Ultraje a Rigor
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| Ultraje a Rigor | |
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 Ultraje a Rigor playing at Rio de Janeiro
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| Background information | |
| Origin |  São Paulo, São Paulo, Brazil |
| Genre(s) | Rock |
| Years active | 1980 - present |
| Label(s) | WEA Deckdisc |
| Associated acts | Ira! Dr. Sin |
| Website | www.ultraje.com |
| Members | |
| Roger Rocha Moreira Bacalhau Mingau Sérgio Serra |
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| Former members | |
| Andria Busic Ivan Busic Leôspa Maurício Defendi Edgard Scandurra Carlinhos Flávio Soares Suete Heraldo Paarmann Serginho |
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Ultraje a Rigor is a Brazilian rock band, which formed in 1980 and experimented great success along with the other famous Brazilian rock bands from that time, like Titãs, Os Paralamas do Sucesso, Legião Urbana, and many others, mostly during the 80ies.
Contents |
[edit] History
[edit] Early Years
Ultraje a Rigor began its performances as a cover band - mostly Beatles, punk and new wave. The final and official line-up of Roger, Leôspa, Sílvio and Edgard began doing shows at parties and small bars. In 1982, still without an official name, they decided on "Ultraje a Rigor" (an untranslatable pun, meaning something along the lines of "true outrage" or "offends severity"). The name referred to the band's irreverence toward the songs they covered, frequently satirizing or distorting them.
Soon, Silvio left the band and was replaced by Maurício. In April 1983, the new formation took part in the Theater Lira Paulistana's Boca no Trombone project, the band's first show featuring their own compositions exclusively. After one of these shows they were signed to a recording contract by producer Pena Schmidt who, at the time, was hiring groups such as Titãs for WEA. They recorded their first single, "Inútil/Mim quer tocar"(Useless/Me want to play), which, because of censorship problems, was not released until October of that year. However, the song peaked at #10 at the Hot100Brasil[1] After the single's release, which led to many more gigs for the band, Edgard, already a member of the band Ira!, found himself unable to continue splitting his time between the two bands and left Ultraje. Carlinhos was recruited to replace him. In 1984, with the new line-up, they recorded their second single, “Eu me amo/ Rebelde sem causa” (I love myself/Rebel without a cause) "Eu me amo" did well on the radio. But it was the B-side, which started getting airplay in early 1985 until it peaked at #90 at the Hot100Brasil[2], that set off the explosion of Ultraje.
[edit] Rising up
Their first LP, “Nós vamos invadir sua praia” (Literally We're going to invade your beach, but the right translation is something like We’re going to invade your thing), released a few months later and given a push by “Ciúme” (Jealousy, which was later recorded by Titãs on their album As Dez Mais), was a great success. It was the first rock LP in Brazil to go gold and platinum. Most of its songs had widespread airplay, and the title track peaked at #13 at the Hot100Brasil[3]. Ultraje broke attendance records at different venues all around Brazil. At the beginning of 1986, they recorded an EP called "Liberdade para Marylou"(Freedom for Marylou), with a remixed version of “Nós vamos invadir sua praia”, “Hino dos cafajestes” (Asshole’s Anthem) and “Marylou” in carnival rhythm, the censored lines being substituted by trombone riffs. In 1987 they went on to record their second LP, “Sexo!!” (Sex!! ). During the recording sessions Carlinhos, who had been considering a move to Los Angeles to form his own band (which he actually ended up doing), left the group and Sérgio Serra was drafted to fill his position. The second album was as successful as the first, with the song “Eu gosto de mulher” (I like women) peaking at #96 at the Hot100Brasil.[4]The album's success led to more tours all over Brazil, the writing of more songs, and no vacations, since 1984.
In 1989, more mature and somewhat stressed out by the constant touring, they recorded their third LP, “Crescendo” (growing up). The album sold well, but the media was beginning to lose interest in Ultraje after its four years of success. Even so, Ultraje still provoked controversy, teasing the announcement of the end of official censorship with the song “Filha da Puta” (Son of a Bitch). The song was censored extra-officially on many radio stations and TV programs, which hindered promotion of the album. Other songs with spicy subjects such as “O Chiclete” (Bubble gum) and “Volta comigo” (ride with me), a song that deals with adultery, had their airplay compromised. In 1990 Ultraje went back to their roots and released "Por Quê Ultraje a rigor?" (Why Ultraje a rigor? or also in the sense of What for? ), an album of covers that were part of their repertoire when they were playing small gigs. Mauricio, having married an American girl, moved to Miami (where he still lives), and Andria Busic temporarily joined the band on bass. One month later Andria was replaced by Osvaldo. After nearly yet another year of touring, Roger realized that Ultraje was no longer the same band. Leôspa, having married, could no longer maintain his enthusiasm for traveling and rehearsing; Sergio wanted to leave to form his own band; and Osvaldo preferred working in his professional studio. After a conversation with Leôspa, Roger decided to look for new members willing to join Ultraje a Rigor.
