The Hustler (film)

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The Hustler

original promotional poster
Directed by Robert Rossen
Produced by Robert Rossen
Written by Walter Tevis (novel)
Sidney Carroll
Robert Rossen (screenplay)
Starring Paul Newman
Jackie Gleason
Piper Laurie
George C. Scott
Music by Kenyon Hopkins
Cinematography Eugen Schüfftan (as "Eugene Shuftan")
Editing by Dede Allen
Distributed by 20th Century Fox
Release date(s) September 25, 1961
Running time 134 min.
Country USA
Language English
Followed by The Color of Money
Allmovie profile
IMDb profile

The Hustler is a 1961 American drama film. It tells the story of small-time pool hustler "Fast Eddie" Felson and his desire to be the best player in the country by beating legendary pool player "Minnesota Fats." After initially losing to Fats and getting involved with unscrupulous manager Bert Gordon, Eddie returns to beat Fats, but only after paying a terrible personal price.

The Hustler is an adaptation of the 1959 novel of the same name by Walter Tevis. Sidney Carroll and Robert Rossen adapted the novel for the screen. Rossen directed the film on location in New York City. It stars Paul Newman as Eddie Felson, Jackie Gleason as Minnesota Fats, Piper Laurie as Sarah, and George C. Scott as Bert.

The film was a major critical and popular success and earned a reputation as a modern classic. It garnered a number of major awards and is credited with helping to spark a resurgence in the popularity of pool. It also inspired a real pool hustler to adopt the name of Gleason's character, Minnesota Fats, and use the association with the film to become a celebrity.

Contents

[edit] Plot

Small-time pool hustler "Fast Eddie" Felson (Paul Newman) travels cross-country with his partner Charlie (Myron McCormick) to challenge the legendary player "Minnesota Fats" (Jackie Gleason). Arriving at Fats's home pool hall, Eddie declares he will win $10,000 that night. Fats arrives and he and Eddie agree to play for $200 a game. After falling behind early, Eddie surges back to being $1,000 ahead and suggests raising the bet to $1,000 a game; Fats agrees. He sends a runner out ostensibly for a bottle of whiskey, but really to get professional gambler Bert Gordon (George C. Scott) to the hall. Eddie gets ahead $11,000 dollars and Charlie tries to convince him to quit, but Eddie insists the game will end only when Fats says it's over. Fats agrees to continue after Bert labels Eddie a "loser." After 25 hours and an entire bottle of bourbon, Eddie is ahead over $18,000, but loses it all along with all but $200 of his original stake. At their hotel, Eddie splits up the remaining stake with a sleeping Charlie and leaves.

Eddie stashes his belongings at the local bus terminal, where he meets Sarah Packard (Piper Laurie), an alcoholic "college girl" who walks with a limp. He meets her again at a bar. They go back to her place but she refuses to let him in, saying he is "too hungry." Eddie moves into a rooming house and starts hustling for small stakes. He finds Sarah again and this time she takes him in, but with reservations.

Charlie finds Eddie at Sarah's and tries to persuade him to go back out on the road. Eddie refuses and Charlie figures out he plans to challenge Fats again. Eddie realizes that Charlie has held out his percentage and becomes enraged, believing that with that money he could have rebounded to beat Fats. Eddie dismisses Charlie as a scared old man and tells him to "go lie down and die" by himself.

Eddie finds a poker game where Bert is sitting and loses $20. After the game, Bert tells Eddie that he has talent as a pool player but no character. He figures that Eddie will need at least $3,000 to challenge Fats again. Bert calls him a "born loser," but nevertheless offers to stake Eddie in return for 75% of his winnings. Eddie refuses.

Eddie hustles a local pool shark, who breaks Eddie's thumbs. Sarah cares for him and tells him she loves him, but he can't say the words. When his thumbs heal, Eddie agrees to Bert's terms, deciding that 25% of something is better than 100% of nothing.

Eddie, Bert and Sarah travel to Louisville, Kentucky for the Kentucky Derby, where Bert arranges a match for Eddie against a wealthy local named Findley (Murray Hamilton). The game turns out to be billiards, not pool. Eddie loses badly and Bert refuses to keep staking him. Sarah pleads with Eddie to leave with her, saying that the world he's living in and its inhabitants are "perverted, twisted and crippled," but he refuses. Seeing Eddie's anger, Bert agrees to let the match continue at $1,000 a game. Eddie comes back to win $12,000. He collects his $3,000 share and decides to walk back to the hotel. Bert arrives first and subjects Sarah to a humiliating sexual encounter. After, she scrawls PERVERTED, TWISTED and CRIPPLED in lipstick on the bathroom mirror. Eddie arrives back at the hotel to learn that she has killed herself.

