Tonguing

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Tonguing is when a musician playing a wind instrument uses the tongue on the reed or mouthpiece to enunciate different notes. A silent "tu" (too) is made when the tongue strikes the reed or roof of the mouth causing a slight breach in the air flow through the instrument. The technique also works for whistling.

An alteration called "double-tonguing" or "double-articulation" is used when the music being performed has many rapid notes in succession too fast for regular articulation. In this case, the tongue makes a silent "tuh-kuh". (The actual tongue positioning varies slightly by instrument. Clarinetists may go "minge minge" but a bassoonist may actually say "taco.") Double-articulation allows the tongue to stop the airflow twice as fast when mastered. If the music specifies a pizzicato sequence, the musician might perform this as a rapid sequence of the articulated note, thus: "tu-ku-tu-ku-tu-ku-..." etc., in staccato.

There is also "triple-tonguing," used in passages of triplets.

There are different ways of tonguing for the flute. Some flautists tongue or articulate between the teeth, others do it between the lips as if spitting rice, yet others do it behind the teeth in the roof of the mouth in the same location where you roll the r. With this roof articulation the flutist thinks of the words dah-dah and for double tonguing it is dah-gah-dah-gah.

Tonguing is indicated in the score by the use of accent marks. The absence of slurs is usually understood to imply that each note should be tongued separately. When a group of notes is slurred together, the player is expected to tongue the first note of the group and not tongue any of the other notes, unless those notes have accent marks.

Trombone players must lightly tongue many slurs by tonguing "da"; otherwise, the result would be a glissando.

A more formal, but ambiguous, term for tonguing is articulation.