The Sandbaggers
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The Sandbaggers is a British television drama series about men and women on the front lines of the Cold War. Set contemporaneously with its original broadcast on ITV in 1978 and 1980, The Sandbaggers examines the effect of the espionage game on the personal and professional lives of British and American intelligence specialists.
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[edit] Series premise
The protagonist is Neil Burnside (played by Roy Marsden), Director of Operations in Britain's Secret Intelligence Service (also known as MI6, although the name "MI6" is never uttered in the series). Burnside oversees a small, elite group of British intelligence officers: the Special Operations Section, nicknamed the "Sandbaggers." This group is composed of highly trained officers whose work includes dangerous missions that tend to be politically sensitive or especially vital, such as escorting defectors across borders, carrying out assassinations, or rescuing other operatives who are in trouble behind the Iron Curtain.
Why the group was called the Sandbaggers was not explained in the context of the show, but it may have to do with putting up sandbags as a defense against an incoming flood. To "sandbag" someone also means to coerce him through heavy-handed means or to misrepresent one's position to gain an advantage.
In the series, the United States Central Intelligence Agency and SIS have a cooperative agreement to share intelligence. The Sandbaggers depicts SIS as so under-funded that it has become dependent on the CIA. Burnside consequently goes to great lengths to preserve the "special relationship" between the CIA and SIS -- most notably in the episode of the same name. The personal price he pays in that episode sparks an obsession with the safety of his Sandbaggers and the survival of the Special Section in subsequent episodes, contributing to Burnside's gradual psychological unraveling and the series's unresolved cliffhanger ending.
[edit] Series creator
The Sandbaggers was created by Ian Mackintosh, a former naval officer turned television writer, who had previously achieved success with the acclaimed Warship BBC TV series. He wrote all the episodes of the first two series. However, during the shooting of the third series in July 1979, Mackintosh and his girlfriend, a British Airways stewardess, were declared lost at sea after their single-engine aircraft mysteriously went missing over the ocean near Alaska following a radioed call for help. Some of the details surrounding their disappearance have caused speculation about what actually occurred, including their stop at an abandoned United States Air Force base and the fact that the plane happened to crash in the one small area that was not covered by either US or USSR radar.
Mackintosh disappeared after he had written just four of the scripts for Series Three, so other writers were called in to bring the episode count up to seven. The Sandbaggers ends on an unresolved cliffhanger because the producers decided that no one else could write the series as well as Mackintosh, and they chose not to continue with it in his absence.
Because of the atmosphere of authenticity that the scripts evoked and the liberal use of "spook" jargon, there has been speculation that Mackintosh may have been a former operative of SIS or had, at least, contact with the espionage community. This has extended to speculation that his disappearance was no accident or had to do with a secret mission he was undertaking. There is a possibility that Mackintosh may have been involved in intelligence operations during his time in the Royal Navy, but no conclusive evidence has surfaced. When asked, Mackintosh himself was always coy about whether he had been a spy.
However, even if Mackintosh may have had experience in the world of real-life espionage, the organisational structure of SIS depicted in The Sandbaggers is actually closer to that of the CIA than the real-life SIS. There is no formal section of SIS known as the Special Operations Section (as far as is publicly known), and there is no intelligence unit known as "Sandbaggers." This may have been deliberate, so as to avoid problems with SIS and the Official Secrets Act. For example, Ray Lonnen (who played Sandbagger One, Willie Caine) mentioned in an interview that a second series episode was apparently vetoed by censors because it dealt with sensitive information, explaining why Series Two has only six episodes.
[edit] Production and story style
The series was produced by Yorkshire Television, based in Leeds. Though the Sandbaggers' missions took them all over the world, most of the exterior filming was actually done in the city of Leeds and the surrounding Yorkshire countryside. Additional exterior scenes were filmed in London and Malta. Interior studio scenes were shot on videotape.
