The Triffids

From Wikipedia, the free encyclopedia

The Triffids
The Triffids (1985)
Background information
Origin	Perth, Western Australia, Australia
Genre(s)	Rock, alternative, Folk rock
Years active	1976–1989
Label(s)	Hot Records Rough Trade Records Island Records Mushroom Records
Associated acts	Blackeyed Susans Red Ponies Nick Cave and the Bad Seeds
Website	Official site
Members
David McComb Robert McComb Jill Birt Alsy MacDonald Martyn P. Casey 'Evil' Graham Lee
Former members
see main list

The Triffids were an Australian rock band who achieved some international success in the 1980s. Formed in Perth in the late 1970s and disbanded in 1989, their best known songs are "Wide Open Road" and "Bury Me Deep in Love". Their vocalist and principal songwriter was David McComb (1962-1999).

In June 2008 the Australian Recording Industry Association (ARIA) announced that The Triffids' iconic status would be recognised on 1 July 2008 when they are to be inducted into the ARIA Hall of Fame.^[1][2]

Contents 1 Biography 1.1 Early years (1976-1981) 1.2 Early Recordings (1982-1984) 1.3 UK & Europe (1984-1989) 1.4 Breakup and aftermath 1.5 2006 onwards 2 Legacy 2.1 Cover versions 2.2 In the media 3 Members 4 Discography 5 References 6 External links

[edit] Biography

[edit] Early years (1976-1981)

The Triffids began in Perth, Western Australia in the late 1970s, partly in response to the punk rock movement. In 1976, David McComb and Allan 'Alsy' MacDonald wrote and performed songs with Phil Kakulas (currently in Blackeyed Susans), Andrew McGowan, Julian Douglas-Smith, and later Byron Sinclair, Will Akers and Margaret Gillard. Originally called Dalsy, they soon became known as Blök Music, Logic (for a day) and then The Triffids, (taking their name from the post-apocalyptic novel The Day of the Triffids). Writing in his diary as a teenager, David McComb traced the band's emergence in Perth:

"On the night of November 27, 1976, a tape was made by Alsy MacDonald, playing a single toy drum, and Dave McComb playing acoustic guitar. The multimedia group 'Dalsy' had come into being. Dalsy went on to make several remarkable tapes (mainly of original material): The Loft Tapes, Rock 'n' Roll Accountancy, Live at Ding Dongs, Bored Kids, Domestic Cosmos, People Are Strange Dalsy Are Stranger, Steve's and the seminal punk work, Pale Horse Have a Fit.… Dalsy did paintings, sculptures and poetry, and wrote a book named "Lunch". They were tinny and quirky, obsessive and manic, versatile and productive. They were also immensely unpopular.... The members of Dalsy grew to hate their audience. They still do, and this hate is an integral part of their music. Dalsy split up towards the end of 1977…. They launched into 1978 as Blok Musik, with their famous Blok Musik tape.… In April they played at the Leederville Town Hall Punk Fest, alongside Perth's punk rock contingent but, as usual, no one danced. After that they went home and metamorphosised into Logic. Within a day they changed their minds, and metamorphosised into the Triffids."^[3]

Between 1978 and 1981 the Triffids recorded (some were even recorded at home) and released six cassette tapes and in 1981 they released their first single, "Stand Up" / "Farmers Never Visit Nightclubs". The production of this single was the prize for the Triffids winning a song competition run by the Western Australian Institute of Technology (now Curtin University) Student Guild’s radio show on 6NR (now Curtin FM).

[edit] Early Recordings (1982-1984)

1982 saw the release of the Reverie four track EP. Around this time, due to the small population/market in Perth, the band started the long journey driving from Perth to Sydney, then Melbourne (and back again) to play shows and do some recording and to live for large periods of time, often in quite squalid conditions. For a mere $150 a night the Triffids’ services as a support band were procured by the likes of The Reels, The Sunnyboys, The Church, Hunters and Collectors and the Uncanny X-men.

