The Prodigy

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This article is about the band. For other uses, see Prodigy (disambiguation).
The Prodigy
Origin Braintree, Essex, England
Genre(s) Electropunk, electronic, rave, big beat, hardcore, breakbeat, Punktronica, electronic rock (more recent work)
Years active 1990–present
Label(s) Ragged Flag, Cooking Vinyl, XL, Beggars Banquet, Mute, Maverick, Warner Bros., Elektra
Website TheProdigy.com
Members
Liam Howlett
Keith Flint
Maxim
Former members
Leeroy Thornhill
Sharky

The Prodigy is an electronic music group formed by Liam Howlett in 1990, in Braintree, Essex, England. Along with The Chemical Brothers, Fatboy Slim, The Crystal Method, and a few other lesser-known acts, they were pioneers of the big beat electronic dance genre. They have sold over 16 million records worldwide which is unequaled in electronic music history.[1] Their music consists of various styles ranging from rave, hardcore and industrial in the early 1990s to alternative rock and bigbeat with punk vocal elements in later times. The current band members include Liam Howlett (composer/keyboards), Keith Flint (dancer/vocalist) and Maxim (MC/vocalist). Leeroy Thornhill (dancer/very occasional live keyboards) was a member of the band from 1990 to 2000, as well was a female dancer/vocalist called Sharky who left the band during their early period. The Prodigy first emerged on the underground rave scene in the early 1990s, and have since then achieved immense popularity and worldwide renown. Some of their most popular songs include "Charly", "Out of Space", "Smack My Bitch Up", "Voodoo People", "No Good (Start the Dance)", "Breathe" and "Firestarter".

The name displayed on album covers changed from "The Prodigy" to "Prodigy" between Music for the Jilted Generation and The Fat of the Land in 1997 and back again with the release of Always Outnumbered, Never Outgunned in 2004. However, Howlett has stated that the title has always been "The Prodigy". The change was made only to fit within the displayed logo, according to Howlett.[2][3]

The old website had a section dedicated to the future of The Prodigy, the only info was "We have started writing and recording new material for the 5th Prodigy album. We will be recording for the most of next year as well as playing live around the globe. Liam, Keith & Maxim." They have been confirmed as performing at Rock am Ring and Rock im Park in June 2008, as well as T In the Park and Oxegen in July and on the Channel 4 stage at V Festival and Jersey Live in August.

Contents

[edit] History

[edit] Beginnings

The Prodigy began with an initial 10-track demo by Liam Howlett, put together on a Roland W-30 sequencer keyboard in Essex, England. XL Recordings picked up the demo and an initial 12" pressing of What Evil Lurks was released in February 1991. There are some few thousand bootlegs of this release; it should have "the exchange" carved in the vinyl around the center of the single. The Prodigy's name was a moniker Liam had chosen as a tribute to his first analogue synthesiser, the Moog Prodigy.

The Prodigy's first public performance (with Howlett augmented by dancers Keith Flint and Leeroy Thornhill) was at the Four Aces in Dalston, London. Charly released six months later, became a huge hit in the rave scene at the time, reaching #3 in the UK Top 40, catapulting the band into the wider public attention. The Kaos Theory compilation series featured "G Force (Energy Flow)" from their third single "Everybody In The Place (EP)":

Prodigy "G Force (Energy Flow)" from "Kaos Theory Volume 1" compilation excerpt

An excerpt Prodigy "G Force (Energy Flow)" from "Kaos Theory Volume 1" compliaton
Problems listening to the file? See media help.

In the wake of "Charly"'s success the music charts were filled with unsophisticated "hardcore" rave tracks to which speed and ecstasy-filled clubbers had danced all night to but which did not appeal to critics in "the music press" such as Urban Hype's Trip to Trumpton, and Smart E's (as in Ecstasy) Sesame's Treet, instigating death-by-publicity to the underground "hardcore rave" scene according to many critics, ravers and followers of the scene. As a result Charly (a contemporary reference to cocaine), with its memorable sample of the "Charley Says" children's Public information films and The Prodigy were briefly identified by critics as "kiddie rave" or "Toytown Techno".