The Sandbaggers inverts most of the conventions of the spy thriller genre. In sharp contrast to the "girls, guns, and gadgets" motif established by the James Bond movies, The Sandbaggers features very few action sequences, no flashy cars, and no high-tech gizmos. On more than one occasion, in fact, characters explicitly disparage the fictitious Bond and the romanticized view of the intelligence business that some amateurs and outsiders have. In contrast, Neil Burnside is a harried spymaster who doesn't drink; Willie Caine is a secret agent who abhors guns and violence; and no character is seen to have sex over the course of the series. The bureaucratic infighting is reminiscent of John le Carré's George Smiley novels. The overall style is one of gritty realism. The series is particularly grim (though laced with black humour), depicting the high emotional toll taken on espionage professionals who operate in a world of moral ambiguity.
The plots are complex, multi-layered, and unpredictable: regular characters are killed off abruptly, and surprise twists abound. The dialogue is intelligent and frequently witty. Indeed, most of what happens in The Sandbaggers is just conversation. In a typical episode, Burnside moves from office to office having conversations (and heated arguments) with his colleagues in Whitehall and in the intelligence community. Sometimes his conversations are intercut with scenes of the Sandbaggers operating in the field; other times the audience sees more of the buzzing "Ops Room," where missions are coordinated and controlled, than of the Sandbaggers' actual field activities.
Unusual for an episodic drama, The Sandbaggers is almost entirely devoid of incidental music. The title theme music, composed by jazz pianist Roy Budd, establishes its rhythmic understone with the cymbalum, an instrument often associated with spy thrillers (John Barry, for example, uses the cymbalum in his film score for The Ipcress File).
This "tea and talk, not T&A" approach nevertheless appears to make for compelling viewing, as television critics' reviews of The Sandbaggers have been almost uniformly positive. In The New York Times, critic Terrence Rafferty called The Sandbaggers "the best spy series in television history" ("Spies Who Were Cool and Very, Very Cold", October 12, 2003[1]).
The Sandbaggers, television critic Rick Vanderknyff also wrote, "is many things American network television is not: talky and relatively action-free, low in fancy production values but high in plot complexity, and starring characters who aren't likable in the traditional TV way" ("Agents Who've Come In From Cold Storage", Los Angeles Times March 22, 1994).
[edit] Characters
[edit] Neil Burnside
As Director of Operations of SIS and a former Sandbagger, Neil Burnside is a career intelligence officer — devious and manipulative and by turns also dour, brusque, aggressive and independent-minded. This combination of traits frequently puts him in conflict with others. He is fiercely patriotic and devoted to the preservation of Britain's national security and "the destruction of the KGB". While the KGB makes life difficult enough for Burnside, he also gets plenty of antagonism from people who are supposedly on his side: his superiors in SIS, whom he alternately considers too cautious or too reckless; the self-serving politicians who grant or withhold permission for the covert operations Burnside wants to carry out; territory-hungry MI5 officers; and entrenched civil servants. Burnside is a teetotaler, choosing to drink Coca-cola rather than run the risk of having to make difficult professional decisions while under the influence of alcohol. The dedication to his job also cost Burnside his marriage some time before the first episode, and he has trouble forming close relationships. The one major exception during the series involves Laura Dickens, whom he recruits as a Sandbagger. Burnside's subsequent attraction to her immediately becomes a source of tension between his usually non-existent personal life and his professional duties; this storyline fuels several episodes, and is resolved in a typically gritty fashion.
The series apparently begins not long after Burnside has become Director of Operations, and one running theme is the relatively high casualty rate that his directorate suffers with him in charge. While fiercely protective of his agents, especially from what he views as his superiors' willingness to squander their lives on unwise missions, Burnside is himself willing to use the Sandbaggers as pawns if doing so will protect Britain's national security interests. Burnside is played by Roy Marsden.
