Victor Herbert

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Victor Herbert
Victor Herbert

Victor August Herbert (February 1, 1859 – May 26, 1924) was a cellist, conductor and composer best known for his light operas. He was prominent among the tin pan alley composers and later a founder of the American Society of Composers, Authors, and Publishers (ASCAP).

Contents

[edit] Biography

Herbert was born in Dublin, Ireland. His parents were Edward Herbert (d. 1861) and Fanny Lover. At age three and a half, shortly after the death of his father, Victor moved to live with his grandparents in Kent, England, where he received encouragement in his creative endeavours. His grandfather was the Irish novelist, playwright and composer Samuel Lover. He re-joined his mother in Stuttgart in 1867, where his mother remarried a physician, Carl Schmidt of Langenargen, Germany, and his music was put on hold until a relatively late age.

[edit] Early career

Herbert received his early musical training with Max Seifriz at the Stuttgart Conservatory in 1876, where he developed into an outstanding cellist. He played cello in the orchestra of Johann Strauss in Vienna.

Herbert married the Viennese soprano Therese Förster in 1886, and the couple soon came to the United States in 1886 (when he was 27 years old) when his wife was engaged by the Metropolitan Opera Company. Herbert began his career in America playing the cello in the Met orchestra. Madame Herbert-Förster sang the title role in the Met's first production of Verdi's Aida. The couple had two children, Ella and Gilbert.

[edit] Conductor

In 1892, Victor Herbert exhibited another side of his musical life when he became conductor of the 22nd Regimental Band of the New York National Guard, succeeding the great Patrick Gilmore; the following year he took over leadership of Gilmore’s civilian band following Gilmore’s death. Herbert conducted the Pittsburgh Symphony from 1898 until 1902, building that orchestra into a major American ensemble, with tours to major cities, including New York and Chicago, where his Auditorium Festival March celebrated the twelfth anniversary of Chicago's Auditorium Theatre in 1901, designed by Louis Sullivan. Six years later, Herbert founded the Victor Herbert Orchestra and conducted programs of light orchestral music on tours and at summer resorts for many years. His orchestra made a series of acoustical recordings for the Victor Talking Machine Company and Herbert was a cello soloist in several Victor recordings as well.

[edit] Composer

Among other works, Herbert composed two operas, Natoma and Madeleine, one cantata, 43 operettas, incidental music to 10 stage productions of others including several of the Ziegfeld Follies, 31 compositions for orchestra including the Auditorium Festival March (1901), nine band compositions, nine cello compositions and five violin compositions with piano or orchestra, 22 piano compositions, one flute and clarinet duet with orchestra, 54 songs not including those from other works, 12 choral compositions, and numerous orchestrations of works by other composers.

In 1894, Herbert composed the first of his operettas, Prince Ananias, which was soon followed by the successful The Wizard of the Nile, The Serenade and The Fortune Teller. Starting in 1903, Babes in Toyland, Mlle. Modiste, The Red Mill, Naughty Marietta, and other successes made him one of the best-known figures in American music. He finally realized his long-standing intention to compose an Irish operetta, Eileen, produced in 1917. Herbert's last operetta was The Dream Girl in 1924. His most successful operettas include:

A number of these Herbert operettas are still performed and recorded today by light opera companies, as well as occasionally by the larger opera companies.

Herbert's first opera Natoma debuted in Philadelphia on February 25, 1911 and in New York on February 28, 1911. It starred Mary Garden in the title role and the young Irish tenor John McCormack in his opera debut, creating the role of the American seaman, Paul. His short opera Madeleine was produced at the Metropolitan Opera in 1914.

Antonín Dvořák claimed to have been inspired to write his Concerto for Cello and Orchestra in B minor, Op. 104 (1894-1895) after hearing Herbert's 1894 Cello Concerto No. 2 in E minor, Op. 30. Herbert's concerto has been recorded by cellists such as Yo-Yo Ma (with Kurt Masur and the New York Philharmonic), Julian Lloyd Webber (with Sir Charles Mackerras and the London Symphony Orchestra), and an early rare recording by Bernard Greenhouse (with Max Schönherr and the Vienna Symphony Orchestra), adding weight to Herbert's reputation as an under appreciated composer of his era.

[edit] ASCAP

In the early years of the twentieth century, Herbert championed the right of composers to profit from their work and worked closely with John Philip Sousa, Irving Berlin, and others in founding, on February 13, 1914, the American Society of Composers, Authors, and Publishers (ASCAP), the organization that even today protects the rights of creative musicians. Herbert served as the organization's vice president for a decade.

