The MRQ

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The Modern Rock Quartet (MRQ) was a Canadian jazz-rock band put together by former Luke & The Apostles keyboard player Peter Jermyn with several musicians who had played with Bruce Cockburn in the final The Esquires line up.

Contents

[edit] Origins

When the original Luke & The Apostles broke up in mid-August 1967, keyboard player Peter Jermyn (born on November 6, 1946 in Kingston, Ontario) moved to Ottawa where he joined the local band Heart, which was fronted by singer John Martin. A short while later Jermyn met former The Esquires members bass player Doug Orr and drummer Robert Coulthart (whom he had seen while with the Apostles) and he invited them to replace members of Heart.

In August 1968, the band changed its name to The Modern Rock Quartet and quickly attracted record company interest with their unique sound (a guitarless band was something of an oddity at the time). The band was approached by five US labels (including two major players) and in the end, signed with RCA, which invited them to New York to record material (most of which would remain unreleased).

Jermyn first took the band to Toronto in late 1968, where it played the El Patio (December 10-15). Though based in Ottawa, The MRQ returned to Toronto on numerous occasions throughout 1969 and 1970, playing at the Varsity Arena on June 22, 1969 with Edwin Starr, Chuck Berry and others, performing at the Toronto Rock Festival (also at Varsity) on March 25, 1970 with Canned Heat, The Amboy Dukes and others, and appearing at the Festival Express show at the CNE Stadium on June 27-28, 1970 with The Band, Janis Joplin, The Grateful Dead and others.

[edit] Bruce Cockburn

The group’s lone single, Jermyn’s “Plastic Street”, backed by Bruce Cockburn’s “Games” failed to chart. The b-side, which was co-written with Michael Ferry (Lee Jackson from Jon and Lee & The Checkmates) was released in English and French. The group also recorded a couple of tracks that were never released, such as “Revolution” and “Lady of Pleasure”.

[edit] Ahead of its time

During 1969, The MRQ supported The Who and Procol Harum. The MRQ’s shows were highly ambitious and Jermyn’s keyboard skills were reportedly a big influence on Keith Emerson. The bulk of the group’s material consisted of concertos by Jermyn and Bruce Cockburn songs, which the songwriter chose not to record himself. Jermyn’s pieces included “Opening Jam” and the live favourites “Happiness Is Majority” and “Cities Are Tight”.

Martin left after the single to be replaced by Bob Blyth, who was succeeded in turn by former Esquires singer Brian Lewicki. The group also added former 1910 Fruitgum Company guitarist Karwin, who soon left to form TCB.

[edit] Peter Jermyn leaves

Jermyn lost interest with Lewicki’s arrival and following a prestigious appearance at Expo’ 70 in Japan, he left the band. (Jermyn didn’t want to play the bar scene as he thought it was a regressive move.) Drew King from the group, White, replaced Jermyn but the band split up a short while later.

[edit] The Sackbut

In the early Seventies Jermyn helped to design a new musical instrument, the Sackbut, with Dr Hugh LeClaire from the National Research Council. He spent several years doing lecture tours demonstrating the instrument and did the theme tune for NBC TV’s children’s science programme, “Dr Wizard” using the Sackbut. During the Eighties and Nineties he did freelance TV work and wrote soundtracks for films, including the special effects for “Heavy Metal”. In recent years, he has joined The Apostles for a series of shows at Toronto bar, Blues on Bellair.

[edit] Aftermath

The remaining trio of Lewicki, Orr and Coulthart spent a few years playing in a drag and pimp bar on the Quebec side of the river, outside Ottawa before breaking up. They reunited in 1974 with Rod Phillips on keyboards, and recorded one 45 for the Aquarius label.

[edit] Trivia

The group’s first live date was at Prime Minister Pierre Trudeau’s official residence.

[edit] Discography

45 Plastic Street c/w Games (RCA Victor 1002) 1968

[edit] Sources

  • Nick Warburton interview with Peter Jermyn, 2000.
  • The Toronto Telegram’s After Four Section listed live dates every Thursday.
  • “The Freedom of MRQ” article in RPM Weekly magazine, page 3, circa January 1969.