Charly was soon followed by the band's first full length album, Experience, a landmark release in the history of British rave music. After Experience (album track "Death of the Prodigy Dancers" featured Ragga MC band member Maxim Reality) and the run of singles that accompanied it, the Prodigy moved to distance themselves from the "kiddie rave" reputation that now dogged them. The rave scene was beginning to move on from its hardcore phase, with the Criminal Justice Act's "anti-rave" legislation on the horizon. In 1993, Howlett released an anonymous white label, bearing only the title Earthbound I. Its hypnotic, hard-edged sound won wide underground approval. Many former critics of the band were astounded when Howlett finally acknowledged responsibility for the record[4]. It was officially released as "One Love" later that year, and went on to chart at #8 in the UK.

In 1994, the Prodigy's second album, Music for the Jilted Generation, was released entering the UK album charts at #1. The album displayed a wider spectrum of musical style with heavy techno and breakbeat-based tracks complemented by the concept sequence The Narcotic Suite, and rock-oriented inclinations ("Their Law", featuring Pop Will Eat Itself). The album was nominated for a Mercury Music Prize although Howlett had reaffirmed his dedication to making The Prodigy a 'hard dance band', commercially successful but without compromise. The band managed to continue to prevent over-exposure in the media by refusing to appear on Top Of The Pops or other TV shows in the UK. To this day their only studio appearance on British television came when they appeared on the BBC2 series 'Dance Energy' in 1991 performing 'Everybody In The Place'. In the ensuing years their videos received a strong level of support by MTV Europe which boosted their popularity across the continent. Keith Flint himself hosted an episode of the MTV show 120 Minutes in 1995.

Following the international success of Music for the Jilted Generation the band augmented their line-up with guitarist Jim Davies (who, later, joined the group Pitchshifter) in 1995 for tracks such as Their Law, Break And Enter 95, and various live-only interludes and versions. The 1996 release of Firestarter, featuring vocals for the first time courtesy of a new-look Keith Flint, helped the band break into the U.S. and other overseas markets, and reached number one in the UK. In this year the Prodigy also headlined the prestigious Lollapalooza festival. Firestarter's success was matched by the second single Breathe which gave the band their second number one single in the UK later that same year.

The long-awaited third Prodigy album, The Fat of the Land, was released in 1997 just as the band headlined the Glastonbury festival on its opening night. Like its predecessors, the album represented a milestone in the development of both the band and the wider mainstream dance scene. Featuring simplified melodies, sparser sampling, and more sneering, punk-like vocals (supplied by a shockingly madeover Flint), the album nevertheless retained the bone-jarring breaks and buzzsaw synths so idiomatic of the band. The album cemented the band's position as one of the most internationally successful acts in the hard dance genre, entering the British and American charts at number one.

[edit] "Smack My Bitch Up" controversy (USA)

Prodigy were getting a lot of airplay on rock stations with their track, "Smack My Bitch Up," and were getting even more negative backlash for the song. Time-Warner, Prodigy's parent company, was feeling the heat from the National Organization for Women (NOW) over the track. Although the song's lyrics are few but repetitive (in their entirety, the lyrics are "Change my pitch up, smack my bitch up"), NOW stated that the lyrics are a "...dangerous and offensive message advocating violence against women." Howlett responded to the attacks by claiming that the song's lyrics are being misinterpreted: (the song means) "...doing anything intensely, like being on stage – going for extreme manic energy." The band did not write the lyric, but rather sampled it from the classic Ultramagnetic MCs' track "Give The Drummer Some" which also appears on the Dirtchamber Sessions (they had also sampled another Ultramagnetic MCs song "Critical Beatdown" on their earlier "Out of Space" single).[5] Several radio stations defended the song, yet only played the track at night. The music video (directed by Jonas Åkerlund) featured a first-person point of view of someone going clubbing, indulging in large amounts of drugs and alcohol, getting into fist fights with men, abusing women and picking up a lap dancer and having sex with her as well, all displaying the scenes extremely graphically. At the end of the video the camera pans over to a mirror, revealing the subject to be a woman. MTV only aired the video between 1 and 5 a.m. in order for mature viewers to see the groundbreaking images. The director got the inspiration for the contents of the video after a night of drinking and partying in Copenhagen.

During a performance at the Reading Festival (August 29th, 1998) The Prodigy and the Beastie Boys had an onstage disagreement over the track - with the Beastie Boys requesting the song should be pulled from their set as it could be considered offensive to those who had suffered domestic abuse.[6] Choosing to ignore the Beastie Boys plea, Maxim introduced "Smack My Bitch Up" with the declaration "They didn’t want us to play this fucking tune. But the way things go, I do what the fuck I want". The incident has since become part of festival folklore, and was voted one of the greatest ever live moments by the now defunct Select Magazine.

