The Pager

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The Wire episode
"The Pager"
"...a little slow, a little late."
- Avon Barksdale
Episode no. 5
Teleplay by Ed Burns
Story by David Simon and Ed Burns
Directed by Clark Johnson
Guest stars see below
Prod. code 105
Original airdate June 30, 2002

The Wire Season 1
2 June 20028 September 2002

  1. "The Target"
  2. "The Detail"
  3. "The Buys"
  4. "Old Cases"
  5. "The Pager"
  6. "The Wire"
  7. "One Arrest"
  8. "Lessons"
  9. "Game Day"
  10. "The Cost"
  11. "The Hunt"
  12. "Cleaning Up"
  13. "Sentencing"
Episode chronology


"The Pager" is the fifth episode of the first season of the HBO original series, The Wire. The episode was written by Ed Burns from a story by David Simon & Ed Burns and was directed by Clark Johnson. It originally aired on June 30, 2002.

Contents

[edit] Production

[edit] Title Reference

The title refers to the pagers used by the Barksdale organization and cloned by the detail.

[edit] Epigraph

...a little slow, a little late. - Avon Barksdale

Avon uses this phrase in a speech he makes to D'Angelo about the random nature of their business and the constant danger involved. It also relates to the detail; as Freamon points out, they should've had the wire up in time to catch the discussion of Bailey's murder on the phones (and, if not that, certainly the kidnapping [and subsequent murder] of Brandon).

[edit] Non-fiction elements

The conversation Bodie and Poot have about AIDS transmission is taken almost verbatim from the non-fiction book The Corner: A Year in the Life of an Inner-City Neighborhood. [1]

[edit] Credits

[edit] Starring cast

Although credited, John Doman and Frankie Faison do not appear in this episode.

[edit] Guest stars

  1. Peter Gerety as Judge Daniel Phelan
  2. Seth Gilliam as Detective Ellis Carver
  3. Domenick Lombardozzi as Detective Thomas "Herc" Hauk
  4. Clarke Peters as Detective Lester Freamon
  5. Jim True-Frost as Detective Roland "Prez" Pryzbylewski
  6. Hassan Johnson as Roland "Wee-Bey" Brice
  7. J.D. Williams as Preston "Bodie" Broadus
  8. Michael K. Williams as Omar Little
  9. Michael B. Jordan as Wallace
  10. Clayton LeBouef as Wendell "Orlando" Blocker
  11. Delaney Williams as Sergeant Jay Landsman
  12. Nat Benchley as Augustus Polk
  13. Shamyl Brown as Donette
  14. Tray Chaney as Malik "Poot" Carr
  15. Wendy Grantham as Shardene Innes
  16. Michael Kevin Darnall as Brandon Wright
  17. Curtis Montez as Sterling
  18. Brandon Price as Anton "Stinkum" Artis
  19. Lance Williams as John Bailey

[edit] Uncredited appearances

[edit] Plot

[edit] The Police

Judge Phelan signs the wiretap affidavit for a clone of D'Angelo's pager. Lester Freamon finds that each pager message consists of a seven-digit phone number and a two-digit identifying tag. The phone numbers used do not work, so Freamon postulates that they are using a code to mask the numbers. The code is ultimately cracked by Detective Roland "Prez" Pryzbylewski, much to McNulty's delight. Freamon visits Daniels' office and tells him that they need audio surveillance (a wire) on the payphones surrounding the projects to make the case. He knows that Daniels is concerned about his career, but insists that they put the cases first.

Bubbles tells Detective Kima Greggs where to find Omar Little's van, and she and McNulty sit on the van, waiting for Omar to show up, hoping to catch Omar with a gun and convince him to become an informant. McNulty calls his estranged wife Elena and ask for his sons to come over. He insists he has everything ready, but she does not believe him and refuses to allow the visit. (After the fact, he is seen assembling the flat pack bunk beds for them.) He later goes to pick up his sons at Elena's house but no one is there.

Detectives Ellis Carver and Thomas "Herc" Hauk track Bodie down to the low-rises and violently arrest him for absconding from the juvenile detention center. Bodie refuses to consider making a deal and Herc and Carver respond to his insults with a savage beating. While waiting to hand Bodie over to juvenile intake, however, they end up playing pool with him.

