Travellers and Magicians
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| Travellers and Magicians | |
|---|---|
| Directed by | Khyentse Norbu |
| Produced by | Raymond Steiner Malcolm Watson |
| Written by | Khyentse Norbu |
| Starring | Tshewang Dendup Lhakpa Dorji Sonam Kinga Sonam Lhamo Deki Yangzom |
| Cinematography | Alan Kozlowski |
| Editing by | John Scott Lisa-Anne Morris |
| Distributed by | Zeitgeist Films |
| Release date(s) | 2003 |
| Running time | 108 mins |
| Country | Bhutan Australia |
| Language | Dzongkha |
| Official website | |
| IMDb profile | |
Travellers and Magicians (Dzongkha: Chang Hup Thengi Thruel Nang) is a 2003 Bhutanese Dzongkha language film written and directed by Khyentse Norbu, a reincarnate lama of Tibetan Buddhism, who is also known as Dzongsar Jamyang Khyentse Rinpoche. The movie is the first feature film shot entirely in the kingdom of Bhutan. The majority of the cast are not professional actors; Dendup, a well-known Bhutanese radio actor and producer, is the exception. The movie breaks ground as the first to take a Himalayan Buddhist perspective, offering a unique insight into this culture from the inside.
Tagline: The bitter and the sweet of temporary things.
Contents |
[edit] Plot
A young government official named Dondup (played by Tshewang Dendup) who is smitten with America (he even has a denim gho) dreams of escaping there while stuck in a ravishingly beautiful but isolated village. He hopes to connect in the U.S. with a visa out of the country. He misses the one bus out of town to Thimphu, however, and is forced to hitchhike and walk along the lonely Lateral Road to the west, accompanied by an elderly apple seller, a perceptive Buddhist monk with his ornate, dragon-headed dramyin heading to Thimphu, a drunk, a widowed rice paper maker and his beautiful daughter Sonam (played by Sonam Lham).
To pass the time, the monk tells the tale of Tashi, a restless farmboy who, like Dondup, dreams of escaping village life. Tashi rides a horse that goes into a forest. He immediately becomes lost in remote mountains and finds his life entwined with that of an elderly hermit woodcutter and his beautiful young wife. Tashi's wish of escape granted, he finds himself caught in a web of lust and jealousy, enchanted by the beautiful and yielding wife, but fearing the woodsman and his axe. Tashi finally tries to murder the woodcutter, aided by his wife who is pregnant by Tashi. He runs away, however, while the old man is near death, burdened by his guilt. Deki, the woodcutter's wife calls and runs after him, but probably falls into a mountain river while giving pursuit.
Tashi's adventures finally turn out to be mental peregrinations induced by chhaang, a home-brewed liquor. The perceptive and mischievous monk's tale is a story filled with lust, jealousy and murder that holds up a mirror to the restless Dondup and his blossoming attraction to the innocent Sonam. Like Tashi, Dondup is faced with a choice of escaping or staying when he finally manages to hitch a ride to Thimphu. The film ends without showing the final outcome of Dondup's journey - his visa interview and his trip abroad. The audience is left to wonder whether the trip changed his attitude toward the village and Bhutan, and if he returned to the village.
[edit] Production
In keeping with the production of Norbu's previous movie The Cup, no professional actors (save Dendup - a radio actor) were used - auditions were held to select the cast from all walks of life - including farmers, schoolchildren, and employees of the Bhutan Broadcasting Service, Government of Bhutan and the Royal Bodyguard. Many production decisions, including casting and fixing the date of release, were chosen using Mo - an ancient method of divination. [1]
[edit] New Aspects
According to the director, the story of Dendup was inspired by Izu No Odoriko (The Dancing Girl of Izu), a story by Yasunari Kawabata about a group of travellers and an infatuation between a dancing girl and a schoolboy. The story of Tashi was inspired by a Buddhist fable about two brothers, one of whom aspires to become a magician.[1]
In making this film, Dzongsar Jamyang Khyentse Rinpoche, an internationally-renowned Buddhist lama, sets the standard for the nascent Bhutanese film industry. The film depicts traditional Bhutanese folklore, and storytelling techniques. Travellers and Magicians is a profoundly Bhutanese film, with a theme and vocabulary that reflects the culture of Bhutan.
The storytelling technique employed in the film is the one of a story within a story, as the monk narrates the story of Tashi within the film. The nesting of worlds go three levels deep, as Tashi hallucinates/dreams after consuming chhang. Traditional, as well as fusion music is used in the movie, with Western rock and Western-influenced music being heard via Dondup's music system, and traditional music from the dramyin of the monk and as ambient music. The noted chant music advocate David Hykes also contributed music to the film at the invitation of the director. A soundtrack of the movie has been commercially released. [1]
Since only a quarter of the people of Bhutan have a mother tongue of Dzongkha, one of the cast members - Sonam Kinga, acted as dialog coach to the cast. [1]
[edit] Awards
- Audience award, Deauville Asian Film Festival
- Best emerging director, Asian American International Film festival
[edit] Trivia
Gomchen Penjore, the person cast in the role of the woodcutter, and a curio seller in real life, disappeared for a few days during filming. His character's death scene was thus not shown directly, and he was depicted groaning from inside a hut. [2]
[edit] External links
- Official site
- Travellers and Magicians at the Internet Movie Database
- Review in the NY Times
- Interview with the director, ifp.org
- Discussion of Travellers and Magicians
- [1] feature documentary on T&M director, Khyentse Norbu
