The Vines

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This article is about the band. For other uses, see Vine (disambiguation).
The Vines
The Vines live on stage 19 February 2004.
The Vines live on stage 19 February 2004.
Background information
Origin Sydney, New South Wales, Australia
Genre(s) Garage rock revival
Alternative rock
Post-grunge
Neo-psychedelia[1]
Years active 1999 - present
Label(s) Ivy League Records (since 2007)
Heavenly Records
Capitol Records (2001 - 2006)
Website www.thevines.com
Members
Craig Nicholls
Ryan Griffiths
Hamish Rosser
Brad Heald
Former members
David Oliffe
Patrick Matthews

The Vines are an Australian garage rock band notable for producing a musical hybrid of '60s rock and '90s alternative music. Since 2006 their line-up has consisted of vocalist and lead guitarist Craig Nicholls, rhythm guitarist Ryan Griffiths, bassist Brad Heald and drummer Hamish Rosser.

They appeared on the cover of Rolling Stone in October 2002 (the first Australian band to do so since Men At Work in 1983) with the words "Rock is Back: meet the Vines" boldly emblazed underneath.[2] Often referred to as the 'The' bands, The Strokes, The Hives, The White Stripes and The Vines combined old fashioned punk and adrenaline fuelled riffs to be ushered in at the beginning of 2002 as the saviors of rock.[3]

The Vines have been moderately successful in the Australian recording industry, winning an ARIA in 2002 for Breakthrough Artist and receiving nominations for six other awards in as many years.[4] In 2003, their debut album Highly Evolved went double platinum in their home country of Australia,[5] and since then the band has released two albums and a "Best-Of" compilation from their time at Capitol Records. They finished working on the new album Melodia in March 2008 which is due to be released on July 12 2008 in Australia.[6]

Contents

[edit] History

[edit] Formation and early years (1994 - 2000)

The original line-up of the Vines came together in suburban Sydney in 1994 when Craig Nicholls and Patrick Matthews met whilst working at their local McDonald's. They began playing together, with Nicholls on guitar and vocals and Matthews on bass. They were soon joined by Matthews' school friend David Oliffe on drums.[7] The band was originally named by Nicholls as Rishikesh[8], pertaining to a place in India where his favourite band The Beatles had visited. The local newspapers always misprinted the name as 'Rishi Chasms'[8], so he decided to rename the band The Vines. This was a reference to Nicholls' father's frontman lead in a local Elvis cover-band called The Vynes. They started performing Nirvana covers at backyard parties while developing a sound of their own with Nicholls' four-track recorder.

During the next few years the Vines gigged infrequently and remained relatively unknown in their hometown, yet by the beginning of 2001 they had amassed a repertoire of over thirty songs.[7] When their demo landed at XL Recordings (U.K. home to artists such as The White Stripes, Basement Jaxx and The Prodigy), XL was quick to put out what was to be their first single, Factory, as a limited seven-inch EP and it soon became NME's Single of the Week in November 2001.[9]

[edit] Highly Evolved, fame and critical acclaim (2001 - 2003)

In July 2001 the band flew to Los Angeles to start recording their debut album, Highly Evolved, with Rob Schnapf who had worked with the Foo Fighters, Beck and Elliott Smith. Recording was put on hold soon after, as funds ran low. David Oliffe decided to leave Los Angeles and return to Australia, due to the fast pace of events and pressure of recording. Recording continued a few months later as a result of increasing record company interest, and band had session drummers fill in including Joey Waronker of R.E.M.. Once back in Australia, they started advertising for a new drummer in late 2001. Soon after, they recruited Hamish Rosser on drums and Nicholls' best friend Ryan Griffiths on acoustic guitar.

Their first single "Factory", released in November 2001, attracted little interest in Australia. It got a good response in the United Kingdom, with the NME hyping the first outing from the Vines as garage rock "of the oldest school."[10] Record companies were still only considering the release of another EP, however Nicholls was adamant about making a full-length album, and went seeking record companies overseas. The Vines were eventually signed to Heavenly Records in the UK in December 2001 and EMI in Australia in April 2002. The single "Highly Evolved" earned them more critical hype as NME made it a single of the week in March 2002[11]. That single also charted in the UK at #32 on the singles chart and also in Australia's ARIAnet top 100 singles chart.

