Tintype
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Tintype, also melainotype and ferrotype, is a photographic process invented in the United States in 1856 by Hamilton Smith, professor at Kenyon College, in Ohio, who patented the process on February 19, 1856. It was first called melainotype, and then ferrotype (by a rival manufacturer of the iron plates used); finally came the name tintype. All three names describe both the process and the resulting photograph.[1]
Tintypes are made by a wet-plate process, in which the photographic emulsion is contained in liquid collodion. The ambrotype was the first wet-plate collodion process, invented by Frederick Scott Archer in 1851 and introduced in the United States by James Ambrose Cutting in 1854.
While the ambrotype remained very popular in the rest of the world, the tintype process had superseded the ambrotype in the United States by the end of the Civil War. It became the most common photographic process until the introduction of modern, gelatin-based processes and the invention of the reloadable amateur camera by the Kodak company. Ferrotypes had waned in popularity by the end of the 19th century, although a few makers were still around as late as the 1950s and the images are still made as novelties at some European carnivals.
The tintype was a minor improvement to the ambrotype, replacing the glass plate of the original process with a thin piece of black-enameled, or japanned, iron (hence ferro). The new materials reduced costs considerably; and the image, in gelatin-silver emulsion on the varnished surface, has proven to be very durable. Like that of the ambrotype, the tintype's image is technically negative; but, because of the black background, it appears as a positive. Since the tintype 'film' was the same as the final print, most tintype images appear reversed (left to right) from reality. Some cameras were fitted with mirrors or a 45-degree prism to reverse (and thus correct) the image, while some photographers would photograph the reversed tintype to produce a properly oriented image.
Tintypes are simple and fast to prepare, compared to other early photographic techniques. A photographer could prepare, expose, develop, and varnish a tintype plate in a few minutes, quickly having it ready for a customer. Earlier tintypes were often cased, as were daguerreotypes and ambrotypes; but uncased images in paper sleeves and for albums were popular from the beginning.
Ferrotyping is a finishing treatment applied to glossy photo paper to bring out its reflective properties. Newly developed, still-wet photographic prints and enlargements that have been made on glossy paper are Squeegeed onto a polished metal plate called a ferrotyping plate. When these are later peeled off the plate, they retain a highly reflective gloss.
[edit] References
- ^ Welling, William. Photography in America, Page 117