[edit] Willie Caine
The senior Sandbagger (or "Sandbagger One") and head of the Special Operations Section, Caine is a former paratrooper and according to Burnside, possibly the best operative of his kind in the world. Grounded and straightforward where his boss is not, he is not afraid to speak his mind, but remains steadfastly loyal to Burnside despite the latter's maneuverings. Although he dislikes both violence and guns, he is prepared to use them when necessary. Besides Burnside, Caine is the only character who appears in every episode of the series. The character is played by Ray Lonnen.
[edit] Sir James Greenley
The Head of SIS when the series begins, code-named "C". A diplomat by training, Greenley was treated with suspicion by Burnside when he first became "C." But Burnside comes to both trust and become fond of Greenley, who has the difficult task of balancing political as well as security concerns. Greenley is almost a paternal figure to Burnside, often protecting him from the consequences of his worst instincts and keeping the peace between Burnside and Matthew Peele, the deputy head. Burnside is disappointed to see him replaced, in "Operation Kingmaker," by the less benevolent John Tower Gibbs (Dennis Burgess). Greenley is played by Richard Vernon.
[edit] Sir Geoffrey Wellingham
The Permanent Undersecretary of State at the Foreign and Commonwealth Office that oversees SIS, he represents the political side of things and is even more cynical and better-versed in realpolitik than Burnside, who is by no means an idealist. As Burnside's former father-in-law (the show often refers to Burnside's former wife Belinda but we never see her on-screen), he is also Burnside's contact within Whitehall, and the two both share information and use each other. This avenue of communication is somewhat outside regular channels, and although it can be a useful one for both Burnside and the SIS, on occasion Burnside's superiors show signs of resenting his relationship with Wellingham. Burnside suggests in one episode that the reason the two get along so well is because Wellingham sees a younger version of himself in Burnside. Despite their relationship, the two men can occasionally become adversaries when their agendas differ. Due to his background, experience, and position, Wellingham can be a formidable opponent for Burnside and reminds him of that more than once. Wellingham is played by Alan MacNaughtan.
[edit] Matthew Peele
The Deputy Head of SIS and, like Burnside, a career intelligence officer and a former Head of Station. Unlike Burnside, however, Peele has less field experience and is more concerned with going by the book and furthering his own ambitions to higher rank. As a result, Peele often opposes what he sees as Burnside's recklessness, contempt for the proper chain of command and lack of political tact. He is disliked within the department and considered a tyrant with no opinions of his own. Peele, however, is a more complex character than he seems, and in his own way just as committed to the security of Britain as Burnside. Peele is played by Jerome Willis.
[edit] Jeff Ross
The head of the CIA's London station, Ross is probably Burnside's closest friend. The two often have lunch and work together to preserve the "special relationship" between the two intelligence agencies. Ross also takes a keen interest in Burnside's personal life and often urges his friend to actually have one. The close relationship between the two, however, does not prevent Ross from using Burnside and the SIS on at least one occasion. In some episodes, Burnside and Ross are even working at cross-purposes. He is played by Bob Sherman.
[edit] Other characters
The junior Sandbaggers — many of whom are killed, and some of whom appear in just one or two episodes — are Jake Landy (David Glyder), Alan Denson (Steven Grives), Laura Dickens (Diane Keen), Tom Elliot (David Beames), and Mike Wallace (Michael Cashman). Burnside's capable personal assistant is Diane Lawler (Elizabeth Bennett), who is replaced in "Operation Kingmaker" by Marianne Straker (Sue Holderness). Karen Milner (Jana Sheldon) is a CIA field officer who reports to Jeff Ross and sometimes works alongside one or more of Burnside's Sandbaggers on assignments.
[edit] Episodes
Each of the 20 episodes of The Sandbaggers runs just under 50 minutes without commercials. Each episode did, however, originally air with commercial breaks which divided the episode into three acts. ITV, unlike the BBC, is a commercial enterprise.