The release of the album saw more critical success with the band appearing on the cover of Rolling Stone[2] and NME. The album debuted at #3 in the UK's albums chart, #5 in Australia's ARIAnet albums chart, and #11 in the U.S. Billboard Hot 100 albums chart. The band played high-profile slots on The Late Show with David Letterman[12] and the MTV Video Music Awards. A few more singles were released from the album, including "Get Free" and "Outtathaway!". A fourth single, "Homesick", was released in Australia only. The band went on to win an ARIA Award for "Breakthrough Artist" for their single Get Free in 2003, and were also nominated for "Best Group," "Best Rock Album," "Best Cover Art" and "Breakthrough Artist - Album." [4]Highly Evolved sold 1.5 million copies throughout the world with distribution through Capitol Records.[13]

 Music sample:

"Get Free"

"Get Free" captures the high energy garage rock for which the Vines' debut album Highly Evolved is famous for.
Problems listening to the file? See media help.

In May 2003, the band went into a studio in Woodstock, New York with Rob Schnapf again on production. While Craig Nicholls had talked of having a highly produced album, he told the Australian edition of Rolling Stone in March 2004 that they decided to stick to a less-is-more philosophy. "I wanted it to be - in my head - something grand, with big ideas and that vision sort of thing. But at the same time, that doesn't mean that something can't be special if it's just simple. Because I think that the songs are the main thing".[14]

[edit] Winning Days (2004 - 2005)

Their second album, Winning Days, was released on March 29, 2004 and debuted at #7 in Australia, #23 in the US and #29 in the UK. The Vines had recently finished their "Australian Invasion" tour with Jet and The Living End, which started on March 11, 2004 in Houston, Texas. "Ride" was the first single off the album, and a second single off the album, the title track "Winning Days" was released in Australia (where it did not chart) and the UK. There was speculation that "Animal Machine" would have been the next American single, and early American promotional flats for the album note this. However, there was no American follow-up to "Ride". "Ride" was featured on a Nissan Cars commercial and an iPod commercial in the US in 2005.[15] It was also featured in The WB television network's image campaign for the 2004-2005 ratings season.

After the conclusion of the Winning Days tour, the band found itself in harder times. Winning Days had not lived up to the success of Highly Evolved, and had gotten a lukewarm reception from both critics and audiences outside their diehard group of fans. Lead singer Craig Nicholls was becoming increasingly erratic, and had to be barred from doing media interviews after several bad experiences on the American tour.

This came to a head in late May 2004, when bassist Patrick Matthews walked off stage, after Craig shouted at the crowd, calling them sheep, in frustration after repeatedly asking the crowd to stop talking during the first song of a radio promotion performance for national station Triple M at the Annandale Hotel in Sydney. In the aftermath, Nicholls assaulted a photographer, and charges were pressed. Triple M also permanently banned The Vines from airplay on their network (ironically they hardly ever played music by The Vines and the following week the song "Ride" appeared on the Planet Rock countdown aired through the Triple M network). After the incident the band's management stated that the Vines would cease touring in support of Winning Days, but would record another album.

[edit] Vision Valley and a return to the stage (2006 - 2007)

In mid 2005, the group announced they were working on their third album with producer Wayne Connolly. Andy Kent of fellow Australians You Am I filled in on bass playing duties. In November, the band's management announced they had finished recording all the songs that would appear on the album. Mixing and mastering of the tracks commenced January 2006. In mid December 2005, it was discovered that one of the songs from the album had been leaked. Although the song was as-of-yet untitled and unfinished, it contained guide vocals and instruments. The band's manager asked for the song to be taken down from the blog it was found on, and drummer Hamish Rosser also issued a statement on the band's fan club forum asking fans not to post or distribute the song on the internet.

"Don't Listen to the Radio" was released as the album's first single and was made available for digital download on March 7th on iTunes. "Gross out" was made available for digital download on March 18th, and was the first song leaked from the album. Vision Valley was released on April 1, 2006 in Australia, April 3 in Europe and April 4 in the United States.

Vision Valley was packed full of short, immediate songs; the album running little over 30 minutes in length. "Anysound" was the second official single from the album, and an animated music video was released exclusively through YouTube. "Dope Train" was released as a third single, with a music video composed of candid and live footage of the band from Big Day Out in 2007.

On July 19, 2006 The Vines played a gig at the Annandale Hotel under the name "Joe Dirt" with a new bassist, Brad Heald. Former bassist Patrick Matthews now plays for Australian alternative band Youth Group. They announced to their official fan club website, Dreamin The Insane, that they are ready to perform again and are going to schedule shows "any day now."

On the 23rd of July the band appeared as a mystery guest at the Splendour in the Grass festival, Byron Bay. September 2006 saw The Vines perform at their own shows for the first time in two years. The Vines played in two venues in Sydney and Melbourne. All shows at both venues sold out.