Bunk Moreland gets good news from a ballistics tech: the casing from the Kresson scene confirms the link to the Barksdale association, just as Sergeant Landsman predicted; the gun used in this murder was previously used in two others. When McNulty visits the homicide department, Landsman tells of Major William Rawls' offer, and McNulty finds out that John Bailey, from Omar's crew, was killed. [Though this happens off camera, Wee-Bey takes responsibility for the murder when informing Avon.] Bunk tracks down a witness in the Kresson case, Tywanda, and she tells them that Kresson told her that D’Angelo was there that night. They learn that Deirdre threatened Avon. They also learn that Orlando’s Club is a Barksdale front.

Later, McNulty and Greggs follow Omar's van into a cemetery, where they parley. McNulty tries to convince Omar that they have an enemy in common, but Omar thinks that working with the police is wrong. McNulty reveals that Bailey has been killed; though Omar pretends to be unfazed, he lets it drop that Bird was the one who killed William Gant.

[edit] The Street

Avon Barksdale wakes up at a girlfriend named Chantal's house. The phone rings, but the line goes dead when she answers. Avon tells Wee-Bey Brice to remove the phone lines. Wee-Bey tells Avon he is worried they are being paranoid. Avon refuses to use the first payphone they come to.

Omar Little, Bailey and Brandon discuss their next rip on an East Side corner. Omar draws out a plan to trap the dealers in the alley they use. Omar approaches from the front whistling "The Farmer in the Dell" while Brandon and Bailey wait in the alley.

In the low-rises, young dealers Bodie Broadus and Poot Carr discuss AIDS. Stringer Bell visits D'Angelo and warns him that they think he might have a snitch in his crew. He tells D'Angelo to withhold his dealers' pay and see who does not need an advance to get by, thus identifying anyone with another source of income. Finally, Stringer chastises D'Angelo for letting Poot have a cell phone.

D’Angelo takes his girlfriend Donette out to an expensive restaurant. He worries that he seems out of place, but she tells him that as long as he can pay, he has every right to be there. D’Angelo worries that his upbringing will always stay with him.

Stringer and Avon discuss taking over the Edmondson Avenue corners, as they are wide open. Avon tells Stringer that Stinkum should run the territory. At the club, Orlando discusses business with D'Angelo. He tells him about Stinkum's promotion, which surprises D'Angelo. D'Angelo makes a date with dancer Shardene Innes.

Bubbles visits his friend Johnny in a clinic and learns that he has AIDS. Bubbles is upset at his friend's misfortune. Bubbles tells Johnny that he is on a mission to bring down the Barksdale hoppers that beat Johnny. Johnny cannot understand why Bubbles is voluntarily working with the police.

Stinkum, Avon, and D'Angelo visit Avon’s comatose brother in a county care facility. Avon sees his brother as an example of the dire consequences of acting carelessly in their way of life. Avon tells D’Angelo that one mistake could see either of them like his brother and that the fear motivates Avon to work harder.

Later, Poot and Wallace spot Brandon in an arcade and page D'Angelo to let him know. D'Angelo pages the news in from the project phones. Stringer meets with Wallace and Poot, along with Bird, Wee-Bey and Stinkum. He then calls D'Angelo to let him know the work is done. Although all the pages are logged at the detail office, the calls themselves are not recorded, so the picture is not clear for the detail.[2][3][4]

[edit] Deceased

[edit] First appearances

  • Marquis "Bird" Hilton: A foul mouthed Barksdale organization enforcer. Though apparently responsible for the murder of Gant in the first episode, this is the first time Bird appears onscreen. Bird is played by rapper Fredro Starr, from the group Onyx, who becomes the second of eight famous musicians to play minor recurring roles on The Wire (others include Method Man and Steve Earle).

[edit] Reception

[edit] Critical response

An Entertainment Weekly review picked this episode as "amazing" because it begins to deliver pay-offs on the shows slowly developing plot lines. The review also praised the show's naturalistic dialogue (making an extensive comparison to funk music) and praised several of the actors for their performance. The episode's most rewarding plot lines were those that involved D'Angelo's struggles with his conscience and McNulty's battles with the bureaucracy of the police department.[5]

[edit] References

  1. ^ The Corner p.228
  2. ^ Episode guide - episode 05 The Pager. HBO (2004). Retrieved on 2006-07-26.
  3. ^ "The Pager". David Simon, Ed Burns. The Wire. HBO. 2002-06-30. No. 5, season 1.
  4. ^ Alvarez, Rafael (2004). The Wire: Truth Be Told. New York: Pocket Books. 
  5. ^ Wire Power. Entertainment Weekly (2002). Retrieved on 2007-10-03.