User:Thenthorn

From Wikipedia, the free encyclopedia

Trevor Henthorn is a musician and a researcher working with Psychology and Music at the University of California, San Diego. Wikipedia interests include Absolute Pitch, Contemporary Music and Auditory illusions.

Contents 1 Subpages (for pre-launch) 2 UCSD Ensembles (past and present) 3 UCSD Department of Music Faculty on Wikipedia (past and present) 4 Other UCSD Faculty 5 Other Wikipedia Interests 6 Biography (from AtlasInSilico) 7 References

[edit] Subpages (for pre-launch)

• /Jann_Pasler
• /Nancy Guy
• /Telematic_performance

[edit] UCSD Ensembles (past and present)

• red fish blue fish
• SONOR Ensemble

[edit] UCSD Department of Music Faculty on Wikipedia (past and present)

• Anthony Davis
• Brian Ferneyhough
• Carol Plantamura
• Chaya Czernowin
• Chinary Ung
• David_Borgo
• Edwin_Harkins
• George Lewis
• Harvey Sollberger
• János Négyesy
• Jimmy_Cheatham
• John_Fonville
• Joji Yuasa
• Mark Dresser
• Miller Puckette
• Philip_Larson
• Philippe Manoury
• Rand_Steiger
• Roger Reynolds
• Steven Schick
• Will Ogdon

[edit] Other UCSD Faculty

Diana Deutsch

[edit] Other Wikipedia Interests

• Virtual_mixer
• Digital_mixing_console
• Wikipedia:WikiProject_Contemporary_music
• Telepresence
• Webcast

[edit] Biography (from AtlasInSilico)

Trevor Henthorn attended The University of California at San Diego, where he majored in Electrical and Computer Engineering and Music (with acoustics emphasis). He worked at the Center for Music Experiment and later as network administrator for the UCSD Electrical and Computer Engineering Department. In 1995, he partnered to found ControlRoom - a multimedia company, providing audio streaming services for radio stations and event webcasts. In 1997 he partnered to form Console Incorporated, a company focused on high-end networking, database, and Internet services.

Media projects included digital asset tracking system for Universal Studios, web cams for NBC and streamed audio broadcast of the San Diego Padres. He is credited for his technical lead in such notable webcasts as the '95 Oasis concert in San Francisco, the San Diego City Council meetings, President Clinton's '98 visit to UCSD and the Make-a-Wish Foundation's Jingle Ball events. He has worked with CalIT2 to help develop the "STRokeDOC" telemedical system, multichannel audio streaming for the 2005 iGrid and worked with faculty in the UCSD Psychology Department to publish articles on psychoacoustics. Mr. Henthorn now resides in the UCSD Department of Music.

[edit] References

• Deutsch, D., Dooley, K., and Henthorn, T. (Aug 1, 2007). "A new pitch circularity illusion. Paper presented at the meeting of the". Society for Music Perception and Cognition, Montreal. 
• Henthorn, T. & Deutsch, D. (2007). "Ethnicity versus Early Environment: Comment on 'Early childhood music education and predisposition to absolute pitch: Teasing apart genes and environment' by Peter K. Gregersen, Elena Kowalsky, Nina Kohn, and Elizabeth West Marvin (2000).". American Journal of Medical Genetics, Part A 143A: 102-103.  Weblink PDF Document
• Deutsch, D., Hamaoui, K., and Henthorn, T. (2007). "The Glissando Illusion and Handedness.". Neuropsychologia 45: 2981-2988.  Weblink PDF Document
• Deutsch, D., Henthorn, T., Marvin, E., & Xu H-S (2006). "Absolute pitch among American and Chinese conservatory students: Prevalence differences, and evidence for a speech-related critical period.". Journal of the Acoustical Society of America 119: 719-722.  PDF Document
• Deutsch, D. & Henthorn, T. (2006). "Two issues at the interface between speech and music. (invited presentation)". Journal of the Acoustical Society of America 120: 3167.  Weblink
• Deutsch, D. Dooley, K. Dubnov S. Henthorn, T. & Wurden, A. (2005). "Pitch circularity produced by varying the amplitudes of odd and even harmonics.". Journal of the Acoustical Society of America 118: 1949.  Weblink
• Deutsch, D. Hamaoui, K. Henthorn, T. (2005). "The Glissando Illusion: A spatial illusory contour in hearing". Journal of the Acoustical Society of America 117: 2476.  Weblink
• Deutsch, D., Henthorn T. and Dolson, M. (2004). "Speech patterns heard early in life influence later perception of the tritone paradox.". Music Perception 21: 357-372.  PDF Document
• Deutsch, D., Henthorn T. and Dolson, M. (2004). "Absolute pitch, speech, and tone language: Some experiments and a proposed framework.". Music Perception 21: 339-356.  PDF Document
• Deutsch, D., Henthorn, T., Marvin, E. and Xu H-S (2004). "Tone language and absolute pitch: Prevalence among American and Chinese conservatory students". Journal of Acoustical Society of America 116: 2580.  Weblink
• Diana Deutsch, Trevor Henthorn, Elizabeth Marvin, and HongShuai Xu (2004). "'Perfect Pitch in Tone Language Speakers Carries Over to Music'". Acoustical Society of America November. 
• Deutsch, D., Henthorn, T. & Dolson, M. (2000). "Bilingual speakers perceive a musical illusion in accordance with their first language.". Journal of the Acoustical Society of America 108: 2591.  Weblink
• Deutsch, D., Henthorn, T. and Dolson, M. (1999). "Absolute pitch is demonstrated in speakers of tone languages". Journal of Acoustical Society of America 106: 2267.  Weblink
• Diana Deutsch, Trevor Henthorn, and Mark Dolson (1999). "'Tone Language Speakers Possess Absolute Pitch'". Acoustical Society of America.