The Triffids signed to White Label in Melbourne and released a single "Spanish Blue" / "Twisted Brain" and the Bad Timing and Other Stories EP. The Triffids then signed on with Hot Records, which during its existence between 1982 and 1986 brought the Australian independent scene some much needed cohesion. They were one of the bands leading Hot’s drive into the overseas market, which is a part of what eventually led to the label’s demise.

Their debut album Treeless Plain was released in November, 1983,^[4] an album completely out of tune with everything else going on in the Australian alternative music scene at the time. All of the songs for Treeless Plain were recorded over twelve midnight-to-dawn sessions at Emerald City Studios, Sydney in August and September 1983.

Their line-up stabilised to David McComb (vocals, guitar), his brother Robert McComb (guitar,violin), Jill Birt (keyboards), Alsy MacDonald (drums), Martyn P. Casey (bass) and 'Evil' Graham Lee (pedal steel, guitar). Former Triffid Akers served time in jail after various drug-related convictions.

Their next single, "Beautiful Waste" / "Property is Condemned" and the Raining Pleasure 12” EP were released in 1984. By this time the Triffids had spent so much time traveling the 3000 miles between the west and east coasts of Australia (David McComb estimated that they made this trip between 12 and 16 times) that they decided to travel that little bit further and headed to Europe.

[edit] UK & Europe (1984-1989)

In late August, 1984 the band flew to London with a small amount of savings and five return plane tickets scheduled to expire by Christmas. They gave themselves three months to make inroads in the UK. Appearing as a support act at their London debut at the LSE, they blew headliners The Monochrome Set off the stage. They succeeded to the point where they graced the first cover of 1985 of the influential UK magazine NME, which it predicted would be 'The Year Of the Triffids'.

On November 6, 1984 the Triffids recorded the Field Of Glass 12” EP mostly live at BBC Studio 5 in London and then returned for a brief tour of Australia. Apparently the "Field Of Glass" track was not released on CD because the master tape could not be found, although it was eventually discovered under David McComb’s bed.

During a brief return home the band acquired their final permanent band member, pedal-steel player ‘Evil’ Graham Lee, who had performed on the mini-album, Lawson Square Infirmary, a Triffids side project that was recorded in 1984, just prior to the band's first trip to England. Lee recalls

""I taught primary school, traveled and ended up in Sydney, where I met the Triffids and first sat behind a pedal steel (in that order actually).... I met Dave [McComb] through James Patterson, who played in a band in Sydney called JFK and the Cuban Crisis. My initial impressions of Dave were: slightly eccentric, driven, something of a perfectionist, very intelligent."

Together they recorded the 7” EP You Don’t Miss Your Water, the A-side a countrified version of a William Bell song "You Don't Miss Your Water", and were sent back to London.

They toured Europe, featured again on the cover of NME, and were feted by the European press. The Triffids played in tiny clubs and stadiums (supporting the likes of Echo & the Bunnymen). A grassroots following soon appeared and they virtually toured every European country, finding specific pockets of popularity in the oddest of locations: Holland, Greece, Scandinavia, Ireland and Belgium. The band toured as part of the Summer Eurofestival circuit, performing at Glastonbury, Pinkpop, Waterpop, Seinojoke, Roskhilde (40,000), T&W Belgium (35,000) and den Haague's Parkpop (pushing 100,000).

Unable to raise a major record deal and with a lack of finances, Born Sandy Devotional was recorded in London in August 1985 with Gil Norton producing (fresh from working with Echo & The Bunnymen). The band released two versions of the "Wide Open Road" single ( a 7” version and a 12” version). The album reached # 27 on the UK charts and the single peaked at #26 on the UK charts while only reaching #64 in Australia.