[edit] Recordings

  • The Music of Victor Herbert recorded by Beverly Sills, soprano, and Andre Kostelanetz, conducting, on Angel records SFO-37160 (1976)
  • Cello Concertos recorded by Lynn Harrell with The Academy of St.Martin in the Fields conducted by Sir Neville Marriner on Decca 417 672-2
  • Victor Herbert Eileen Romantic Comic Opera in Three Acts (1917) recorded in 1998 by the Ohio Light Opera, James Stewart, Artistic Director; Newport Classic, (NPD 85615/2)
  • Victor Herbert: Beloved Songs and Classic Miniatures (1999) recorded by Virginia Croskery, soprano, and Keith Brion, conducting the Slovak Radio Symphony Orchestra on the Naxos CD 8.559.26
  • The Red Mill: Romantic Opera in Two Acts by Victor Herbert recorded in 2001 by Ohio Light Opera; L. Lynn Thompson, Conductor; Steven Daigle, Artistic Director; Albany Records (Troy 492/493).
  • A stereo recording of a number of Herbert's operas was made by Reader's Digest for their 1963 album Treasury of Great Operettas. Each of the 24 operettas in the set is condensed to fill one Lp side.

[edit] Bibliography

  • Herbert, Victor (1927). Victor Herbert Song Album, Vol. 1, New York: M. Witmark & Sons. OCLC 8022756. 
  • Herbert, Victor (1938). Victor Herbert Song Album, Vol. 2, New York: M. Witmark & Sons. OCLC 38229555. 
  • Herbert, Victor (1976). The Music of Victor Herbert. New York: Warner Bros. Publications. OCLC 3551867. 
  • Kaye, Joseph (1931). Victor Herbert: The Biography of America's Greatest Composer of Romantic Music. New York: G. Howard Watt. OCLC 871263. 
  • Purdy, Claire Lee (1944). Victor Herbert: American Music Master. New York: Julian Messner, Inc.. OCLC 3898217. 
  • Waters, Edward N. (1955). Victor Herbert: A Life in Music. New York: Macmillan. OCLC 1293405.  (reprinted in 1978 by Da Capo Press)
  • American Society of Composers, Authors and Publishers. Victor Herbert. A bibliography of his recordings, compositions, operettas, instrumental, choral and other works. New York, 1959.
  • Barnes, Edwin N. C. Near Immortals: Stephen Foster, Edward MacDowell, Victor Herbert. Washington, D.C.: Music Education Publications, c1940.
  • Crouse, Russel. The Great Victor Herbert. Hollywood, 1939.
  • Forbes, Douglas L. Some Serious Compositions of Victor Herbert. A study in musical style. 1957. (Dissertation)

[edit] Notes

  1. ^ Midi files and information about It Happened in Nordland
  2. ^ IBDB entry on It Happened in Nordland
  3. ^ IBDB entry on Miss Dolly Dollars
  4. ^ IBDB entry on Dream City
  5. ^ IBDB entry on Little Nemo
  6. ^ IBDB entry on The Enchantress
  7. ^ IBDB entry on The Lady of the Slipper
  8. ^ Vocal score of The Lady of the Slipper
  9. ^ IBDB entry on The Only Girl
  10. ^ Vocal score for The Only Girl
  11. ^ IBDB entry on The Velvet Lady
  12. ^ IBDB entry on Angel Face
  13. ^ IBDB entry on My Golden Girl
  14. ^ IBDB entry on Orange Blossoms
  15. ^ Vocal score for Orange Blossoms

[edit] References

  • Bordman, Gerald. American Operetta. New York: Oxford University Press, 1981.
  • Bordman, Gerald. American Musical Theatre: a Chronicle (New York, 1978; 2nd Ed 1986)
  • Debus, A. G. "The Early Victor Herbert", Music of Victor Herbert, Smithsonian Collection DMP30366 (1979; disc notes)
  • Ganzl, Kurt. The Encyclopedia of Musical Theatre (3 Volumes). New York: Schirmer Books 2001
  • Hamm, C. Yesterdays: Popular Song in America (New York, 1979)
  • Kaye, J. Victor Herbert (G Howard Watt, New York, 1931)
  • Ledbetter, Steven. Herbert, Victor (August) (Phonoarchive.org at Grove), accessed March 24, 2008
  • Purdy, C. L. Victor Herbert, American Music Master (New York, 1944)
  • Schmalz, R. F. "Paur and the Pittsburgh: Requiem for an Orchestra", American Music, xii/2 (1994), pp. 125–47
  • Shirley, W. "A Bugle Call to Arms for National Defense! Victor Herbert and his Score for The Fall of a Nation", Quarterly Journal of the Library of Congress, xl (1983), pp. 26–47
  • Smith, H. B. First Nights and First Editions (Boston, 1931)
  • Studwell W. E. "Foreigners and Patriots: the American Musical, 1890–1927: an Essay and Bibliography", Music Reference Services Quarterly, iii/1 (1994–5), pp. 1–10
  • Traubner, Richard. Operetta: A Theatrical History. Garden City, NY: Doubleday & Company, 1983
  • Waters, E N. Victor Herbert: a Life in Music (Macmillan, New York, 1955)

[edit] External links

v • d • e
Pittsburgh Symphony Orchestra Music Directors

Frederic Archer (1896) · Victor Herbert (1898) · Emil Paur (1904) · Antonio Modarelli (1930) · Otto Klemperer (1937) · Fritz Reiner (1938) · William Steinberg (1952) · André Previn (1976) · Lorin Maazel (1988) · Mariss Jansons (1996) · Andrew Davis (2005)