Vineland

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Vineland
Vineland book cover
1997 Penguin Classics cover
Author Thomas Pynchon
Country United States
Language English
Genre(s) Novel
Publisher Little, Brown
Publication date 1990
Media type Print (Hardcover)
Pages 385 pp
ISBN ISBN 0-316-72444-0
Preceded by Slow Learner
Followed by Mason & Dixon

Vineland is a 1990 novel by Thomas Pynchon, a postmodern tale of life in the 1980's United States. Its central locale is Vineland, California, a fictional small town in California's Anderson Valley (perhaps based upon Boonville). The title Vineland may be a play on the word "Hollywood", a reference to the first Viking settlement in North America, Vinland, or a reference to Andrey Vinelander, a character in Vladimir Nabokov's Ada or Ardor: A Family Chronicle. Still others contend that the title refers to Vineland, New Jersey, the hometown of Patti Smith. However, the most obvious explanation is that the title is a reference to the area in which the novel is set, which is near California's grapevine-filled Wine Country.

Vineland disappointed many critics and readers who waited almost twenty years since Gravity's Rainbow in 1973[citation needed]. In contrast to Pynchon's earlier works, Vineland was seen as overtly political and polemical, as if Pynchon, disgusted with Reaganomics, penned an angry modern adaptation of George Orwell's Nineteen Eighty-Four.[citation needed] On the other hand, one reviewer argues,

...such appraisals are the result of these readers' failure to apprehend the historical depth the novel offers, and their refusal to take seriously the endpoint of the history it relates. There has yet to be a critic who, like the ghost of Walter Rathenau in Gravity's Rainbow, is able to "see the whole shape at once," the continuing pattern of executive aggrandizement so carefully interwoven into the exposition of Vineland and which leads up to a moment as apocalyptic as any in recent fiction. To answer Leithauser, Wilde, and Mackey, there is in Vineland something "overarchingly malignant," "some glamorously threatening force," an "awesome glimpse of the sublime and the demonic"; it has simply gone unrecognized. [1]

Others note, however, that the novel is as relentless in its satire of representatives of the counterculture and oppositional movements as it is of government authority and agents.[citation needed]

Politics aside, Pynchon's technique is still recognizable: from a cameo of Mucho Maas (from The Crying of Lot 49) to a bizarre episode hinting at Godzilla, Pynchon's "zaniness" pervades the novel. For example, Pynchon laces the book with Star Trek references: he has his characters watch a sitcom named Say, Jim, about a starship all of whose officers "were black except for the Communications Officer, a freckled white redhead named Lieutenant O'Hara." The numerous references to films rigourously include the year of release in a manner unusual for a work of fiction. Several characters are Thanatoids, victims of karmic imbalance and inhabitants of a strange state of being "like death, only different". In addition, the novel is replete with female ninjas, astrologers, marijuana smokers, television addicts, musical interludes (including the theme song of The Smurfs) and, naturally, metaphors drawn from Star Trek.


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