The Magazine (album)
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The Magazine | |||||
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Studio album by Rickie Lee Jones | |||||
Released | September 1984 | ||||
Recorded | January 18 - June 1, 1984 | ||||
Genre | Rock | ||||
Length | 40:01 | ||||
Label | Warner Bros. | ||||
Producer | James Newton Howard, Rickie Lee Jones | ||||
Rickie Lee Jones chronology | |||||
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The Magazine is an album by Rickie Lee Jones, released in September 1984. It is her third full-length studio album, and was released as the follow-up to Pirates (1981). The album was partly composed in France.
Contents |
[edit] Genesis
After the release of Pirates in July 1981, Jones spent 1982 on the road on tour before kicking her addiction to heroin and cocaine. A 10-inch EP, Girl At Her Volcano, had been released in 1983 and Jones took up residence in Paris in April 1983 for four months. It was also in Paris that Jones kicked her alcohol habit. She told Timothy White in Musician in 1984: "I started drinking...more heavily than I had ever drunk in my life...I think I went to Paris to put it together."
Jones had been working on fragments of songs, such as "Juke Box Fury" and "Gravity," since 1981, before finding more inspiration in Paris. The first full song written was "Deep Space," precipitating a spurt of creativity from October 1983. Recording work for the album began on January 18, 1984 and was completed on June 1 before a September release date.
The album ends with a musical suite entitled "Rorschachs."
[edit] Track listing
All songs written, arranged and composed by Rickie Lee Jones, excepted when noted
- "Prelude to Gravity"
- "Gravity"
- "Juke Box Fury"
- "It Must Be Love"
- "Magazine"
- "The Real End"
- "Deep Space"
- "Runaround"
- "Rorschachs (Theme for the Pope)" (Sal Bernardi, Jones) - Instrumental on CD releases, vocal on some vinyl and cassette
- "The Unsigned Painting/The Weird Beast"
[edit] Personnel
Rickie Lee Jones - vocals, piano, synthesizer, horn arrangement
- Victor Feldman - percussion
- James Newton Howard - synthesizer, string arrangements
- Sal Bernardi - acoustic guitar, vocals
- Michael Boddicker - synthesizer, programming
- Lenny Castro - percussion
- Nick DeCaro - accordion
- Nathan East - bass
- Buzz Feiten - guitar
- Steve Gadd - drums
- Jerry Hey - horn, horn arrangements
- David Hungate - bass
- Neil Larsen - organ, DX-7 synthesizer, wurlitzer
- Steve Lukather - guitar
- Marty Paich - string arrangements
- Jeff Porcaro - drums
- Dean Parks - guitar
- Jeff Pevar - guitar, mandolin
- Greg Phillinganes - Fender Rhodes
[edit] Charts
Album
Year | Chart | Position |
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1984 | US Billboard 200 | 44 |
1984 | Top Jazz Albums | 20 |
1984 | UK album chart | 40 |
Singles - Billboard
Year | Single | Chart | Position |
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1984 | "The Real End" | The Billboard Hot 100 | 82 |
[edit] Miscellanea
- The original title for "Prelude to Gravity" was "Things Made of Glass" and was written originally to accompany a short story Jones had written about two girls who keep their most prized possessions in jars. The song was written partly in Paris and partly in London.
- Jones had written fragments of "Juke Box Fury," "Gravity," and "Runaround" in 1981.
- "The Real End" and "It Must Be Love" were two of the later inclusions.