Vassilis Makris
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Vassilis Makris (Greek: Βασίλης Μακρής, born in 1958 in Patras) is a Greek photographer with the uses in the applicable photography and the same in architectural photography and in foreign photography. His works occupies with his photography began very early in 1974 and was one of the professional in stadiums and the first journals of photographs which he began in Greece, in 1985, He photoed New York in 1987 several museums and historic buildings. He made architectural photos and in 1989 started to photographed residences and foreign places in Los Angeles. In the same year, he started for many years the working with the same architectural periodicals and multicultural decorations and Greek editions. He photographed uses for the commercial addresses, hotels, navy, airports, product and press companies. Photos which has journalized in the main press in the European and the American markets.
In 2002, he wrote Spitia stin Ellada; Kato ap' ton ilio (Σπίτια στην Ελλάδα: Κάτω απ’ τον ήλιο = Houses In Greece = Under The Sun) with photos from the reisidents of Greece. A year later, he sold To prosopo tis Athinas (Το πρόσωπο της Αθήνας = The Face OF Athens) with photos from the architectural route, together with the journalist Nikos Vatopoulos (Νίκο Βατόπουλο), he translated into the English language in 2004.
He continues his professional activities until today where he instructs photographic applications together with the architectural and industrial photos at the LEICA Photographic Journal Academy in Athens.
[edit] References
- The first version of the article is translated and is based from the article at the Greek Wikipedia (el:Main Page)
[edit] External links
[edit] Εξωτερικοί σύνδεσμοι
- Main Page
- Homepage of Vassilis Makris
- Photos at the Internet gallery IRISF64
- Cretan production of the album To prosopo tis Athnias (The Face Of Athens), by Giannis Stathatou (Γιάννη Σταθάτου), periodical photographer, vol. 114 May 2002
- Vassilis Makris presentation in the photographic periodical Antilipseis («Αντιλήψεις»)