Tiriel (Blake)

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William Blake: Tiriel supporting Miratana. Drawing 1 (18.8 x 27.4 cm. wide, c1789) The text illustrated is: "The aged man raised up his right hand to the heavens[;] his left supported Myratana" (lines 19-20, p.1).Three of his sons are opposite, one in a crowm is Heuxos. The pyramid, the river and columns are not mentioned in the text, which instead describes a "beautiful palace".
William Blake: Tiriel supporting Miratana. Drawing 1 (18.8 x 27.4 cm. wide, c1789) The text illustrated is: "The aged man raised up his right hand to the heavens[;] his left supported Myratana" (lines 19-20, p.1).Three of his sons are opposite, one in a crowm is Heuxos. The pyramid, the river and columns are not mentioned in the text, which instead describes a "beautiful palace".
William Blake: Har and Heva bathing. Drawing 2 (18.3x27.3 cm. c1789). Har and Heva are sitting naked in a shallow stream. Mnetha lies behind. The picture is not a direct illustration of the text of the poem, but may be related to the following fragment: "they were as the shadow of Har... Playing with flowers & running after birds they spent a day" (lines 59-60, p.3.)
William Blake: Har and Heva bathing. Drawing 2 (18.3x27.3 cm. c1789). Har and Heva are sitting naked in a shallow stream. Mnetha lies behind. The picture is not a direct illustration of the text of the poem, but may be related to the following fragment: "they were as the shadow of Har... Playing with flowers & running after birds they spent a day" (lines 59-60, p.3.)


Tiriel is a symbolic poem, the first of so called "prophetic books" by William Blake (1757-1827). It was written around 1789, shortly before The Book of Thel. It was the first of his poems written in free septenaries. He did not engrave it, and the poem was first time published only in 1874 by William Michael Rossetti. There were twelve sepia drawings accompanied the rough and unfinished manuscript, however the three of them are considered lost (they have not been traced since 1863).

Contents

[edit] First lines

And agèd Tiriel stood before the gates of his beautiful palace
With Myratana, once the Queen of all the western plains;
But now his eyes were darkenèd, and his wife fading in death.
They stood before their once delightful palace; and thus the voice
Of agèd Tiriel arose, that his sons might hear in their gates:

[edit] Characters

Tiriel, as an eponymous hero of the poem, was a former king of the West, son of Har and Heva, brother of wild Ijim and enslaved Zazel, husband of dying Myratana, and father of 130 sons with the oldest Heuxos, then Yuva, Lotho, Clithyma and Makuth who usurped their father’s throne, and five daughters, the youngest of whom was Hela. Mnetha (an anagram of Athena) was a guardian of old and senile Har and Heva.

Only Har, Heva and Ijim were mentioned in Blake’s later books. Tiriel is foreshadowing of Urizen that appeared in many of Blake’s poems (including Europe, The Book of Urizen, The Book of Ahania, The Book of Los, The Four Zoas, Milton, and Jerusalem.


[edit] Story

The blind and aged king, Tiriel, calls down curses on his sons whom he has summoned to observe their mother’s death. The sons bury their mother, but declare that they have tired of their father’s tyranny and now will rebel against it. So Tiriel sets off wandering into the mountains.

Eventually he comes to the ‘pleasant gardens’ in the Vales of Har, where he finds his own parents, Har and Heva, who are both quite senile and have become like children again. They invite Tiriel to help them catch birds and listen to Har’s singing in the ‘great cage’. In madness and dismay, Tiriel abandons them and sets out further on his wanderings.

Tiriel’s wild brother Ijim finds him, captures him and takes him back to his children who are living in what once was his own palace. Tiriel, ever madder and more enraged, curses his children yet more passionately, calling down thunder and pestilence and destroying them. Doing so, he sends his favourite daughter Hela mad. Nonetheless it is Hela who must guide Tiriel back to his parents in the Vales of Har.

On the way through the mountains they pass caves which are the home of another of Tiriel’s brothers, Zazel. Zazel, together with his sons, hurls dirt and stones at Tiriel and his daughter. Eventually Tiriel and Hela arrive once more at the tent in the Vales of Har, where Har and Heva live. In a final speech, Tiriel explains how his father’s laws and his own wisdom now ‘end together in a curse’. And he dies at his parents’ feet.

[edit] Quotations

  • "Tiriel has always proved a puzzle to commentators on Blake." (Bentley, G. E.: William Blake: Tiriel)
  • "The poem is an analysis of the decay and failure of Materialism at the end of the age of Reason." (Foster Damon S. A Blake Dictionary)
  • "This phantasmagoria on the theme of the death of an aged king and tyrant-father may be - indeed, must be - read at several levels." (Kathleen Raine Blake and Tradition)

[edit] Adaptations

Tiriel (Russian: Тириэль) an opera with libretto and music by a Russian/British composer Dmitri Smirnov based on Blake's text.

[edit] Bibliography

  • Butler, William: Introduction to The Poems of William Blake, George Routledge & Sons Ltd, London, 1905)
  • Frye, Northrop: Fearful Symmetry, Princeton, New Jersey & London, 1947
  • Raine, Kathleen: Blake and Tradition, 2 vols, New York, 1968, London, 1969)
  • Bentley, G. E.: William Blake: Tiriel, Oxford at the Clarendon Press, 1967
  • Foster Damon, S. William Blake: His Philosophy and Symbols, Boston and London, 1924
  • Foster Damon, S. Blake Dictionary: The Ideas and Symbols of William Blake, Brown University Press, Providence, Rhode Island, 1965
  • Erdman, David V.: Blake: Prophet against Empire, Princeton, New Jersey & London, 1954)
  • Ostriker, Alicia: Notes to The Complete Poems by William Blake, Penguin Books, England, USA, Australia, Canada, New Zealand, 1977
  • Hans Ostrom Ostrom, Hans. “Blake’s Tiriel and the Dramatization of Collapsed Language.” Papers On Language and Literature Vol. 19, no. 2 (Spring 1983), 167-182.

[edit] See also