Eddie returns to challenge Fats again, putting up his entire $3,000 stake on a single game. He wins game after game, beating Fats so badly that Fats is forced to quit. Bert demands a share of Eddie's winnings but Eddie, invoking the memory of Sarah, shames Bert into giving up his claim.

[edit] Production

The Tevis novel had been optioned several times, including by Frank Sinatra, but attempts to adapt it for the screen were unsuccessful. Director Rossen's daughter Carol Rossen speculates that previous adaptations focused too much on the pool aspects of the story and not enough on the human interaction. Rossen, who had hustled pool himself as a youth and who had made an abortive attempt to write a pool-themed play called Corner Pocket, optioned the book and teamed with Sidney Carroll to produce the script.[1]

Paul Newman was originally unavailable to play Fast Eddie, being committed to star opposite Elizabeth Taylor in the film Two for the Seesaw. Rossen offered the part to Bobby Darrin instead.[2] When Taylor was forced to drop out of Seesaw because of shooting overruns on Cleopatra, Newman was freed up to take the role, which he accepted after reading just half of the script.[3]

Rossen filmed The Hustler over six weeks, entirely in New York City. Much of the action was filmed at two now-defunct pool halls, McGirr's and Ames Billiard Academy.[4] Other shooting locations included a townhouse on East 82nd Street, which served as the Louisville home of Murray Hamilton's character Findley, and the Manhattan Greyhound bus terminal. The film crew built a dining area that was so realistic that confused passengers sat there and waited to place their orders.[5] Willie Mosconi served as technical advisor on the film[4] and shot a number of the trick shots in place of the actors.[6] Rossen, in pursuit of the style he termed "neo-neo-realistic,"[7] hired actual street thugs, enrolled them in the Screen Actors Guild and used them as extras.[8] Early shooting put more focus on the pool playing, but during filming Rossen made the decision to place more emphasis on the love story between Newman and Laurie's characters.[9]

[edit] Cast

Pool champion Willie Mosconi has a cameo appearance as Willie, who holds the stakes for Eddie and Fats's games. Boxing champion Jake LaMotta also has a cameo as a bartender.

[edit] Reception

[edit] Critical

The Hustler had its world premiere in Washington, D.C. on September 25, 1961. Prior to the premiere, Richard Burton hosted a midnight screening of the film for the casts of the season's Broadway shows, which generated a great deal of positive word of mouth.[10]

The film was well-received by critics, although with the occasional caveat. Variety praised the "solid performances"[11] of the entire main cast but felt that the "sordid aspects"[11] of the story prevented the film from achieving the "goal of being pure entertainment."[11] Variety also felt the film was far too long. Stanley Kauffmann, writing for The New Republic, concurred in part with this assessment. Kauffmann strongly praised the principle cast, calling Newman "first-rate"[12] and calling Scott's performance "his most credible performance to date."[12] Laurie, he says, gives her part "movingly anguished touches"[12] (although he also mildly criticizes her for over-reliance on Method acting). Although he found that the script "strains hard to give an air of menace and criminality to the pool hall"[12] and also declares it "full of psedo-meaning,"[12] Kauffmann lauds Rossen's "sure, economical"[12] direction, especially in regard to Gleason who, he says, does not so much act as "[pose] for a number of pictures which are well arranged by Rossen. It is the best use of a manikin by a director since Kazan photographed Burl Ives as Big Daddy."[12] The New York Times, despite finding that the film "strays a bit"[13] and that the romance between Newman and Laurie's characters "seems a mite far-fetched,[13] nonetheless found that The Hustler "speaks powerfully in a universal language that spellbinds and reveals bitter truths."[13]

[edit] Awards

The Hustler received nine Academy Award nominations. The film won two, for Best Art Direction-Set Decoration, Black-and-White (Harry Horner and Gene Callahan) and Best Cinematography, Black-and-White (Eugen Schüfftan). The film was also nominated for Best Picture and Newman was nominated for Best Actor in a Leading Role. Gleason and Scott were both nominated for Best Actor in a Supporting Role; Scott refused the nomination. Laurie was nominated for Best Actress in a Leading Role. Rossen received nominations for Best Director and, with Carroll, for Best Writing, Screenplay Based on Material from Another Medium.[14]

Newman was nominated for a Golden Globe Award for Best Actor. Gleason and Scott were each nominated for Best Supporting Actor and Scott was also nominated as Best New Star of the Year.[15]

At the 1962 BAFTA Awards, The Hustler tied with the Soviet film Ballad of a Soldier for Best Film from Any Source. Newman won for Best Foreign Actor and Piper Laurie was nominated for Best Foreign Actress.[16] Gleason was honored as Best Supporting Actor by the National Board of Review of Motion Pictures and the film was named among the Board's ten best films of 1961.[17] Rossen was named Best Director by the New York Film Critics Circle Awards[18] and Rossen and Carroll shared the Writers Guild of America Award for Best Written Drama.[19]

