Valentine Ackland
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Valentine Ackland (May 20, 1906-November 9, 1969) was a poet important in the emergence of modernism in twentieth-century British poetry.
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[edit] Life
Born Mary Kathleen Valentine Ackland and nicknamed Molly by her family, Ackland was the child of privilege and of emotional abuse and neglect. With no sons born to the family, Valentine’s father Robert, a West End London dentist, worked at making a symbolic son of Molly, teaching her to shoot rifles and to box. This attention to Molly made her sister Joan immensely jealous. Older by eight years, Joan psychologically tormented and physically abused Molly as a way of unleashing her jealousy and anger.
Molly received an Anglo-Catholic upbringing in Norfolk and a convent school education in London. In 1925 at the age of nineteen, she impetuously married Richard Turpin, a homosexual youth who was unable to consummate their marriage. Upon her marriage, she was also received into the Catholic church, a religion that she later abandoned, returned to, and then abandoned again in the last decade of her life. In less than a year, she had her marriage to Turpin annulled, and, despite numerous pleas from her family and much psychologically pressure from them, never returned to a serious relationship with a man again.
Alert to social mores of her day, she became aware of societal patterns of male privilege and female submission set about challenging the female gender identifications expected of her. She took to wearing men’s clothing, cut her hair in a short style called the Eton crop, and was at times mistaken for a handsome young boy. She changed her name to the androgynous Valentine Ackland when she decided to become a serious poet in the late 1920s. Her poetry appeared in British and American literary journals during the 1920s to the 1940s, but Valentine deeply regretted that she never became a noted and widely read poet. In this regard, a good deal of her poetry was published posthumously, and she received little attention from critics until a revival of interest in her work in the 1970s.
In 1930, Valentine was introduced to the short story writer and novelist Sylvia Townsend Warner with whom she had a lifelong relationship, albeit tumultuous at times given Valentine’s increasing alcoholism and infidelities. Sylvia was twelve years older than Valentine, and the two lived together until Valentine’s death from cancer in 1969. Warner went on to outlive Ackland by nineteen years, dying in 1978. The pair were together for thirty-nine years. Valentine’s introspective and honest reflections upon her relationship with Sylvia—including a serious affair with the Elizabeth Wade White that seriously undermined and threatened her relationship with Sylvia—in the posthumously published “For Sylvia: An Honest Account” (1985).
Valentine was a highly emotional woman prone to numerous self-doubts and shifts in emotions and intellectual interests. She was responsible for involving Sylvia in membership in the [Communist Party]] in the 1930s and in the Spanish civil war as well as numerous socialist and pacifist activities. The two women’s involvement in the Communist Party came under investigation by the British government in the late 1930s and remained an open file until 1957, when the investigation was halted [1].
After World War II, Valentine turned her attention to confessional poetry and a memoir concerning her relationship with Warner and its many emotional issues as Valentine pursued involvements with other women. At first, Warner was tolerant with her younger lover’s dalliances, but the seriousness and length of Ackland’s relationship with Elizabeth Wade White was distressing to Warner and also pushed her relationship with Ackland to the edge. Ackland’s distresses at loving two women simultaneously and of endeavoring to balance her feelings for each woman with the responsibilities and commitments of her primary relationship with Warner are presented openly in Ackland’s poetry and in her memoir of this period.
Ackland was struggling with additional doubts and conflicts during this period as well. She continued to battle her alcoholism, and she was undergoing shifts in her political and religious alliances. Doubts about her sexual identity and her identity as a poet as well as about her Christian faith and her political convictions are evident in her poetry.
In 1934, Ackland and Warner produced a volume of poetry, “Whether a Dove or a Seagull” that was an unusual and democratic experiment in writing as none of the poems are ascribed to either author. The volume was also an attempt by Warner to introduce Ackland to publication as Warner had an already established reputation as a novelist, and her work was widely read in the 1930s. The volume was controversial for its frank discussion of lesbianism at a time and in a society in which lesbianism was regarded as deviant and immoral behavior.
In 1937, Ackland and Warner moved from Dorset to a house near Dorchester. Both became involved with Communist ideals and issues, with Ackland writing a column called “Country Dealings” concerning rural poverty for the “Daily Worker” and the “Left Review.” In 1939, the two women attended the American Writers Congress in New York City to consider the loss of democracy in Europe and returned when World War II broke out. Ackland’s poetry of this period attempted to capture the political dynamics she saw at work, but she had a difficult time as a poetry mastering the craft of combining political polemics with her natural tendency toward lyrical expression. In a similar vein, her distress over the loss of democracy in Europe became a broader identification with Existentialism and the sense that the human condition itself was hopeless.
Ackland died on November 9, 1906 from breast cancer that had mestastisized to her lungs. She was buried in a churchyard at Chaldon Herring with the inscription NON OMNIS MORIAR (Death Is Not the End) on her gravestone.
[edit] Critical Assessment of Ackland's Work
Ackland’s poetry—largely neglected after the 1940s—came into a resurgence of interest with the emergence of both women’s studies and of lesbian literature. Contemporary critical reaction finds much to value in Ackland’s poetry and confessional writings, which are of historical interest to the development of self-reflective, modernist poetry, and to the political and cultural issues of the 1930s and 1940s. One example of a recent critical analysis is Wendy Milford’s 1988 study, “This Narrow Place: Sylvia Townsend Warner and Valentine Ackland." With regard to her self-reflection as a poet, Ackland exhibits themes and explorations similar to poets like Sylvia Plath and Anne Sexton. Of interest, too, is Ackland explorations of terminal illness as her life was drawing to a close from cancer. In her later years, Ackland turned from Catholicism to Quaker beliefs and also to involvement with issues of environmentalism.
In overall assessment, Milford considers the two-minds at work in Ackland’s work. She cites as examples Ackland’s focus on optimism and dread, the longing for emotional closeness and the fear of intimacy, self-assertion and self-negation, the search for privacy and solitude amidst the longing for connection and social acceptance as a lesbian and as a noteworthy poet. In this regard, Ackland shares much thematically—though not in artistic achievement—with metaphysical poets like John Donne and Philip Larkin in the effort to see personal experience from multiple perspectives and never fully resting with one perspective or another.
A contemporary examination of Ackland’s poetry and essays was published by Carcanet Press in 2008 titled “Journey from Winter: Selected Poems.” The volume is edited by Francis Bingham, who also provides a contextual and critical introduction.
[edit] Bibliography
“Whether a Dove or a Seagull” (1934) volume of poetry with Sylvia Townsend Warner
“Twenty-Eight Poems” (1957) privately printed in London
“Later Poems by Valentine Ackland” (1970)
“The Nature of the Moment” (1973)
“Further Poems of Valentine Ackland” (1978)
“For Sylvia: An Honest Account” (1985) a memoir of Ackland's relationship with Sylvia Townsend Warner
[edit] References
Discussion of Ackland’s poetry and significance.
Biography and critique of poetry.
Short biography from Carcanet Press.
Ackland and Warner as suspected Communists.
Discussion of Ackland as a lesbian writer.
Discussion of Ackland’s memoir.
Introduction by Bea Howe, a friend of Ackland and Warner, to Ackland's For Sylvia: An Honest Account (W.W. Norton, 1985) that focuses on Ackland's life, relationship with Warner, and her poetry.