Their critical success in the UK boosted their standing back in Australia where they recorded In The Pines in early 1986, still awaiting the release of Born Sandy Devotional, which eventuated in March, 1986.^[5] In The Pines was recorded on the McComb's family property in Ravensthorpe, south east of Perth, in a shearing shed on basic eight-track equipment. In the Pines took The Triffids deeper into folk and country music, with a lo-fi sensibility reminiscent of Bob Dylan's Basement Tapes. The band also backed Bill Drummond on his 1986 solo album The Man.

In 1986 the Triffids were on the bill of the Australian Made tour. Australia Made was the largest touring festival of Australian music talent that had ever been attempted to that point. Jimmy Barnes and INXS headlined and the rest of the line-up featured Mental as Anything, Divinyls, Models, The Saints, I'm Talking and The Triffids. The shows began in Launceston, Tasmania on 26 December and concluded in Sydney on Australia Day, 26 January 1987. A concert film of this event was made by Richard Lowenstein and released later that year.^[6] Apparently Michael Hutchence had insisted on the Triffids being part of the bill.

1987 saw the release of 3 tracks recorded for John Peel on May 5, 1985, The Peel Sessions.

The Triffids eventually landed a major record contract signing a three record deal with Island Records in the UK. Between April and August 1987 the band worked again with producer Gil Norton, in London, to record Calenture, their Island Records debut. The album saw the band explore themes of insanity, deception and rootlessness. The album title referred to the type of insanity which used to be suffered by seamen crossing the oceans. The nomadic Triffids travelling back and forth from Australia to England to record a 'difficult' album, obviously related to the disoriented seamen.^[7]

As a result of their success the band graduated to the festival circuit where they played alongside Iggy Pop, The Ramones, The Fall, Anthrax and Echo & the Bunnymen. By 1988 their fame was such that NME invited the group to contribute to The Beatles tribute album Sgt. Pepper Knew My Father alongside Billy Bragg and Wet Wet Wet.

The Triffids wanted to record the next album in Australia, but after the Calenture experience Island Records wanted to keep the band nearby. The Black Swan album was recorded between September and October 1988 in Somerset, UK and produced and engineered by Stephen Street. It was well received, but the success was not overwhelming, which disappointed the band members. That, together with being tired from the constant travelling and touring, led to the band being dissolved. The group even made it to America in 1989 for a pair of New York dates before taking a much needed vacation – one which turned permanent.

We didn’t know they were final performances. Dave wanted to do a solo album and we were due to get back together after that. Much to his chagrin his solo album took longer than expected and he kept writing songs that sounded like Triffids songs. Domesticity snuck up on most of us, poor health snuck up on Dave, a planned ’94 reunion tour was put on hold, and the Triffids faded into the mist. - Graham Lee

The band's last Australian shows were towards the end of 1989, with the final show at the Australian National University in August, 1989.^[8] 1990 saw the release of the live Stockholm album, which completed the Triffids’ contractual obligations with Island.

[edit] Breakup and aftermath

Following the breakup of the band, Alsy MacDonald, Jill Birt and Robert McComb took "proper jobs" as a lawyer (currently with the Equal Opportunity Commission), architect and teacher respectively, with MacDonald and Birt marrying (Robert McComb currently teaches at Melbourne High School). David McComb and Lee continued to be involved with the Blackeyed Susans, a group David McComb formed as a side band during an earlier Triffids summer tour of Australia. Martyn Casey briefly joined the Blackeyed Susans and then became a permanent member of Nick Cave and the Bad Seeds.

In 1990 David McComb moved back to London with the aim of pursuing his solo career. In 1992, after no success, he returned to Australia to make some solo recordings for Mushroom Records (featuring both Casey and Lee) releasing just one solo album, Love of Will, in 1994. He also worked with many other musicians on various projects, including assembling a band, the Red Ponies, to tour Europe. Another project, costar, was formed when David moved to Melbourne, but due to his ill health they only played sporadically around Melbourne, although recordings had begun and a single was ready for a limited release.

