The Rhodes Colossus

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For the statue, see Colossus of Rhodes
The Rhodes ColossusStriding from Cape Town to CairoPunch, 10 December 1892
The Rhodes Colossus
Striding from Cape Town to Cairo
Punch, 10 December 1892
Colossus of Rhodes, imagined in a 16th-century engraving by Martin Heemskerck, part of his series of the Seven Wonders of the World
Colossus of Rhodes, imagined in a 16th-century engraving by Martin Heemskerck, part of his series of the Seven Wonders of the World

The Rhodes Colossus is an iconic editorial cartoon of the Scramble for Africa period, depicting British colonialist Cecil Rhodes as a giant standing over the continent.

The cartoon was drawn by Edward Linley Sambourne, and first appeared in Punch magazine in 1892. It was widely reprinted in its time,[1] and has since become a standard illustration in history texts.

Contents

[edit] Context

The cartoon was published in the 10 December 1892 edition of Punch, appearing beside a recent excerpt from The Times about a Rhodes plan to extend an electrical telegraph line from Cape Town to Cairo.

It was accompanied by a piece of satirical verse on the character and ambitions of Rhodes.[2]

THE World's Seven Wonders are surely outshone!
  On Marvel World's billows 'twill toss us—'twill toss us,
To watch him, Director and Statesman in one,
  This Seven-League-Booted Colossus—Colossus!
Combining in one supernatural blend
  Plain Commerce and Imagination—gination;
O'er Africa striding from dark end to end,
  To forward black emancipation—cipation.

Brobdingnagian Bagman, big Dreamer of Dreams.
  A Titan of tact and shrewd trader—shrewd trader!
A diplomat full of finesse and sharp schemes,
  With a touch of the pious Crusader—Crusader!
A "Dealer" with despots, a "Squarer" of Kings,
  A jumper of mountain, lake, wilderness, wady,
And manager 'cute of such troublesome things
  As LOBENGULA or the MAHDI—the MAHDI.

Well may ABERCORN wonder and FIFE tootle praise,
  His two thousand hearers raise cheering—raise cheering.
Of wild would-be Scuttlers he proves the mad craze,
  And of Governments prone to small-beering—small-beering.
Sullen Boers may prove bores to a man of less tact,
  A duffer funk wiles Portuguesy—tuguesy;
But Dutchmen, black potentates, all sorts, in fact,
  To RHODES the astute come quite easy—quite easy.

The British South-African Company's shares
  May be at a discount—(Trade-martyrs!—trade-martyrs!)—
But he, our Colossus, strides on, he declares,
  Whether with or without chums or charters—or charters.
Hooray! We brave Britons are still to the front—
  Provided we've someone to boss us—to boss us;
And Scuttlers will have their work cut out to shunt
  This stalwart, far-striding Colossus—Colossus!

Verse accompanying the original cartoon

[edit] Iconography and influence

An 1898 American Colossus of the Pacific, in the style of the Rhodes cartoon
An 1898 American Colossus of the Pacific, in the style of the Rhodes cartoon

Rhodes is shown in a visual pun as the ancient Greek statue the Colossus of Rhodes, following the traditional (and architecturally unlikely) depiction of the Colossus with wide-set legs across Rhodes harbor (above).

Rhodes measures with the telegraph line the distance from Cape Town (at his right foot) in South Africa to Cairo (at his left foot) in Egypt, illustrating his broader "Cape to Cairo" concept (see Cape-Cairo railway) for British domination of Africa.

The cartoon is recognizable today as a standard illustration in history texts of the Scramble for Africa, and of Colonialism as a whole. The original context of a proposed telegraph line is rarely mentioned in such reproductions, which take the "Cape to Cairo" concept more generally.

[edit] References

  1. ^ Empires, Exceptions, and Anglo-Saxons: Race and Rule between the British and United States Empires, 1880–1910
  2. ^ Punch, Volume 103, December 10, 1892

[edit] External links

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