Tilman-François Suys
From Wikipedia, the free encyclopedia
| Tilman-François Suys
(also spelled "Tieleman Frans Suys" or "Tieleman Franciscus Suys") |
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| Personal information | |
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| Name | Tilman-François Suys
(also spelled "Tieleman Frans Suys" or "Tieleman Franciscus Suys") |
| Nationality | Belgian |
| Birth date | 1 July 1783 |
| Birth place | Oostende, Belgium |
| Date of death | 22 July 1864 |
| Place of death | Munken near Bruges, Belgium |
| Work | |
| Significant buildings | Jardin Botanique in Brussels
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Tilman-François Suys (in French) or Tieleman Frans Suys (in Dutch) (July 1, 1783 – July 22, 1864), was a Belgian architect who also worked in the Netherlands.
Suys completed his architectural education in Paris, where he studied under Charles Percier and won the Prix de Rome in 1812. During his stay in Rome he became a protégé of King William I of the Netherlands the new king of the Belgian and Dutch provinces unified in the United Kingdom of the Netherlands. In 1817 he settled in Amsterdam and worked as an architect for the Dutch Crown. In this periode his style clearly shows the marks of the Empire style created for Napoleon by his teacher Charles Percier and Pierre François Léonard Fontaine.
From 1825 onwards, Suys was employed on a series of royal commissions in Brussels, a city that, together with The Hague in Holland had been given the title of capital of the new established kingdom. His projects in Brussels were more severely Neo-Classical in character. Important creations in Brussels include the great conservatory of the Jardin Botanique which is noted for its innovative use of iron and glass construction, and the Royal Palace. After the Belgian Revolution which established Belgium’s independence from the Netherlands, Suys remained in Brussels. He devoted himself mainly to the restoration of the new nation's historic monuments. Some of these projects, especially his Gothic Revival restorations, were not historically accurate, and were later harshly criticized. His renovation (started in 1832) of the medieval Castle of Bouchout at Meise, near Brussels, included not only Gothic Revival additions but also the earliest example of Flemish Renaissance Revival interior architecture in Belgium. A beautiful example of the monumental buildings he designed later in his career is the Italianate church of Saint-Joseph (1842–1849) on the Square Frère-Orban in Brussels. Suys continued to carry out commissions in the Netherlands after the revolution such as the Roman Catholic, Mozes and Aaron Church in Amsterdam built between 1831 and 1847.
From 1835 to 1861 Suys was a professor at the Académie des Beaux-Arts in Brussels, where he taught almost every important Belgian architect of the younger generation such as Hendrik Beyaert, Joseph Poelaert and Alphonse Balat. Through his teaching he deeply influenced later Belgian architecture in both the Neo-classical and the eclectic or revivalist styles.
Tilman-François Suys was the father and teacher of Léon-Pierre Suys who would also play an important role as an architect and urban planner in 19th-century Belgium.
[edit] List of works
Churches:
- Reconstruction (after a fire) of the "Ronde Lutherse Kerk" in Amsterdam. (in collaboration with Jan de Greef). 1822-1826.
- Church of Mozes and Aron, (Mozes en Aäronkerk) in Amsterdam, (1837-1841)
- Groenmarktkerk in Haarlem, (1843-1844)
- Saint-Joseph, in Brussels, Square Frère-Orban, (1842-1849)
- Saint-Martin, in Jemeppe-sur-Sambre, (Gothic Revival), (1842)
- Saint-George, (Sint-Joriskerk), in Gothic Revival style, in Antwerp, (1847-1850)
Public buildings:
- Great conservatory of the Jardin Botanique in Brussels (1829-1834)
- Royal Palace in Brussels (1820-1829)
- Palace of Academies in Brussels, formerly the palace of the Prince of Orange. Completion of the designs of Charles Vander Straeten
Urban planning:
- Planning of the new Quartier Léopold in Brussels, (1830-)
Private buildings:
- Château Waroquée, (Castle of Mariemont), in Morlanwelz, (1830-1836) (destroyed by fire in 1960)
- Bouchout Castle in Meise (restoration and rebuilding in Gothic Revival), (1832-)
- Egmont Palace in Brussels, (extension of left wing), (1830-)
Other: Tomb for the soprano Maria Malibran on the Cemetery of Laeken.
[edit] Links