Following the Red Ponies tour David McComb suffered substance abuse-related health problems, which ultimately resulted in him undergoing a heart transplant in 1996. Following a car accident in Melbourne, David McComb was admitted to St Vincents hospital. Only 3 days later he died at home, on February 2, 1999, just a few days short of his 37th birthday.

In February 2000, after the State Coroner of Victoria finally published his findings, The West Australian newspaper wrote: "[Coroner] Johnstone said McComb's mental and physical condition had deteriorated after his (car) accident but his death was due to heroin toxicity and mild acute rejection of his 1996 heart transplant."

[edit] 2006 onwards

The Triffids back catalogue began being reissued in 2006. Graham Lee has taken on the role of guardian of David McComb's musical legacy. The Domino label in the UK is handling the reissues in Europe, while Liberation Music deals with Australia and New Zealand. An extended version of fan favourite Born Sandy Devotional came first, with staggered release dates in Europe, Australasia and North America between June and July, 2006. A joint release of In The Pines and Calenture followed in February 2007. In The Pines was given a full remix by Bruce Callaway, the original engineer, who had been looking after the master tapes for 20 years. The album was also extended with a number of tracks that were recorded during the sessions for In The Pines but held over for inclusion on Calenture because, in David McComb's words, “we have to keep something good for later.” (In The Pines was essentially a low-budget ‘holiday’ album, recorded while the band was still looking for a deal with one of the major labels.) Calenture was extended with b-sides from the same period, and with a second disc of demo recordings for the album.

Later stages of the re-issue programme will also include rarities, extended liner notes, remastering, a DVD and a live album. There is, currently, a selection of free downloads available on the official site, overseen by Lee.^[9]

David McComb was posthumously inducted into the WAM (West Australian Music Industry Association Inc) Hall Of Fame as a composer on 21 February 2006.

In June 2006 (in conjunction with the re-issue of Born Sandy Devotional) the band reformed to play three live performances, two concerts in Hasselt, Belgium and one in Amsterdam, The Netherlands with guest vocalists (including Mark Snarski (The Jackson Code) and Belgian, Harald Vanherf (The Hoodoo Club / Wicona Airbag)) replacing David McComb. A huge collection of band memorabilia was also displayed, along with the airing of a Triffids concert film and question-and-answer sessions with the band members.

According to Lee the experience was, "more than I could have hoped for – a true celebration of the music, and an intensity from band and audience that I’ve rarely felt."^[10]

The five remaining members of The Triffids gave a series of performances on January 17 - 20, 2008, as part of the 2008 Sydney Festival celebrating the music and the memory of David McComb.^[11] The band were joined on stage by a number of Australian musicians including Mark and Rob Snarski (Blackeyed Susans), Toby Martin (Youth Group), Steve Kilbey (The Church), Mick Harvey (Nick Cave and the Bad Seeds), Chris Abrahams and Melanie Oxley.^[12][13]

In May 2008 Liberation Music continued with the reissuing of The Triffids' back catalalogue, with the release of The Black Swan, which includes five songs which had previously been left off the album at the time of it's inital release together with an encore. The album originally being envisaged by David McComb as a double album. The re-released album also includes a bonus disc of demos and unreleased material. Also released is Treeless Plain has been re-mixed by the original sound engineer, Nick Mansbridge. The last of the re-releases is a collection of songs from various EPs, Raining Pleasure, Lawson Square Infirmary and Field of Glass, under the title Beautiful Waste and Other Songs (Mini-Masterpieces 1983-1985). The compilation album also includes the title song, "Beautiful Waste", together with "Dear Miss Lonelyhearts" and "Native Bride".^[14]

ARIA announced in June 2008 that The Triffids would be inducted into the ARIA Hall of Fame on July 1, 2008. On the announcement Graham Lee commented that David McComb would find the accolade ironic, given that the band were hardly superstars in their home country, but would have appreciated the belated recognition.^[15]

[edit] Legacy

One of the most critically acclaimed bands from Greece, Raining Pleasure have been inspired their name, from the "Raining Pleasure" song by The Triffids.^[16]

