Vega Company
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The Vega Company was one of an illustrious group of musical instrument manufacturers trading in Boston, Massachusetts at the latter part of the 19th and early part of the 20th centuries. The company first took shape in 1881 under the guidance of Swedish-born Julius Nelson, his brother Carl, and a group of associates including John Pahn and John Swenson. The founders had previously worked for a guitar shop, run by Pehr Anderberg, that made instruments for John C. Haynes, another venerable Boston musical instrument company. Nelson had served as foreman of guitar and mandolin manufacturing at Anderberg's shop. Subsequently, Julius and Carl Nelson bought out the other founding associates and established the Vega company.
In 1904, Vega acquired the instrument manufacturing firm (primarily building banjos) previously operated by A. C. Fairbanks. Vega also acquired the plectrum instrument division (comprising bowl-back mandolins, guitars, and several types of banjos) of Boston's Thompson & Odell Company. The emphasis remained true to Vega's origins, however, with about 60% of business centered on stringed instruments and 40% on brass.
The Vega Company is perhaps best known today for its banjos. The company continued to build and sell A.C. Fairbanks banjos after its acquisition of that company. For a time, these continued to be labeled as A. C. Fairbanks banjos, later switching to "Fairbanks banjo by the Vega Co.," and eventually carrying only the Vega name. David L. Day, who had been the chief acoustical designer at Fairbanks became general manager of the Vega stringed instrument division and continued to develop innovative and successful banjo designs. For example, the Vega Tu-ba-Phone, first appearing in 1909, featured a perforated metal tone ring - a ring-shaped, square-sectioned metal tube that sat between the instrument's wooden rim and calfskin head - that gave it a volume and tone still admired by many banjo players.
Another noteworthy Vega instrument line was the cylinder-back mandolin. This was really a whole family of mandolin-style instruments corresponding to different members of the violin family and similarly suited to playing ensemble music.
Vega also produced high quality guitars. In the 1930s, the company built archtop guitars whose back and top were carved in the manner of violins. These became especially popular with jazz musicians. Eventually electrified versions of the archtop guitars were also produced. Vega also produced a guitar that had a longitudinal bulge along its back, like the company's cylinder-back mandolins, and a similar longitudinal bulge along its top. The top bulge is reminiscent of the design used on Howe-Orme instruments, also built by a Boston firm, the Elias Howe Company.
As the 1940s and 1950s unfolded, the quality of Vega instruments declined and it became clear that the company's most innovative and productive years had passed. In the 1970s, the C. F. Martin Company purchased the Vega Company in the hope of capitalizing on the popularity of Vega's banjos among folk musicians. Eventually, Martin used the Vega name only for a line of strings. Subsequently, the Vega name was licensed to a number of companies, both American and international. In 1989, the Deering Banjo Company purchased the Vega name and began producing Vega banjos of a very high quality.
[edit] References
- Ayars, C. M. (1937). Contribution to the art of music in America by the music industries of Boston 1640- 1936. New York: H. W. Wilson Co.
- Gura, P. F., & Bollman, J. F. (1999). America's instrument: The banjo in the nineteenth century. Chapel Hill, NC: University of North Carolina Press.
