Toshiro Mayuzumi

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Toshiro Mayuzumi (黛 敏郎 Mayuzumi Toshirō, born Yokohama, 20 February 1929 – died Kawasaki, 10 April 1997) was a Japanese composer.

Contents

[edit] Biography

Mayuzumi was a student at the Tokyo National University of Fine Arts and Music immediately following the Second World War, before going to Europe where he attended the Paris Conservatoire national supérieur de musique.

He was initially enthusiastic about avant-garde Western music, especially that of Varèse, but beginning in 1957 he turned to pan-Asianism for new sonorous material (Herd 1989, 133). Like the novelist Mishima Yukio, whose novel The Temple of the Golden Pavilion he set as an opera (Kinkakuji, 1976), Mayuzumi opposed the westernization of Japan and tried to emphasize his native cultural identity in his work.[citation needed]

A prolific composer for the cinema, he composed more than a hundred film scores between Waga ya wa tanoshi (It's Great to Be Young) in 1951 and Jo no mai in 1984. The best-known film with a score by Mayuzumi is probably The Bible: In the Beginning (1966). He also wrote many pieces for wind band that are recorded by the Tokyo Kosei Wind Orchestra.

[edit] Works

[edit] Operas

  • Kinkakuji [The Golden Pavilion] (1976)
  • Kojiki [Days of the Gods] (1996)

[edit] Ballet

  • The Kabuki (1986)

[edit] Orchestral works

  • Rumba Rhapsody (1948)
  • Symphonic Mood (1950)
  • Bacchanale (1954)
  • Ektoplasm (1954)
  • Tonepleromas '55 (1955)
  • Nirvana Symphony for male chorus and orchestra (1958)
  • Mandala Symphony (1960)
  • Music with Sculpture (1961)
  • Bugaku (1962)
  • Textures for wind orchestra (1962)
  • Samsara (1962)
  • Essay in Sonorities (Mozartiana) (1963)
  • Essay for string orchestra (1963)
  • Fireworks (1963)
  • Ongaku no tanjō [Birth of Music] (1964)
  • Concerto for percussion and wind orchestra (1965)
  • Concertino for xylophone and orchestra (1965)
  • Shu [Incantation] (1967)
  • Tateyama (1974)
  • Mukyūdō [Perpetual Motion] (1989)

[edit] Ensemble/Instrumental works

  • Sonata, for violin and piano (1946)
  • Twelve Preludes, for piano (1946)
  • Hors d'œuvre, for piano (1947)
  • Divertimento, for 10 instruments (1948)
  • String Quartet (1952)
  • Sextet, for flute, clarinet, bass clarinet, horn, trumpet, and piano (1955)
  • Tone Pleromas 55, for 5 saxophones, musical saw, and piano (1955)
  • Pieces, for prepared piano and string quartet (1957)
  • Mikrokosmos, for clavioline, guitar, musical saw, vibraphone, xylophone, percussion, and piano (1957)
  • Bunraku, for violoncello solo (1960)
  • Prelude, for string quartet (1961)
  • Metamusic, for saxophone, violin, and piano (1961)
  • Shōwa ten-pyō raku, for gagaku ensemble (1970)
  • Rokudan, for harp (1989)

[edit] Electronic music

  • Boxing (1954)
  • X, Y, Z (1955)
  • Music for Sine Wave by Proportion of Prime Number (1955)
  • Music for Modulated Wave by Proportion of Prime Number (1955)
  • Invention for Square Wave and Saw-tooth Wave (1955)
  • Variations on Numerical Principle of 7 (1956; with Makoto Moroi)
  • Campanology for multi-piano (1959)
  • Olympic Campanology (1964)
  • Mandala for solo voice and electronic sounds (1969)

[edit] Film scores

[edit] Sources

  • Heifetz, Robin J. 1984. "East-West Synthesis in Japanese Composition: 1950-1970". Journal of Musicology 3, no. 4 (Autumn): 443–55.
  • Herd, Judith Ann. 1989. "The Neonationalist Movement: Origins of Japanese Contemporary Music". Perspectives of New Music 27, no. 2 (Summer): 118–63.
  • Kanazawa, Masakata. 2001. "Mayuzumi, Toshirō". The New Grove Dictionary of Music and Musicians, ed. S. Sadie and J. Tyrrell. London: Macmillan.
  • Loubet, Emmanuelle, Curtis Roads, and Brigitte Robindoré. 1997. "The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1950s and 1960s". Computer Music Journal 21, no. 4 (Winter): 11–22.

[edit] External links

  • "Overtones of Progress, Undertones of Reaction: Toshiro Mayuzumi and the Nirvana Symphony" by Peter Burt[1]
  • (Japanese)Music of Toshiro Mayuzumi
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