Ticho Parly
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Ticho Parly (né Frederick Christiansen), the Danish Heldentenor, was born in Copenhagen on July 16, 1928. He began singing as a treble in his homeland, and grew into a bass-baritone. After studying in Denmark, France, Italy and Switzerland, as well as Indiana University, he went to New Orleans, where he resided from 1957 to 1960. In the Crescent City, he studied with Charles Paddock (also the teacher of Thaïs St Julien, Anthony Laciura and Greer Grimsley), who "insisted" he become a tenor. In 1958, he made his operatic debut, with the New Orleans Opera Association, in the secondary role of Pong in the local premiere of Turandot, conducted by Renato Cellini. The next year, he sang Flavio in Norma, as well as in Eine Nacht in Venedig, this last for The Experimental Opera Theatre of America.
Within a few months, however, Parly was starring in Continental theatres, including Aachen where he sang Radamès in Aïda. In the next few seasons, he would become acclaimed as one of the world's leading Heldentenors, appearing at Brussels (Les contes d'Hoffmann staged by Maurice Béjart, 1961), Wuppertal (as Mephisto in Busoni's Doktor Faust and in Peter Grimes, 1962), Lisbon (the Kaiser in Die Frau ohne Schatten, 1962; and Herodes in Salome, 1975), Kassel (Die Frau ohne Schatten directed by Hans Neugebauer and Siegfried, 1962; and Tannhäuser conducted by Christoph von Dohnányi, 1964) and Amsterdam (Doktor Faust, 1962; and as Prince Chouïsky in Boris Godounov, 1989).
In the summer of 1963, the Heldentenor made his debut at the Bayreuth Festival as Kunz Vogelgesang in Wieland Wagner's new production of Die Meistersinger, with Anja Silja as Eva. (This performance is available on Compact Discs, from Melodram.) In 1966, Parly returned to the Green Hill for the leading role of Siegmund in Die Walküre and, two years later, portrayed the title role of Siegfried, which he also sang at the Salzburg Festival, under Herbert von Karajan.*
For the San Francisco Opera, he was seen in Die Frau ohne Schatten, in 1960. In his native Copenhagen, Parly sang in Fidelio (as Florestan, 1963), Der fliegende Holländer (as Erik, 1963), Tannhäuser (1964), Elektra (as Ägisth, 1966) and Boris Godounov (directed by Harry Kupfer, 1988).
In 1965, Parly returned to New Orleans, for Tannhäuser, in Tito Capobianco's production. The same year found him in Mexico City for the same opera, now with Montserrat Caballé. In 1966, he recorded a disc of Wagnerian excerpts for Deutsche Grammophon conducted by Peter Maag, and made his Covent Garden debut in Siegfried (with Hans Hotter and Sir Georg Solti) and returned for Tristan in Tristan und Isolde in 1973. In 1966, he performed in Fidelio at the Teatro Colón; the next year he sang Tristan there.
On April 3, 1966, Ticho Parly's wife Azilda gave birth to a daughter, Tina. In November of the same year, he made his first appearance at the Metropolitan Opera, as Tristan opposite the Isolde of Birgit Nilsson. Two years later he sang there in Der fliegende Holländer (with Cornell MacNeil) and Elektra (with Nilsson and Jean Madeira). In 1967, Parly made his debut at the Teatro alla Scala in Salome and returned to the "holy of holies" in 1971 for the Tambourmajor in Berg's masterpiece, Wozzeck, conducted by Claudio Abbado.
In 1967, he also appeared at the Paris Opéra as Tannhäuser and the next year as Siegmund. In 1970 he sang in concert performances of the first and third acts of Parsifal in Washington DC and New York City, with the Washington National Symphony. In 1971, he was in Einem's Der Besuch der alten Dame with Astrid Varnay, at Zurich. The same year the tenor sang Siegfried at the Scottish Opera, following that with Peter Grimes in 1973. Returning to the States in 1974, he portrayed Loge in Das Rheingold at the San Diego Opera conducted by Walter Herbert. Over the next few summers, he sang the same part for the Seattle Opera's production of Der Ring des Nibelungen. In 1981, he sang Loge at the Cincinnati Opera, and the following year was found singing Herodes in Salome there, with Marisa Galvany in her first assumption of the title role. The year 1983 had him in Siegfried again, for the Boston Lyric Opera.
As late as 1988, the artist appeared in Denmark in the eponymous role of Otello. It was in Seattle that Ticho Parly died, on June 21, 1993. The following July 7th, in a sad coincidence, Parly's daughter, Tina, died in a rafting accident on the Yuba River in Northern California.
* It was announced that Parly would take the title role of von Karajan's 1968-69 recording of Siegfried, but in the end the assignment went to Jess Thomas.
[edit] References
- "From Monkey Hill to the Green Hill: Ticho Parly," unpublished essay by Brian Morgan, 2002.
