The Minstrel Boy

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This article is about the song. For the novel by A. J. Cronin, see The Minstrel Boy (novel).

"The Minstrel Boy" is an Irish patriotic song written by Thomas Moore (1779-1852) who set it to the melody of The Moreen, an old Irish air. It is widely believed that Moore composed the song in remembrance of a number of his friends, whom he met while studying at Trinity College, Dublin and who had participated in (and were killed during) the 1798 rebellion of the United Irishmen. However, the song gained widespread popularity and became a favourite of many Irishmen who fought during the United States Civil War and gained even more popularity after World War I. The song is notably associated with organisations that historically had a heavy representation of Irish-Americans, in particular the police and fire departments of New York, Boston and Chicago and those of various other major US metropolitan areas, even after those organisations have ceased to have a substantial over-representation of personnel of Irish ancestry. The melody is frequently played at funerals of members and/or officers of such organisations who have died or been killed in service, typically on bagpipes. Unsurprisingly, given its lyrics, it is also associated with the Irish Army and with traditionally Irish regiments and/or Irish Brigades found in other armies. (A song with similar status is the more recent "Danny Boy".) The text of the original song follows:

The minstrel boy to the war is gone,

In the ranks of death you'll find him;

His father's sword he hath girded on,

And his wild harp slung behind him;

"Land of Song!" cried the warrior bard,

"Tho' all the world betrays thee,

One sword, at least, thy right shall guard,

One faithful harp shall praise thee!"

The Minstrel fell! But the foeman's chain

Could not bring that proud soul under;

The harp he lov'd ne'er spoke again,

For he tore its chords asunder;

And said "No chains shall sully thee,

Thou soul of love and brav'ry!

Thy songs were made for the pure and free

They shall never sound in slavery!

During the American Civil War, a third verse was added.^{[citation needed]}

The minstrel boy will return one day,

When we hear the news, we will cheer it.

The minstrel boy will return we pray,

Torn in body, perhaps, but not in spirit.

Then may he play his harp in peace,

In a world such as Heaven intended,

For every quarrel of Man must cease,

And every battle shall be ended.

[edit] References in popular culture

The song's popularity was substantially enhanced in the early 20th century by performances and recordings by John McCormack (1884-1945) a world-famous Irish tenor in the fields of opera and popular music - who performed successfully in many major live venues in the United States and Europe. McCormack was occasionally referred to as the "Minstrel Boy," (or alternately the Irish Minstrel) and this title has been applied to collections of his recordings.

The song's first verse was sung by the character Miles O'Brien (Colm Meaney) in the Star Trek: The Next Generation episode "The Wounded" (air date January 28, 1991). Its tune is heard on several occasions during Star Trek: Deep Space Nine (usually in reference to Miles O'Brien). It plays in the final episode "What You Leave Behind" when O'Brien is looking at his empty quarters and recalls his life aboard Deep Space 9.

The song's first and second verses are referenced in Barbara Hambly's Star Trek novel Ishmael.

The song figures prominently in the Voyage to the Bottom of the Sea first season episode, "Long Live the King".

The song (excluding the third verse) is played during the ending credits of the film Black Hawk Down (attributed to Joe Strummer and The Mescaleros). In this movie it is also heard during the evacuation of PFC Blackburn.

The tune is used as the theme of John Huston's 1975 film The Man Who Would Be King but the lyrics are those of Reginald Heber's The Son of God Goes Forth to War from the Lutheran Songbook [1].

The song is used as G Troop's troop song in the TNT film Rough Riders.

The song is performed by the Canadian band Enter the Haggis on their 2004 album, Casualties of Retail.

The song is performed by The Clancy Brothers (sung by Liam Clancy) on their 1959 album, The Rising of the Moon.

The song is also heard in the movie The Departed. It is played at a graduation ceremony of police cadets; one of them is Irish rooted and going to fight organized crime.

The song is played in the film Gettysburg as General Winfield Scott Hancock watches the Irish Brigade receive Fr. Corby's blessing prior to the battle.

An instrumental version of the song was recorded by The Corrs on their album Forgiven Not Forgotten.

It was used as background music in the Ken Burns documentaries The Civil War and Baseball.

The song is played in the opening credits of the film Gods and Generals.

The song, performed Performed by Morning Star with vocals by Rosaleen Linehan forms part of the soundtrack of the 1993 film Untamed Heart.

The song is both sung and used in Max Steiner's score in John Ford's The Informer (1935).

The song is sung by the Democratic Caucus in the first season of the Showtime series "Brotherhood" (2007)

Song is found in "Breaker Morant."

Parts of the chorus are played in various songs; such as John McCutcheon's "Christmas in the Trenches" and in the World War One song, "I Didn't Raise My Boy To Be a Soldier."