The Vines played in the Big Top as part of the Homebake festival in December 2006. In early February 2007, the band completed their Big Day Out performances to strong and positive press reviews. As part of their set for the Big Day Out tour, The Vines performed a cover of an OutKast song, "So Fresh, So Clean". Frontman Craig Nicholls praised the audience and fans throughout the festival tour, thanking them for "sticking with the band" during the tough times the band had faced preceding the incident at the Annandale Hotel on May 14, 2004.

The Vines were headlining a small series of gigs at the Metro Theatre in November. These were celebrating the 10th anniversary of Ivy League Records, and played also see a number of the company's new and upcoming talents such as Josh Pyke, The Red Riders and Hoolahan.

[edit] Melodia (2008 - present)

After signing with Ivy League Records and leaving Capitol Records, The Vines returned to the studio in mid-November 2007, with Highly Evolved and Winning Days producer Rob Schnapf in Los Angeles to begin recording of their fourth studio album, Melodia.

Bass and Drum track recording for 15 songs that may see inclusion on the fourth album were completed in December 2007 during a 5 day recording stunt. In March 2008 the NME reported that The Vines fourth studio album had been completed during the week beginning March 3rd, 2008, with a tentative release date in June, 2008 for Australia. Front man, Craig Nicholls states five major labels from the United States have gone into their recording studio to have a listen to the album. He followed his statement up by saying they liked what they heard. He did not say what the labels in question were.

In an interview on the 25th of March 2008, Craig Nicholls told Guitar World magazine that The Vines will be doing a small European tour before returning to the studio to finish mixing the upcoming 2008 release. He mentioned that the tour will be called the "Braindead 08 Tour". In Australia the first single will be "He's a Rocker."[6], which will possibly be released in the last week of June.

On an interview at the MTV Australia Awards red carpet, Nicholls said that their next album will be probably released on July 12.[16]

Their first Australian single "He's a Rocker" is now available on their MySpace.

In the early hours of the morning of May 23 2008, it was announced that The Vines' new album were to be released on July 12th and be titled 'Melodia'. The new single, 'He's A Rocker' will be released on itunes on June 3rd along with two bonus tracks. Considering their recent US appearances in relatively small venues and at the South By South West new music festival and quotes from Craig Nicholls in recent interviews, The Vines are expected to play a small European tour around the time of the album release, a larger one probabaly to follow sometime after the album release when it has had time to build up some momentum.

[edit] Musical style

 Music sample:

"Factory"

"Factory," from 2002's Highly Evolved demonstrates their ability to fuse unusual genres into a garage rock song.
Problems listening to the file? See media help.

"Spaceship"

"Spaceship," from 2006's Vision Valley is a step forward for the band, highlighting their matured sound and psychedelic riffs.
Problems listening to the file? See media help.

The Vines' musical style can generally be categorised as garage rock/alternative rock, yet they are band which so often defy classification. On their debut album alone, the eclectic talents of the band can be seen from the punk ska of "Factory" to the neo-psychedelic Beatles-eqsue "1969." Much of the bands' early grunge sound can be attributed to their humble beginnings as a Nirvana cover band. Nicholls' high energy punk riffs and the bands’ raw sound also draw influence from American lo-fi rockers Pavement and Beck. Additionally influenced by 60’s pysch and 70’s punk legends like the Sex Pistols, Nicholls and the band create a sound that they can call their own.

“ Unlike many other pop post-modernists, the Vines never sound weighed down by all the influences they include in their music -- it's as if they're so excited by everything they hear, they can't help but recombine it in unique ways. ”
 
— Heather Phares, All Music Guide, April 15, 2004.[17]

The Vines' second album, Winning Days presented a different side of the band. No sooner had they finished their lengthy tour, they wearily boarded a plane to record their sophomore album. On Winning Days, ex-bassist Matthews believed that it was a step in a different direction for the band. "The themes are more introspective and less wild rock'n'roll."[13] Nicholls’ continues to push the limits of his vocal ability; his distinct "vocal wail" contrasting his "seductive melodic curls"[18] that shows he has matured in the two years since ‘Highly Evolved.’

Vision Valley shows a "back to basics" approach, with independence inside and outside the recording studio. No longer bound to strict contracts, the band was able to cope with Nicholls' condition and record a record with the utmost freedom.

