The Merry Men (short story)
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The Merry Men is a short story by Robert Louis Stevenson first published in 1882 in Cornhill Magazine 45-6 (June-July 1882). The story was later published in Stevenson's collection The Merry Men and Other Tales and Fables (1887).
[edit] Plot summary
The narrator, Charles Darnaway, a recent graduate of Edinburgh University, travels to the remote promontory of Aros on the north-west coast of Scotland. Aros is the home of his uncle, Gordon Darnaway, a hard-hearted and alcoholic Presbyterian. Charles has come in search of sunken treasure, as he believes a ship of the Spanish Armada sank in the bay under his uncle's home long before. Charles hopes to use the treasure to restore the Darnaways' fortunes and marry Gordon's daughter (and Charles' cousin) Mary Ellen. Charles is rowed out to the promontory by the only other inhabitant, Gordon's servant Rorie. Charles is surprised to find both Rorie and Gordon anxious and full of foreboding, though both furtively evade his questions. He is further surprised to find his uncle's austere home decorated with expensive lamps and rugs. He realizes at once they must have come from a shipwreck, and feels uneasy about this looting of the dead. His cousin Mary Ellen confirms that a ship was recently cast away nearby, having been driven by a storm into the dreadful breakers around the promontory, breakers that roar a hundred feet high around the rocks and are called "the Merry Men" due to the vast noise they make, like shrieking laughter.
Charles goes down to the shore on his treasure-hunt. While there he sees the shattered hull of the wrecked ship, and also a fresh grave. He realizes the grave must be for the body of a mariner washed ashore. He takes this as a bad omen, but still sets out to the point where he thinks the Spanish ship must be. Some diving confirms his guess. He hauls himself along the weed-grown hull of the sunken ship until the signs of an approaching storm warn him to return to shore. As he makes for the surface his handhold breaks off in his grip; when he pulls himself on shore he looks at it and is horrified to recognize a human leg bone. He casts the bone back in the sea and decides to leave the sunken ship where it lies, resolving to do no more grave-robbing.
On his way back to the house he sees a small boat, full of strangers, rowing around the bay. Watching them he is convinced that they too are searching for the sunken Spanish ship. He returns to tell his uncle that he saw a stranger on the shore, and is surprised by Gordon's panicked dread. Charles realizes that the mariner whose grave he saw came ashore alive, and that his uncle murdered him. Gordon runs out into the storm, with Charles after him, only to see the strangers' ship caught in the Merry Men and destroyed.
Further down the shore they find a man standing in the hull of the earlier wreck, a black man who speaks no language Charles knows. By sign language the stranger signifies that he is one of the strangers' party that was left behind, but Gordon, his guilty conscience overwhelming him, believes him to be the ghost of the man he murdered. Driven mad, Gordon flees into the storm and eventually flings himself into the sea, pursued by the silent stranger; both are swallowed up by the Merry Men.
[edit] Analysis
It is possible that the stranger from the Sea may be the Devil. There was a long tradition in Scotland that the Devil appeared as a black man (Stevenson mentions this in a footnote to "Thrawn Janet", another story in the same collection.) Also, Gordon earlier claimed that the Sea was the work of the Devil.
A parallel can be drawn between this story and the later "Heart of Darkness" by Joseph Conrad, another story of an isolated man driven mad by Nature. Interestingly, Gordon's rant about the Devil living in the Sea ends with him moaning, "The horror! The horror of the sea!" ...which is echoed in Conrad in Kurtz's last message: "The horror! The horror! Exterminate all the brutes!"
[edit] External links
- The Merry Men (as part of The Merry Men and Other Tales and Fables), available at Project Gutenberg.
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