meet endless adversity. The explorers cross drought plagued desert then water-logged lands until they retreat to a cave where they lie for weeks waiting for the rain to stop. Voss and Laura retain a connection despite Voss's absence and the story intersperses developments in each of their lives. Laura adopts an orphaned child and attends a ball during Voss's absence.

The travelling party splits in two and nearly all members eventually perish. The story ends some twenty years later at a garden party hosted by Laura's cousin Belle Radclyffe (nee Bonner) on the day of the unveiling of a statue of Voss. The party is also attended by Laura Trevalyan and the one remaining member of Voss's expeditionary party, Mr Judd.

The strength of the novel comes not from the physical description of the events in the story but from the explorers' passion, insight and doom. The novel draws heavily on the complex character of Voss.

[edit] Symbolism

The novel uses extensive religious symbolism. Voss is compared repeatedly to God, Christ and the Devil. Like Christ he goes into the desert, he is a leader of men and he tends to the sick. Voss and Laura have a meeting in a garden prior to his departure that could be compared to the Garden of Eden.

A metaphysical thread unites the novel. Voss and Laura are permitted to communicate through visions. White presents the desert as akin to the mind of man, a blank landscape in which pretensions to godliness are brought asunder. In Sydney, Laura's adoption of the orphaned child, Mercy, represents godliness through a pure form of sacrifice.

There is a continual reference to duality in the travelling party, with a group led by Voss and a group led by Judd eventually dividing after the death of the unifying agent, Mr Palfreyman, a priest. The intellect and pretensions to godliness of Mr Voss are compared unfavourably with the simplicity and earthliness of the pardoned convict Judd. Mr Judd, it is implied, has accepted the blankness of the desert of the mind, and in doing so, become more 'godlike'.

The spirituality of Australia's indigenous people also infuses the sections of the book set in the desert...

[edit] Film, TV or theatrical adaptations

Voss has also been transformed into an opera written by Richard Meale^[1] with the libretto by David Malouf.^[1] The world premier was at the 1986 Adelaide Festival of Arts conducted by Stuart Challender.^[1]