[edit] Reception

Upon the release of their debut album, The Vines were hailed as “the second coming of Nirvana" by the British press; their post-grunge/garage sound was reminiscent of the Seattle scene circa ’91, and Nicholls' erratic on stage behaviour, heavy drug use and raw vocals drew comparisons between him and the late rock legend Kurt Cobain.[19][20][21] Highly Evolved, became a huge success and their accompanying live shows in the early years were praised as "electrifying" and "sensational".[22]

Yet it was as if they peaked a little too soon. Critical reactions to 2004's Winning Days were varied at best. Described as being "nothing more than boring and harmlessly vapid" yet showing "only mild promise" by Pitchfork Record Review's Chris Ott,[22] yet Rolling Stone's Fricke said "it was a leap forward in style and frenzy."[18]

[edit] Discography

Main article: The Vines discography
Studio albums Demos & EPs
  • 2001: Demo
  • 2001: Mixes
  • 2002: This Is Not The Vines Album
  • 2002: College EP
Live recordings and compilations

[edit] References

  1. ^ Keene, Darrin (May 17, 2002). Live: The Vines. Live at the Tequila Lounge. ChartAttack.com 'Your Canadian Music Source'. Retrieved on 2008-04-14.
  2. ^ a b Sheffield, Rob (August 6, 2002). The Vines. Craig Nicholls has all the makings of a rock star. Rolling Stone Magazine. Retrieved on 2008-04-13.
  3. ^ Schlauch, Jeff (February 13, 2003). Retro rock rules airwaves. Bands like The Hives and The Strokes are proclaimed rock saviors. The Equinox. Retrieved on 2008-04-13.
  4. ^ a b ARIA Awards 2002. Australian Recording Industry Association (June 06, 2002). Retrieved on 2008-04-14.
  5. ^ ARIA Charts Accreditations 2003. Australian Recording Industry Association (January 20, 2004). Retrieved on 2008-04-14.
  6. ^ a b O'Gorman, Ross (April 03, 2008). The Vines Go WIth He's A Rocker. undercover.com.au. Retrieved on 2008-04-14.
  7. ^ a b The Vines - guest program. abc.net.au/rage. Retrieved on 2008-04-13.
  8. ^ a b Diehl, Matt (September 23, 2002). Brief Article - Interview. Matt Diehl speaks to Craig Nicholls and Patrick Matthews. Brant Publications, Inc. Retrieved on 2008-04-13.
  9. ^ Singles of the Week from 2001. NME. Retrieved on 2008-04-14.
  10. ^ Robinson, John (October 30, 2001). http://www.nme.com/reviews/the-vines/5781. NME article about the Vines' first single.. New Musical Express. Retrieved on 2008-04-17.
  11. ^ 2002 NME Single of the Week Chart. NME Magazine. Retrieved on 2008-04-14.
  12. ^ Vines in a tangle. Sydney Morning Herald. Retrieved on 2008-04-14.
  13. ^ a b Whither the Vines. The Age. Retrieved on 2008-04-14.
  14. ^ "Winning Days", Rolling Stone Magazine (Australian Edition), March 2004. 
  15. ^ Songs from the iPod Commercials. MacSupport.ca. Retrieved on 2008-04-13.
  16. ^ MTV Australia. MTV AA 2008 Red Carpet. Retrieved on 2008-04-26.
  17. ^ Phares, Heather (April 15, 2004). Highly Evolved > Overview. Review of Highly Evolved. Allmusic.com. Retrieved on 2008-04-16.
  18. ^ a b Fricke, David (April 01, 2004). Winning Days. Winning Days – A review of the album. Rolling Stone Magazine.. Retrieved on 2008-04-16.
  19. ^ {{cite web|url=http://www.nme.com/reviews/the-vines/6208|title=Highly Evolved: Track Reviews|work=Our single of the week is a record you must own...|date=April 15, 2004|accessdate=2008-04-16|author=Oldham, James|publisher=[[New Musical Express}}
  20. ^ Usinger, Mike (April 15, 2004). Vines Show Growth. Craig The Prolific Australian Bad Boys Move Beyond Rawk With Their Second Recording, Winning Days. Straight.com, Vancouver’s source for music.. Retrieved on 2008-04-16.
  21. ^ Holmes, Peter (July 30, 2002). Fruit of the Vines. From the party and pub scene of Sydney, Peter Holmes tracks our climbing Vines.. The Sun-Herald. Retrieved on 2008-04-16.
  22. ^ a b Oldham, James (July 30, 2002). The Vines: Brighton Freebutt. Without question, The Vines are going to be this year's Strokes.... New Musical Express. Retrieved on 2008-04-17.

[edit] External links


v • d • e
The Vines
Craig Nicholls · Ryan Griffiths · Hamish Rosser · Brad Heald
David Oliffe · Patrick Matthews
Studio releases
Compilations
Singles
"Highly Evolved" · "Get Free" · "Outtathaway" · "Homesick" · "Ride" · "Winning Days"  · "Gross Out"  · "Don't Listen to the Radio"  · "Anysound"  · "Dope Train"  · "He's a Rocker"
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