[edit] Cover versions

• "Wide Open Road" has been covered by Weddings Parties Anything, The Church and Perth folk-rock bands Carus and the True Believer's, Not Enough Rope and Shanks Pony, as well as by fellow Perth outfit The Panics for Triple J's 'Like a Version' in 2007.
• "American Sailors" has been covered by Mick Thomas, and also The Blackeyed Susans
• "Bury Me Deep in Love" has been covered by Kylie Minogue and Jimmy Little
• "Beautiful Waste" was covered by Youth Group for Triple J's 'Like a Version' in May, 2008.

[edit] In the media

• "Bury Me Deep in Love" was used for the wedding of Harold and Madge in the internationally successful Australian TV series Neighbours.^[17]

[edit] Members

• Will Akers - bass (1980-1982)
• Jill Birt - keyboards, vocals (1983-1989)
• Martin Casey - bass (1982-1989)
• Simon Cromack - percussion (1982-1983)
• Margret Gillard - keyboards (1979-1982)
• Phil Kakulas - guitar, vocals (1978-1979)
• Graham Lee - guitar, pedal steel, lap-steel, vocals (1985-1989)
• Alsy MacDonald - drums, percussion, vocals (1978-1980, 1982-1989)
• David McComb - vocals, guitar, piano, bass (1978-1989)
• Robert McComb - violins, guitar, keyboards, percussion, vocals (1979-1989)
• Mark Peters - drums (1980-1981)
• Byron Sinclair - bass (1978-1979, 1982)
• Jill Yates - keyboards (1982)

[edit] Discography

Main article: The Triffids discography

Studio albums 1983: Treeless Plain 1986: Born Sandy Devotional 1986: In The Pines 1987: Calenture 1989: The Black Swan Extended plays 1982: Reverie 1983: Bad Timing and Other Stories 1984: Lawson Square Infirmary 1984: Raining Pleasure 1985: Field of Glass 1987: Peel Sessions

Live recordings and compilations 1986: Love in Bright Landscapes 1990: Stockholm 1994: Australian Melodrama 2008: Beautiful Waste and Other Songs (Mini-Masterpieces 1983-1985) Cassettes 1978: Tape #1 1978: Tape #2 1979: Tape #3 1979: Tape #4 1980: Tape #5 1981: Tape #6 1981: Dungeon Tape 1988: Son of Dungeon Tape 1981: Jack Brabham

[edit] References

[edit] External links

• Official site
• ABC - Long Way To The Top - The Triffids
• Something Old, Something New website - Triffids profile
• Domino Records - Triffids profile
• Howlspace website - Triffids profile
• Domino re-release program
• Inner City Sound website - Triffids profile
• Nostalgia Central website - Triffids profile
• David McComb Obituary (1962-1999)
• Triffids discography at MusicBrainz

v • d • e The Triffids David McComb · Robert McComb · Jill Birt · Allan MacDonald · Martyn P. Casey · 'Evil' Graham Lee Studio Albums Treeless Plain · Born Sandy Devotional · In The Pines · Calenture · The Black Swan EPs Reverie · Bad Timing and Other Stories · Raining Pleasure · Lawson Square Infirmary · Field Of Glass · Peel Sessions Cassettes Tapes 1-6 · Dungeon Tape · Son of Dungeon Tape · Jack Brabham Live Albums Stockholm Compilation albums Love In Bright Landscapes · Australian Melodrama · Beautiful Waste and Other Songs (Mini-Masterpieces 1983-1985) Singles Stand Up · Spanish Blue · Beautiful Waste · You Don't Miss Your Water · Wide Open Road · Bury Me Deep in Love · Trick of the Light · Holy Water · Goodbye Little Boy · Falling Over You Record Labels Hot Records · Rough Trade · Mushroom · Island · Domino · Liberation Music Related content Save What You Can: The Day of The Triffids and The Long Night of David McComb (Bleddyn Butcher)