Virgin Records

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Virgin Records
Image:Virgin Records.svg
Parent company EMI
Founded 1972
Founder Richard Branson
Distributing label Capitol Music Group (in the U.S.)
Genre Various
Country of origin UK
Official website Official website of Virgin Records

Virgin Records is a British recording label founded by English entrepreneur Richard Branson, Simon Draper and Nik Powell in 1972. It was later sold to Thorn EMI, and then merged with Capitol Records in 2006 to create Capitol Music Group.

Contents

[edit] Kraut- and Prog-rock origins

Virgin logo designed by Roger Dean for the fledging Virgin Records label
Virgin logo designed by Roger Dean for the fledging Virgin Records label

Branson & Powell had initially run a small record shop called Virgin Records and Tapes on Notting Hill Gate, London, specialising particularly in "krautrock" imports, and offering bean bags and free vegetarian food for the benefit of customers listening to the music on offer.[1]

After making the shop into a success, they turned their business into a fully-fledged record label. The name Virgin, according to Branson (in his autobiography), arose from a colleague of his when they were brainstorming business ideas. She suggested Virgin - as they were all new to business - like "virgins". The original Virgin logo (known to fans as the "Gemini" or "Twins" logo) was designed by English artist and illustrator Roger Dean : a young naked woman in mirror image with a large long-tailed serpent and the word "Virgin" in Dean's familiar script. A variation on the logo was used for the spin-off Caroline Records label.

The first release on the label was the progressive rock album Tubular Bells by multi-instrumentalist Mike Oldfield in 1973. This was soon followed by some notable krautrock releases, including electronic breakthrough album Phaedra by Tangerine Dream (which went Top 10), and The Faust Tapes and Faust IV by Faust. The Faust Tapes album retailed for 49p (the price of a 7" single) and as a result allowed this relatively unknown band to reach number 12 in the album charts. Other early albums include Gong's The Flying Teapot (Radio Gnome Invisible, Pt. 1) (V2002) and the various artists Manor Live (V2004) album.

[edit] Post-punk rebranding

Although Virgin was initially one of the key labels of English progressive rock, the 1977 signing of the Sex Pistols, who had already been asked to leave both EMI and A&M, reinvented the label as a new wave outpost. Shortly afterwards, the Notting Hill record shop (above which the label's office was located) was raided by police for having a window display of the Sex Pistols' album Never Mind the Bollocks, Here's the Sex Pistols in the window. Afterwards they signed groups like XTC, Human League, Culture Club, Gillan, Simple Minds, and less successful bands like Shooting Star, the Motors, Holly and the Italians and Fingerprintz. A short-lived subsidiary label, DinDisc, had Orchestral Manoeuvres in the Dark and The Monochrome Set during its brief 1980-81 existence. Similarly, Virgin Front Line became one of the UK's most successful reggae labels in the late '70s and early '80s.

The current Virgin logo (known informally as "The Scrawl") was created in 1982 as a hasty doodle on a cocktail napkin; rather than hiring the graphic designer, Branson simply paid him for the napkin.

The group Genesis recorded various albums for this record company beginning with 1983's self-titled effort (Virgin reissued the group's prior albums, which had originally been released on the Charisma label in the UK).

After several false starts licensing its bands to American labels like Epic (Culture Club, Holly and the Italians & Shooting Star), Atlantic (Genesis, Julian Lennon) and A&M (UB40, Human League, Simple Minds, Breathe), Virgin Records opened up its American division, Virgin Records America, in 1987 releasing the debut album by Cutting Crew and the hit single "I Just Died In Your Arms"; other Virgin America signings included Camper Van Beethoven, Bob Mould, Warren Zevon, Paula Abdul and Steve Winwood. Virgin Records America's releases were distributed by WEA until 1992. Prior to the formation of Virgin Records America, its artists were licensed in the United States to labels such as CBS, A&M, Warner Bros. Records, and others.

[edit] Purchase by Thorn EMI

Virgin Records was sold by Branson to Thorn EMI in June 1992 for a reported US$1 billion (around £560 million) [1][2], with a special non-competition clause that would prevent Branson from founding another recording company during the five years following the agreement (see the final paragraph in E.U. Merger Decission IV/M202 of 27.04.1992). It now faces competition from Branson's new label: V2 Records. Branson sold Virgin Records to fund Virgin Atlantic Airways which at that time was coming under intense anti-competitive pressure from British Airways. (In 1993 BA settled a libel action brought by Branson, giving him £500,000 and a further £110,000 to his airline).

After being acquired by Thorn EMI, Virgin launched several subsidiaries like Realworld Records, Innocent Records, blues specialty label Point Blank Records, and Hut Records, and continued signing new and established artists like 30 Seconds to Mars, Tina Turner, Beenie Man, Korn, The Rolling Stones, The Smashing Pumpkins, We Are Scientists, Darren Hayes, The Kooks, Lenny Kravitz, Meat Loaf, Placebo, Janet Jackson (Contract ended in 2006), Daft Punk, Does It Offend You, Yeah?, Massive Attack, Blur, The Chemical Brothers, Spice Girls, Gorillaz, Paula Abdul(Contract ended in 1999), Brooke Allison, The Red Jumpsuit Apparatus, The Almost, Mariah Carey (Contract ended in 2002), N.E.R.D. and recently RBD, Bizzy Bone, and Swami.

[edit] Merger

Main article: Capitol Music Group

Capitol Records and Virgin Records were merged in 2006 to create Capitol Music Group after a massive restructuring of the EMI company.[3] Stepping down as chief executive of Capitol Records was Andy Slater, per the announcement, with Jason Flom, former executive of Virgin, taking the reins as Chairman and CEO of the newly created company.

[edit] See also

[edit] References

  1. ^ Lott, Tim. "The day my music died", The Guardian, March 26, 2004. Retrieved on 2007-09-17. (English) 

[edit] External links