The Remaining Signs of Past Centuries

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The Investiture of Ali at Ghadir Khumm (MS Arab 161, fol. 162r).
The Investiture of Ali at Ghadir Khumm (MS Arab 161, fol. 162r).
Muhammad prohibiting intercalation (sura 9:36f.), fol. 5v. of the 17th century copy (MS Arabe 1489), corresponding to fol. 6v of the Edinburgh codex.
Muhammad prohibiting intercalation (sura 9:36f.), fol. 5v. of the 17th century copy (MS Arabe 1489), corresponding to fol. 6v of the Edinburgh codex.

The Remaining Signs of Past Centuries (Arabic: کتاب الآثار الباقية عن القرون الخالية ‎ Kitāb al-āthār al-bāqiyyah `an al-qurūn al-khāliyyah, also known as Chronology of Ancient Nations or Vestiges of the Past, after the translation published by Eduard Sachau in 1879) by Abū Rayhān al-Bīrūnī is a comparative study of calendars of different cultures and civilizations, interlaced with mathematical, astronomical, and historical information, exploring the customs and religions of different peoples. Completed in AD 1000 (AH 390/1), it is the first major work of Al-Biruni's, compiled in Gorgan, at the court of Qabus, when he was in his late twenties.[1]

Al-Biruni in this work makes the skeptical observation that "Many people attribute to God's wisdom all they do not know of physical science".[2] Discussing the astrolabe, Al-Biruni considers the an orthographic cylindrical projection as his own invention, expanding upon the work of Al-Saghani.[3]

The text survives in an early 14th century Ilkhanid manuscript by one Ibn al-Kutbi (the "Edinburgh codex", AH 707 / AD 1307–8, 179 folios, Northwestern Iran or northern Iraq,[4] kept at the Edinburgh University Library, MS Arab 161). The manuscript contains 25 paintings and survives also in an exact 17th century Ottoman copy (MS Arabe 1489, kept in the Bibliothèque nationale de France)

Hillenbrand (2000) interprets the choice and placement of illustrations throughout the text as a cycle which emphasizes the interest of the Ilkhanids in religions other than the predominant Islam, many illustration showing specific episodes related to Manichaeism, Buddhism, Judaism, and Christianity. Other illustrations show a keen interest in topics of history and science. The account of the birth of Caesar is illustrated with a realistic rendition of a cesarean section. The Shi`ite inclination of those responsible for the production is particularly evident from the two concluding images, the largest and most accomplished in the manuscript, which illustrate two episodes in the life of Muhammad, both centrally involving `Ali, Hasan, and Husayn: The Day of Cursing (fol. 161r) and The Investiture of `Ali at Ghadir Khumm (fol. 162r). The manuscript has a total of five images depicting Muhammad, including the first miniature which shows the Prophet as he prohibits intercalation (fol. 6v).[5] The style of the images is kept in a hybrid style between that of pre-Mongol period Persia and the Chinese style introduced with the Mongol invasions.

Contents

[edit] Editions

  • C. Eduard Sachau (ed.), Chronologie orientalischer Voelker von Alberuni, Leipzig 1878, reprinted Leipzig 1923, Baghdad 1963.
  • C. Eduard Sachau (trans.), The Chronology of Ancient Nations: An English Version of the Arabic Text of the Athâr-ul-Bâkiya of Albîrûnî, or 'Vestiges of the Past', Collected and Reduced ... by the Author in A. H. 390 - 1, A. D. 1000 (1879).

[edit] References

  1. ^ Seyyed Hossein Nasr, An Introduction to Islamic Cosmological Doctrines (1993), ISBN 0791415155, p. 108.
  2. ^ Scheppler (2006), p. 28.
  3. ^ Boris Abramovich Rozenfelʹd, A History of Non-Euclidean Geometry, trans. Abe Shenitzer, Springer (1988), ISBN 0387964584, p. 127.
  4. ^ The precise place of origin is uncertain. Soucek 1975, p. 156, suggested Tabriz or Maragha; Carboni (1988–89,17; 1992, 432f., suggested Mosul on the basis of a comparison of some of its illustrations with others in the so-called London Qazvini (cat. nos. 14–16). Hillenbrand supports the attribution to Mosul.
  5. ^ The cycle is among the earliest depictions of Muhammad in Persian art. The earliest extant representatidepiction on of Muhammad in a Persian manuscript is in the Marzubannama of 1299 (Archaeology Museum Library, Istanbul, MS 216); see fig. 49 in Marianna Shreve Simpson. 'The Role of Baghdad in the Formation of Persian Painting.' In Art et société dans le monde iranien, ed. Chahryar Adle, 91–116. Institut Français d'Iranologie de Téhéran, Bibliothèque iranienne, 26. Recherche sur les grandes civilisations, Synthèse, 9. Paris: Éditions Recherche sur les civilisations, 1982.
  • Robert Hillenbrand. 'Images of Muhammad in al-Biruni's Chronology of Ancient Nations.' In Persian Painting from the Mongols to the Qajars: Studies in Honour of Basil W. Robinson, ed. Hillenbrand, 129–46, Pembroke Persian Papers, 3. London and New York: I. B. Tauris in association with the Centre of Middle Eastern Studies, University of Cambridge, 2000.
  • Priscilla P. Soucek. 'An Illustrated Manuscript of al-Brn's Chronology of Ancient Nations.' In The Scholar and the Saint: Studies in Commemoration of Abul-Rayhan al-Biruni and Jalal al-Din al-Rumi, ed. Peter J. Chelkowski, 103–168. New York: Hagop Kevorkian Center for Near Eastern Studies, New York University Press, 1975.
  • Sheila S. Blair, The Development of the Illustrated Book in Iran, Muqarnas (1993).
  • Bill Scheppler Al-biruni: Master Astronomer and Muslim Scholar of the Eleventh Century, The Rosen Publishing Group (2006), ISBN 1404205128.
  • G. Saliba, 'Al-Biruni and the sciences of his time', in Religion, Learning and Science in the 'Abbasid Period, Cambridge University Press (2006), ISBN 0521028876, p. 316.
  • J. F. P. Hopkins, 'Geographical and navigational literature', in Religion, Learning and Science in the 'Abbasid Period, Cambridge University Press (2006), ISBN 0521028876, 405-423.

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