Victoria Station (play)

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Main article: Works of Harold Pinter

Victoria Station is a short play for two actors by the English playwright Harold Pinter. It was first performed at the National Theatre, London, on 14 October 1982. The performers were Paul Rogers as the Controller and Martin Jarvis as the Driver.

Set in the control room of a cab company, Victoria Station consists of a radio dialogue between the controller and one of his drivers, who is stopped by the side of 'a dark park' in Crystal Palace. The controller requires the driver to pick up a client from Victoria Station, but the driver declines to move, suddenly obsessed with an earlier client (unmoving in the back seat), whom he says he is in love with and refuses to be parted from. The relationship between the driver and the controller becomes co-dependent, as the driver finally begs, 'Don't leave me.' The play, which lasts under ten minutes, is mostly comic as the controller becomes more and more frantic at the driver’s recalcitrance, but the closing moments take on a darker tone as the controller leaves the office in menacing search of the driver.

Published as part of Pinter's volume Other Places: Three New Plays by Harold Pinter, Victoria Station was among the short works included in a 2007 London production entitled Pinter's People.

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v • d • e
The plays of Harold Pinter
Plays : Ashes to Ashes, The Basement, Betrayal, The Birthday Party, The Caretaker, Celebration, The Collection, The Dumb Waiter, The Dwarfs, Family Voices, The Homecoming, The Hothouse, A Kind of Alaska, Landscape, The Lover, Moonlight, Monologue, Mountain Language, A Night Out, Night School, No Man's Land, Old Times, One for the Road, Party Time, Remembrance of Things Past (with Di Trevis), The Room, Silence, A Slight Ache, Tea Party, Victoria Station, Voices (with James Clarke)
Sketches : Apart From That, Applicant, The Black and White, Dialogue for Three, Interview, Last to Go, The New World Order, Night, Precisely, Press Conference, Request Stop, Special Offer, That's All, That's Your Trouble, Trouble in the Works