Wal-Mart and Kmart later announced they would pull The Fat of the Land off their shelves. Even though the LP had resided on their store shelves for over 20 weeks, the two stores found the marketing campaign for the new single release offensive.

In mid-2002, the complete, unedited video was aired on MTV2 as part of a special countdown showing the most controversial videos ever to air on MTV. This countdown was only shown late at night because of the graphic imagery of "Smack My Bitch Up" and several other videos on the countdown. This video in particular was deemed the "Most Controversial Video" by MTV and showed at the #1 spot on the countdown.

[edit] Later works

1999 saw the release of The Prodigy's Dirtchamber Sessions Volume 1, a DJ mix album by Howlett, produced as an official record of a successful guest appearance on the British Radio 1.

In 2002, after a break from touring and recording, the single "Baby's Got a Temper" was released to critical disappointment. The song was written by Keith Flint's sideband, Flint, and also featured Jim Davies. Howlett produced it. Once again, the band courted controversy by including references to the so-called "date rape" drug Rohypnol in the song lyrics, although it is unclear whether or not the band "glorifies" or presents the drug in a negative light. In the same year, however, Q magazine named The Prodigy as one of the "50 Bands To See Before You Die".

The Prodigy's fourth studio album, Always Outnumbered, Never Outgunned was released on 23 August 2004 (14 September 2004 in the USA.) A precursory and experimental single, "Memphis Bells", was released in very limited numbers, followed by the traditional release of the single "Girls". The U.S. version of the studio album contained a bonus track; a remix of "Girls" entitled, "More Girls".

5,000 digital copies of "Memphis Bells" were sold over the Internet. Each copy was a combination of customer-chosen instrumental, rhythmic, and melodic options, of which 39,600 (of 660,000 total) choices were available. Five mixes were sold in three file formats, WAV, two audio mixes in MP3, and a 5.1 DTS surround sound mix and all were free of Digital rights management. The experiment was a success, with the 5,000 copies being sold in just over 36 hours in spite of server problems from the demand.

In 2005, they released a compilation, Their Law: The Singles 1990-2005, which spawned a single containing new remixes of the songs "Out of Space" (the "Audio Bullys Remix") and "Voodoo People" (the "Pendulum Remix"). The latter was also followed by a music video which featured on the DVD release of the compilation. Sharky, the group's only female member, is shown running and winning the race depicted in the video.

Their work has been featured in several video games, TV shows and movies. For instance, the video game Need For Speed: Most Wanted featured the song "You'll Be Under My Wheels", which was also used in an advert for the BMW 1 Series as well as the closing credits for the film The Fast and the Furious: Tokyo Drift. As from the album The Fat of the Land, songs like "Firestarter" appeared in its instrumental version in the videogame Wipeout 2097, while "Mindfields" appeared in the film The Matrix, and the track "Funky Shit" in the closing scene and end credits of Event Horizon. The titles "Voodoo People" and "One Love" appear in the soundtrack of the movie Hackers and also in the French movies Wasabi and Dobermann. In 2006, "Spitfire" from Always Outnumbered, Never Outgunned appeared in the opening scenes of an episode of CSI: Las Vegas on the CBS network in the USA, as well as a featured track in the popular Xbox 360 racing simulator, PGR 4. It also appeared in the movie House of Wax. The song "Breathe" was also featured in a FLIP skateboard companies video entitled "Sorry" and was used by Rune Glifberg. "Breathe" was also used as the entrance theme for professional wrestler Al Snow during his successful run with Extreme Championship Wrestling. Interestingly, the film Charlie's Angels made extensive use in its soundtrack of the controversial track "Smack My Bitch Up" in its first main fight sequence; this song was also used on the successful film Scary Movie 2. The sequel, Charlie's Angels: Full Throttle, continues this trend with its use of "Breathe" and "Firestarter" in two major action sequences. The 2007 film Smokin' Aces used "First Warning" as the soundtrack to its violent climax, and Vexille the Japanese anime film also used the latest Prodigy track called "The Shadow" at the same year.

[edit] Development

The Prodigy are a difficult band to classify, because they have developed significantly with time. Each of their albums represents a distinct stage in the band's musical development. From their initial inception as a psychedelic rave band with scene staples such as "Your Love" and "Out of Space", to the more industrial dance of "No Good", to the rock-oriented "Their Law" to punk tracks such as the L7 cover "Fuel My Fire" in more recent years, the Prodigy continue to innovate and surprise. The Prodigy have had the ability over the years to appeal to widely varying cross-sections of music fans; from the purist dance festival Creamfields, to the more general appeal of T In The Park, to the heavy metal oriented Download Festival.

