Two Rode Together
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| Two Rode Together | |
|---|---|
| Directed by | John Ford |
| Produced by | Stan Shpetner |
| Written by | Frank Nugent |
| Starring | James Stewart Richard Widmark Shirley Jones Linda Cristal |
| Music by | George Duning |
| Cinematography | Charles Lawton, Jr. |
| Editing by | Jack Murray |
| Distributed by | Columbia Pictures |
| Release date(s) | 26 July 1961 |
| Running time | 109 min. |
| Country |  USA |
| Language | English |
| IMDb profile | |
Two Rode Together (1961) is a western film directed by John Ford, and starring James Stewart, Richard Widmark, Shirley Jones, and Linda Cristal.
Contents |
[edit] Plot
In the 1880s, Marshal Guthrie McCabe (Jimmy Stewart) is content as the business and personal partner of attractive saloon owner Belle Aragon (Annelle Hayes), receiving ten percent of her profits. Relatives of Comanche captives demand that Army Major Fraser (John McIntire) free them. Fraser convinces the reluctant McCabe to take on the job of ransoming any survivors he can find, using a combination of army pressure and high pay. He assigns Lieutenant Jim Gary (Richard Widmark) to accompany McCabe.
Marty Purcell (Shirley Jones) is haunted by the memory of her abducted younger brother Steve. She keeps a music box that belonged to him. McCabe warns her that Steve will not remember her because he was a young boy when he was taken years ago. McCabe is also promised a large reward by the wealthy stepfather of another boy.
McCabe bargains with Chief Quanah Parker (Henry Brandon) and finds four "white" captives. Two refuse to go back with him. One is a young woman who is married to a Comanche and has children. The other is an old woman who is believed to be dead and regards herself as being as good as dead. There is also a young man named Running Wolf, who McCabe hopes is the lost son of the wealthy family. The fourth captive is a Mexican woman, Elena de la Madriaga (Linda Cristal). However, she is the wife of Stone Calf (Woody Strode), a militant rival of Parker. As they leave the camp, Stone Calf tries to take back his woman and is killed by McCabe, much to Quanah Parker's satisfaction.
Running Wolf makes it very clear that he hates white people and the rich man refuses to accept him. However, another man does claim him because his wife is convinced that Running Wolf is her lost son. However, when she tries to cut his hair, he kills her. The settlers decide to lynch the murderer, despite Lieutenant Gary’s attempt to stop them. As they drag him away, Running Wolf knocks over Marty's music box. He hears it play and recognizes the melody. Running Wolf is Marty’s lost brother Steve, but it is too late to save him. Marty is forced to accept that nothing could have been done to bring back the brother she remembered. She accepts Gary's proposal of marriage.
Meanwhile, Elena finds herself ostracized by white society as a woman who degraded herself by submitting to a savage rather than killing herself. She decides to try her luck in California. McCabe learns that he was reported dead and has been replaced. He complains "I didn't get a chance to vote for myself - not even once." But he has fallen in love with Elena, and admires the courage she has shown throughout her ordeal. "You know, sometimes it takes a lot more courage to live than it does to die." He decides to go to California with her.
[edit] Cast
- James Stewart as Marshal Guthrie McCabe
- Richard Widmark as First Lieutenant Jim Gary
- Shirley Jones as Marty Purcell
- Linda Cristal as Elena de la Madriaga
- Andy Devine as Sergeant Darius P. Posey
- John McIntire as Major Frazer
- Paul Birch as Judge Edward Purcell
- Willis Bouchey as Mr. Harry J. Wringle
- Henry Brandon as Chief Quanah Parker. Brandon also played Chief Scar, the husband of a kidnapped white woman, in the 1956 Ford masterpiece The Searchers.
- Harry Carey Jr. as Ortho Clegg
- Olive Carey as Mrs. Abby Frazer
- Ken Curtis as Greeley Clegg
- Chet Douglas as Deputy Ward Corby
- Annelle Hayes as Belle Aragon
- David Kent as Running Wolf
- Anna Lee as Mrs. Malaprop
- Jeanette Nolan as Mrs. Mary McCandless
- John Qualen as Ole Knudsen
- Ford Rainey as Reverend Henry Clegg
- Woody Strode as Stone Calf
- O.Z. Whitehead as Lieutenant Chase
[edit] Production
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The shoot was far from a happy one. This was not a personal project for Ford but something he did only for the money ($225,000 plus 25% of the net profits) and as a favor to Columbia Pictures head Harry Cohn, who died in 1958. Ford said he admired Cohn like "a large, brilliant serpent." The director hated the material, believing he had done a far better treatment of the theme in The Searchers (1956). Even after he brought in his most trusted screenwriter Frank Nugent -- the man responsible for The Searchers and nine other Ford classics -- to fix the script, the director said it was "still crap."
Nevertheless, he took the project on and proceeded to take out his frustrations on his cast and crew. Not that this was uncharacteristic. Stewart had been warned about the director's behavior by such longtime Ford stalwarts as John Wayne and Henry Fonda (who Ford had once socked in the jaw, during the filming of Mister Roberts). Stewart came to learn Ford liked to keep his actors in the dark about the direction of the picture and suspicious of each other. In Andrew Sinclair's biography, John Ford, Stewart revealed that Ford's "direction took the form of asides. Sometimes he'd put his hand across his mouth so that others couldn't hear what he was saying to you. On Two Rode Together he told me to watch out for Dick Widmark because he was a good actor and that he would start stealing if I didn't watch him. Later, I learned he'd told Dick the same thing about me. He liked things to be tense."
One of the film's most renowned and impressive shots has been credited solely to Ford's mean streak. In the famous five-minute two-shot of Stewart and Widmark bantering on a river bank about money, women, and the Comanche problem, the film's downbeat comedy, misogyny, and careless attitude toward human life are summed up perfectly. Ford justified the take as a simple preference for a wide-screen two-shot over cross-cutting between close-ups of "pock-marked faces." But Stewart and others insisted Ford forced his crew to wade waist-deep into the icy river and stay there all day until the shot was completed.
The film was shot on location in Brackettville, Texas.
[edit] Relationship between Ford and Stewart
Although the movie was not a commercial success and Stewart and Ford did not make the best collaborative team, they would work for together three more times, two of those in films that took a radically different and even darker view of the western myth: The Man Who Shot Liberty Valance (1962) and Cheyenne Autumn (1964). They might not have been the best of friends on-and-off the set but they had a grudging respect for each other. The closest Ford ever came to praising Stewart was when he said, "He did a whale of a job manufacturing a character the public went for. He studied acting."