Animated bumpers similar to the end credits lead into and out of the commercial breaks. They read: "End of Part One," "Part Two," "End of Part Two," and "Part Three." These bumpers are intact on the R2 DVD releases, although absent from the R0, and also the Series Two NTSC videotape release.
| Episode # | Original Air Date (UK) | Episode Title | Writer | Director | Guest cast |
|---|---|---|---|---|---|
| 1-01 | 18 September 1978 | First Principles | Ian Mackintosh | Michael Ferguson | Olaf Pooley, Richard Shaw, Barkley Johnson |
| 1-02 | 25 September 1978 | A Proper Function of Government | Ian Mackintosh | Michael Ferguson | Brian Osborne, Michael O'Hagan, Laurence Payne, Barkley Johnson |
| 1-03 | 2 October 1978 | Is Your Journey Really Necessary? | Ian Mackintosh | Derek Bennett | Brenda Cavendish, Andy Bradford |
| 1-04 | 9 October 1978 | The Most Suitable Person | Ian Mackintosh | David Reynolds | Stephen Greif, Christopher Benjamin, John F. Landry, Hubert Rees |
| 1-05 | 16 October 1978 | Always Glad to Help | Ian Mackintosh | David Reynolds | Peter Miles, Terence Longden, Gerald James |
| 1-06 | 23 October 1978 | A Feasible Solution | Ian Mackintosh | Michael Ferguson | Donald Churchill, Barkley Johnson, Sarah Bullen, Richard Cornish |
| 1-07 | 30 October 1978 | Special Relationship | Ian Mackintosh | Michael Ferguson | Brian Ashley, Alan Downer, Cyril Varley |
| 2-01 | 28 January 1980 | At All Costs | Ian Mackintosh | Michael Ferguson | Peter Laird |
| 2-02 | 4 February 1980 | Enough of Ghosts | Ian Mackintosh | Peter Cregeen | Edith MacArthur, Donald Pelmear, Jurgen Anderson, Barbara Lott, Wolf Kahler |
| 2-03 | 11 February 1980 | Decision by Committee | Ian Mackintosh | Michael Ferguson | David Freedman, Marla Gillot, David Beale, Kim Fortune, Stephanie Fayerman |
| 2-04 | 18 February 1980 | A Question of Loyalty | Ian Mackintosh | Michael Ferguson | Patrick Godfrey, Charles Hodgson, Philip Blaine |
| 2-05 | 25 February 1980 | It Couldn't Happen Here | Ian Mackintosh | Peter Cregeen | Weston Garvin, Daphne Anderson, Don Fellows, Norman Ettlinger |
| 2-06 | 3 March 1980 | Operation Kingmaker | Ian Mackintosh | Alan Grint | Peter Laird |
| 3-01 | 9 June 1980 | All in a Good Cause | Ian Mackintosh | Peter Cregeen | Gale Gladstone, John Steiner, Peter Laird |
| 3-02 | 16 June 1980 | To Hell With Justice | Ian Mackintosh | Peter Cregeen | John Alkin, Glynis Barber, Mark Eden |
| 3-03 | 23 June 1980 | Unusual Approach | Ian Mackintosh | David Cunliffe | David Horovitch, Brigitte Kahn, Terry Pearson, Rio Fanning, Philip Bond |
| 3-04 | 30 June 1980 | My Name Is Anna Wiseman | Gidley Wheeler | David Cunliffe | Carol Gillies, Anthony Schaeffer, Terry Pearson, Guy Deghy |
| 3-05 | 7 July 1980 | Sometimes We Play Dirty Too | Arden Winch | Peter Cregeen | John Line, Susan Kodicek, Milos Kirek, Derek Godfrey, Michael Sheard, Sherrie Hewson, Aimée Delamain |
| 3-06 | 14 July 1980 | Who Needs Enemies | Gidley Wheeler | Peter Cregeen | David Robb, Harry Webster, John Eastham, Edith MacArthur |
| 3-07 | 28 July 1980 | Opposite Numbers | Ian Mackintosh | Peter Cregeen | John Alkin, David Robb, Frank Moorey, Larry Hooderoff |
[edit] Broadcast history
- In the United Kingdom, Series One was broadcast nationwide on ITV in September and October 1978; Series Two, January-March 1980; Series Three, June and July 1980. ITV repeated The Sandbaggers once in the 1980s. In the 1990s, the cable/satellite channels Granada Plus and SelecTV showed repeats.