[edit] The New Lineup
Searching through bars and at the shows of bands just getting their start, he found Flávio Suete, a drummer with the band "Nem" (Nor) and The Central Scrutinizer Band, a band that played covers of Frank Zappa. Flávio recommended Serginho Petroni, the bass player in the same band. Together they began to audition new guitarists. After months of auditions and rehearsals they discovered Heraldo Paarmann through an informal announcement on Radio Brasil 2000 FM. They continued rehearsing and played a few shows to tighten up their sound. In 1992, against the band's wishes, WEA released a greatest hits collection called “O mundo encantado do Ultraje a Rigor” (The Enchanted World of Ultraje a Rigor). Although primarily a collection of previously released material, the album contained two new tracks performed by the new line-up, along with some alternate takes of previously released hits. In 1992, still in rebellion against the indifference of their record company, the group recorded independently "Ah, se eu fôsse homem…" (Oh, If only I were a man... ), an amusing digression on the difficulties faced by men with regard to the new post-feminism. The tape of this song, distributed to radio stations by the band itself, produced the expected results.
In 1993, while in an already tense situation with the record company, they released “Ó!” (Something like "Over here!" or "Look!"), their sixth LP. It was their fourth LP with all-new material, and was hurriedly recorded with a small budget imposed on them by the record company. It was practically ignored by Warner's promotion department. One cut “('Acontece toda vez que eu fico (Apaixonado)” (It happens everytime I fall (In love)) was made into a successful video for MTV but the song was only a modest success in the media and in stores. In 1995, a new collection of hits, this time without the band's knowledge, was released, part of a record company series called “Geração Pop” (Pop Generation). In 1996 the record company provided the band with yet another surprise, a record called “O melhor do Ultraje a rigor/2 é demais!” (The best of Ultraje a rigor/2 is a crowd!), a repackaging of the band's first two LPs combined on one CD but without the bonus tracks of the original CDs. Without notifying the band, Warner released two more greatest hit repackagings: in 1997, “Pop Brasil”, (actually, a reissue of "Geração Pop", but with fewer songs), and, in 1998, “Ultraje a rigor Vol. 2 / 2 é demais!” their third and fourth LPs combined again on one single CD, and again without the bonus tracks.
In the beginning of 1999, after Serginho left the band and was replaced by Mingau, Ultraje a Rigor has released "18 anos sem tirar! (literally 18 years without taking “it” off, but the right translation would be something like 18 Years Without a Break.), a live album with a couple of new songs which provides an overview of the band's career up to this point and has already sold over 100.000 thousand copies, a gold record in Brazil.
[edit] Ultraje in the new millennium
In 2002, another change on the lineup: Flávio and Heraldo, keeping away from the musical intentions of the rest of the band, left the band, being replaced by Sérgio Terra and Bacalhau. Soon, they released their sixth album, “Os Invisíveis” (The Invisible), with the track “Domingo eu vou pra praia” (Sunday I’m going to the beach) being a success.
[edit] Lineup
[edit] Current members
 Bacalhau - Drums (2002-present). |
 Mingau - Bass (1999-present) |
 Sérgio Serra - Guitar (1987-1990) (2002-present). |
[edit] Former members
- Leonardo Galasso (Leôspa) - Drums (1981-1990).
- Maurício Defendi - Bass (1981-1989)
- Edgard Scandurra - Guitar (1982-1984)
- Carlo Bartolini (Carlinhos) - Guitar (1984-1987)
- Flávio Soares Suete - Drums (1990-2002)
- Heraldo Paarmann - Guitar (1991-2002)
- Sérgio Luís Graciano Petroni (Serginho) - Bass (1991-1999)
[edit] Discography
[edit] EPs
[edit] Studio albums
- Nós Vamos Invadir sua Praia (1985)
- Sexo!! (1987)
- Crescendo (1989)
- Por que Ultraje a Rigor? (1990)
- Ó! (1993)
- Os Invisíveis (2002)
[edit] Compilations
- O Mundo Encantado do Ultraje a Rigor (1992)
- Geração Pop (1995)
- 2 é demais!/O melhor do Ultraje a Rigor 1 (1996)
- Pop Brasil (1997)
- 2 é demais!/O melhor do Ultraje a Rigor 2 (1998)
- Música!/O melhor da música do Ultraje a Rigor (1998)
- 18 Anos sem Tirar! (1998),
- E-collection (2000)
- O Melhor do Rock do Ultraje a Rigor (2001)
- Acústico MTV (Ultraje a Rigor) (2005)
[edit] Live albums
[edit] References
[edit] External links
- Official website (Portuguese)