Because of their broad appeal to fans across several genres, The Prodigy have been described as "A rock band that plays dance music."

[edit] 2005–2008 recording sessions

During the Always Outnumbered, Never Outgunned tour the band debuted two new songs, "Warning" and "Dead Ken Beats". "Warning" features Keith Flint on vocals and consists of heavy basslines and guitar riffs, whilst "Dead Ken Beats" contains a sample of the Dead Kennedys song "California Uber Alles" that features prominently throughout, and has Maxim doing vocal duties.

A track that mixed "Spitfire (Nitebreed Remix)" with "Wake Up Call" has been played frequently live by The Prodigy, and was released in January 2006 as "Wake The Fuck Up" on Liam's Back To Mine compilation.

Another new track was played during the 'Their Law' tour, which was printed on a setlist as being called "Heatwave". It is thought that it has been renamed "Heatwave Hurricane", due to Liam listing it as this among his current favourite songs for a recent interview. It has been described as "something like a cross between Hotride (live version) & the Firestarter remix". A short clip can be seen on YouTube, revealing that the song includes a sample of "I'm Five Years Ahead Of My Time" by The Third Bardo, a song which is also featured on Liam's Back To Mine compilation. The new album was set to be released in summer 2007, however in a recent interview Liam Howlett quoted "The album will be first quarter of next year, with 1 single before. It is going well and we are loving it. There are a lot of ideas, maybe 25, we are now starting to finish the best tunes and getting vocals written".[7] Interview by Andrew Parks (April 7th, 2008) revealed that Liam Howlett has three more months of work for the new album left. He also said that he has working album title and song titles.[8] At the Sheffield gig (May 16th, 2008), the band played two new tunes: World's On Fire and Warriors Dance, and they played a new version of Dead Ken Beats (which havent been in the set since 2006).[9] At Gatecrasher Festival (May 25th, 2008), the band played one new tune: Mescaline. [10]

[edit] Members

[edit] Current members

[edit] Former members

[edit] Live members

  • Rob Holliday – Live Guitarist (2005 – 2006 and 2008)
  • Leo Crabtree – Drummer (2008)

[edit] Former live members

  • Gizz Butt – Live and Studio Guitarist (1996 – 1999)
  • Jim Davies – Live and Studio Guitarist, has his own bands Pitchshifter and Victory Pill (1995 – 1996, 2002 – 2004)
  • 'The Rev' – Guitarist (2007)
  • Alli Maclnnes – Guitarist (four gigs in summer 2001 and 2002 on the Big Day Out gigs)
  • Kieron Pepper – Drummer and occasional Guitarist, now playing guitar with Victory Pill (December 1997 – May 2007)
  • 'Snell' – Drummer, played at two concerts in July 2007
  • Brian Fairbairn – Drummer (2007)

[edit] Discography

Main article: The Prodigy discography

[edit] Studio albums

[edit] EPs


[edit] Compilations

[edit] Singles

Live Tracks (not on recordings): Gabba (1994), Trigger (2001), Nuclear (2001), Little Goblin (2001), Dust Yo'Self (2002), Night Boat To Cairo (2002), Warning (2004), Heatwave Hurricane (2005), War (2007), Shadow of the Devil (3 different versions, 2007), Warriors Dance (2008), World's on Fire (2008), Mescaline (2008)

[edit] Notes and references

  1. ^ Amazon.de: The Prodigy - Music in Review: The Prodigy: DVD
  2. ^ Howlett L, Nekozine online zine (November 2005), name's changes mentioned in an interview with Liam Howlett by Andrea Schnepf, last accessed 25 May 2005 (link).
  3. ^ James M, Prodigy book (2002), p. 44, Sanctuary Publishing, mentions that Liam chose the name to attribute his Moog synth.
  4. ^ TheProdigy.info » Prodigy discography » promos » One Love
  5. ^ Liner notes from Out Of Space single and Experience album.
  6. ^ Claustrophobic PRODIGY Page - Facts - The Reading Incident
  7. ^ TheProdigy.nl
  8. ^ Q&A with The Prodigy | Interview by Andrew Parks
  9. ^ Theprodigy.nl
  10. ^ Theprodigy.nl

[edit] External links

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The Prodigy
Liam Howlett · Keith Flint · Maxim
Sharky · Leeroy Thornhill
Albums
EPs
Singles
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