Talk:Trumpet
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[edit] "Further reading" format
I am a little baffled by the format of the "Further reading" section. It has title, date and SBN but no author or other data. I know that from the SBN you can get other data till it is coming out of your ears but even so I would have thought that the author was part of the minimum requirement for display on the page itself. I do tend to think of "Smithers" or "Bate" rather than "0918194024" or whatever. I know this may be some new wiki policy since I stopped being very interested (coincidentally enough, in about 1721) so if it is please enlighten me gently. Otherwise I think some nice young person should please put the authors in, thus saving this nasty old person from having to do so. :) 138.37.199.206 13:29, 6 November 2007 (UTC)
- No reply. Is this utterly bizarre format seen as normal, or what? I am genuinely baffled. Nomorenonotnever (talk) 09:36, 3 April 2008 (UTC)
[edit] That C and B-flat sentence
I believe the sentence was saying that the most common place one would find a C trumpet is in an American orchestra, not that the C trumpet is the most common trumpet used in American orchestras. I've changed it to say that more clearly (I hope!). The first sentence in that paragraph should just simply state that the B-flat is the most common horn, since it probably accounts for 99.9% of trumpets being used in any ensemble - jazz bands, concert bands, wind ensembles, rock and roll, etc. etc. Feel free to change it or tweak it further, but I think the problem was in that sentence being a little unclear. - Special-T (talk) 00:26, 18 April 2008 (UTC)
[edit] Musical pieces
This is a seemingly random list of musical pieces that may involve the use of the trumpet. The Musical pieces section needs to be built up carefully with explanations of why each piece has been chosen, and those explanations backed up with sources. I move the list here for people to use as a starting point (or to completely ignore as useless - it's up to you!). SilkTork *YES! 13:55, 3 May 2008 (UTC)
[edit] Solos
The chromatic trumpet was first made in the late 1700s, but there were several solos written for the natural trumpet that are now played on piccolo trumpet. Some important works of trumpet repertoire are:
- Malcolm Arnold
- Fantasy for Trumpet
- Alexander Arutiunian
- Concerto for Trumpet and Orchestra
- George Enescu
- Legende
- Robert Erickson
- Kryl
- Eric Ewazen
- Concerto for Trumpet
- Sonata for Trumpet
- Alexander Goedicke
- Concerto for Trumpet
- Concert Etude
- Edward Gregson
- Concerto for Trumpet
- Franz Josef Haydn
- Paul Hindemith
- Sonata for Trumpet and Piano
- Bertold Hummel
- Sonatina for Trumpet and Piano (1950) [2]
- Johann Nepomuk Hummel
- Concerto for Trumpet and Orchestra in E Major (often transposed to E flat major)
- Kent Wheeler Kennan
- Sonata for Trumpet and Piano (1956 and 1986 editions)
- Bohuslav Martinů
- Sonatina for Trumpet (C or B) and Piano
- William Perry
- Concerto for Trumpet and Orchestra
- Halsey Stevens
- Sonata for Trumpet and Piano
- Henri Tomasi
- Concerto for Trumpet
- Triptyque
Natural Trumpet/Piccolo Trumpet
- Johann Sebastian Bach
- Brandenburg Concerto #2 in F Major
- Michael Haydn
- Concerto for Trumpet in D Major
- Concerto for Trumpet in C Major
- Leopold Mozart
- Concerto for Trumpet in D Major
- Georg Philipp Telemann
- Concerto for Trumpet, Strings, and Continuo in D Major
- Giuseppe Torelli
- Sonata in D major
[edit] Other
- Bach, J.S.
- Brandenburg Concerto No. 2 (Movements I and III)
- Mass in B Minor
- Christmas Oratorio (No. 64 Nun Seid Ihr Wohl Gerochen)
- Magnificat (Chorus: Magnificat)
- Bartók
- Concerto for Orchestra (Movements I, II, and V)
- Beethoven
- Georges Bizet
- Carmen (Prelude to Act I)
- Johannes Brahms
- Academic Festive Overture
- Symphony No.2
- Copland
- Debussy
- George Gershwin
- An American in Paris (excerpts and solos)
- Concerto in F (Movement II)
- Mahler
- Symphony No. 1 (Movement I)
- Symphony No. 2 (Movements I, II, III, V)
- Symphony No. 3 (Off-stage Posthorn solo)
- Symphony No. 5 (Movements I, III, V)
- Modest Mussorgsky arr. Maurice Ravel
- Pictures at an Exhibition (Promenade; Samuel Goldenberg und Schmuÿle)
- Ravel
- Piano Concerto in G (Movement I and III)
- Boléro (Muted Theme and Ending)
- Gottfried Reiche
- Abblasen (CBS Sunday Morning Theme)
- Ottorino Respighi
- Pines of Rome (Movements I, II & IV)
- Nikolai Rimsky-Korsakov
- Scheherazade (Movment III&IV)
- Capriccio Espagnol (Movement IV)
- Alexander Scriabin
- Le Poème de l'extase (Symphony No. 4 (Scriabin))
- Shostakovich
- Piano Concerto (All Movements)
- Richard Strauss
- Eine Alpensinfonie (section "Auf dem Gletscher")
- Don Juan (Opening through Sec. B, Weich Solo, Vivo Solo, Sec. P)
- Ein Heldenleben (1st E-flat part and 1st Bb part)
- Igor Stravinsky
- The Firebird (Infernal Dance) (any version)
- Petrushka - 1st Cornet in 1911 version and 1st Trumpet in 1947 version
- The Rite of Spring (any version)
- Pyotr Ilyich Tchaikovsky
- Symphony No.4 (opening)
- Symphony No.5 (opening and last movement)
- Symphony No.6 (3rd movement)
- Capriccio Italien
- Le Chocolat (Danse Espaniole) from the Ballet: Nutcracker, Act II: No. 12
- Richard Wagner
- Prelude to Parsifal
- Overture from Die Meistersinger
[edit] Homophony and the Role of the Trumpet
I believe the contention that, "The melody-dominated homophony of the classical and romantic periods relegated the trumpet to a secondary role by most major composers" to be false. While the trumpet often served a secondary role, much like the timpani, during the Classical period, this does not hold true during the Romantic period. Important 19th century composers such as Mahler and Bruckner often featured the trumpet. The opening solo of Mahler's Fifth Symphony, for example, features an unaccompanied trumpet. Trumpets, along with the other brass instruments, were often given melodic primacy and played important thematic roles throughout the nineteenth century. It is inaccurate, therefore, to say that the trumpet held a secondary role during the Romantic period. Sethbowers (talk) 17:09, 13 May 2008 (UTC)