- In Canada, the CBC aired The Sandbaggers nationwide in the 1980s.
- In Australia, the Nine Network aired The Sandbaggers nationwide in 1982.
- In the United States, there was never a nationwide broadcast, but The Sandbaggers was sold in syndication to individual PBS stations from the mid-1980s until the mid-1990s.
- In Italy, the series was briefly shown on some local television stations in 1988, but only in the Northwest area. All episodes were dubbed in Italian.
[edit] Merchandise
[edit] DVD
- All 20 episodes of The Sandbaggers are available in the North American market in Region 0 NTSC-format DVD sets which were released by BFS Entertainment in August 2001 (Series 1 and 2) and September 2003 (Series 3).
- All 20 episodes are available in the UK and European market in Region 2 PAL-format DVD sets, the first two series being released by Network DVD in August 2005 and May 2006 respectively. (Unlike the BFS DVDs, the Network DVDs include in each episode the "bumpers" which led into and out of advertisement breaks during transmission on commercial television. These bumpers display "End of Part One", "Part Two", "End of Part Two" and "Part 3" accompanied by a snippet of the theme music.)
[edit] Video
- The complete series is also available on NTSC videotapes, in three sets. (Episode 7, "Special Relationship," was omitted from the Series One set and thus appears out of order on the Series Three set.)
- Four episodes were released on two PAL videocassettes in the mid-1980s, but these PAL tapes are out of print.
[edit] Books
- The Sandbaggers by Ian Mackintosh (Corgi Books, 1978) novelises "Always Glad to Help" and "A Feasible Solution". Out of print.
- The Sandbaggers: Think of a Number (Corgi Books, 1980) is an original novel by "Donald Lancaster," a pseudonym for mystery writer William Marshall, who was commissioned to write it after Ian Mackintosh's disappearance. Out of print.
[edit] Other
[edit] Legacy
[edit] The Sandbaggers in America
Although not a huge ratings hit during its initial UK broadcast, The Sandbaggers generated a cult following when telecast abroad, most notably in the USA. PBS station KTEH-Channel 54 in San Jose, California aired at least five runs of The Sandbaggers after it became "a local phenomenon." ("Sandbaggers Back for More," Ron Miller, San Jose Mercury News November 9, 1990)
American Sandbaggers fandom produced fanzines, websites, and even a convention: Ray Lonnen was the guest of honor at "Sandbagger One" in New Jersey in 1992.
[edit] Queen and Country
Greg Rucka, novelist and creator of the comic book espionage series Queen & Country, has said that the comic book is consciously inspired by The Sandbaggers and is in a sense a "quasi-sequel". In the comic book, the structure of SIS mirrors that seen in the television series, down to the division of responsibilities between Directors of Operations and Intelligence and the existence of a Special Operations Section known as the "Minders". The comic book also features a more modern and sophisticated Ops Room, and bureaucratic wrangling reminiscent of the television series.
Several characters and situations in Queen & Country parallel The Sandbaggers, including a fatherly "C" who is eventually replaced by a more political and less sympathetic appointee; a Director of Operations who is fiercely protective of the Special Section; a Deputy Chief antagonistic to the independent nature of the Minders; a rivalry with MI5; and a cooperative relationship with the CIA. In addition, several scenes and lines of dialogue are similar or allude to the television series. However, as the comic book takes place in the present day, the geopolitical situation is very different. In addition, the stories are more action-oriented and focus on the exploits of Minder Tara Chace rather than on Paul Crocker, the Director of Operations.