[edit] Legacy

In the decades since its release, The Hustler has cemented its reputation as a classic. It currently holds a 97% "fresh" rating at Rotten Tomatoes.[20] Roger Ebert, echoing earlier praise for the performances, direction and cinematography and adding laurels for editor Dede Allen, cites the film as "one of those films where scenes have such psychic weight that they grow in our memories"[6] and "one of the few American movies in which the hero wins by surrendering, by accepting reality instead of his dreams."[6] He further cites Fast Eddie Felson as one of "only a handful of movie characters so real that the audience refers to them as touchstones."[6] TV Guide calls the film a "dark stunner"[21] offering "a grim world whose only bright spot is the top of the pool table, yet [with] characters [who] maintain a shabby nobility and grace."[21] The four leads are again lavishly praised for their performances and the film is summed up as "not to be missed."[21]

Paul Newman reprised his role as Fast Eddie Felson in the 1986 film The Color of Money, for which he won the Academy Award for Best Actor in a Leading Role. A number of observers and critics have suggested that this Oscar was in belated recognition for his performance in The Hustler.[6][22]

In 1997, the Library of Congress selected The Hustler for preservation in the United States National Film Registry as "culturally, historically, or aesthetically significant."[23] Carroll and Rossen's screenplay was selected by the Writers Guild of America in 2006 as the 96th best motion picture screenplay of all time.[24]

The Hustler is credited with sparking a resurgence in the popularity of pool in the United States, which had been on the decline for decades.[25] The film also brought recognition to Willie Mosconi, who, despite having won multiple world championships, was virtually unknown to the general public.[26]

Perhaps the greatest beneficiary of the film's popularity was a real-life pool hustler named Rudolf Wanderone Jr. Mosconi claimed in an interview at the time of the film's release that the character of Minnesota Fats was based on Wanderone, who at the time was known as "New York Fatty." Wanderone immediately adopted the Minnesota Fats nickname and parlayed his association with the film into book and television deals and other ventures. Author Walter Tevis denied for the rest of his life that Wanderone had played any role in the creation of the character.[27] Other players would claim, with greater or lesser degrees of credibility, to have served as models for Fast Eddie, including Ronnie Allen, Ed Taylor, Ed Parker and Eddie Pelkey.[28]

[edit] Notes

  1. ^ Rossen, Carol. DVD commentary, The Hustler Special Edition
  2. ^ Starr p. 76
  3. ^ Newman, Paul. DVD commentary, The Hustler Special Edition
  4. ^ a b Dyer pp. 117-9
  5. ^ "'The Hustler,' at Martini, Filmed On Location In N.Y.", The Galveston News, 1961-10-05. 
  6. ^ a b c d e Ebert, Roger. "The Hustler (1961)", Chicago Sun-Times, 2002-06-23. Retrieved on 2008-03-31. 
  7. ^ Kilgallen, Dorothy. "Voice of Broadway", New Castle (PA) News, 1961-05-29. 
  8. ^ "Dream Street", Uniontown (PA) Morning Herald, 1961-09-08. 
  9. ^ Kilgallen, Dorothy. "Edith Piaf Worries Friends", Lowell Sun, 1961-04-21. 
  10. ^ Naylor, David (director). (2001). The Hustler: The Inside Story [film].
  11. ^ a b c Variety staff. "The Hustler", Variety, variety.com, 1961-01-01. Retrieved on 2008-04-24. 
  12. ^ a b c d e f g Kauffmann, Stanley. "The Talent of Paul Newman", The New Republic, 1961-10-09, pp. 28. 
  13. ^ a b c Weiler, A H. "Provocative Duo: 'The Hustler' and 'The Mark' Again Show Films Can Hit Social Ills", The New York Times, 1961-10-08. 
  14. ^ The Hustler - Awards. allmovieguide.com. Retrieved on 2008-03-31.
  15. ^ Awards Search: The Hustler. Hollywood Foreign Press Association. Retrieved on 2008-03-31.
  16. ^ Film Nominations - 1961. British Academy of Film and Television Awards. Retrieved on 2008-03-31.
  17. ^ Awards - 1961. National Board of Review of Motion Pictures. Retrieved on 2008-03-31.
  18. ^ New York Film Critics Circle: 1961 Awards. New York Film Critics Circle. Retrieved on 2008-03-31.
  19. ^ WGA Awards. Writers Guild of America. Retrieved on 2008-03-31.
  20. ^ The Hustler. Rotten Tomatoes. Retrieved on 2008-04-24.
  21. ^ a b c The Hustler. TVGuide.com. Retrieved on 2008-04-24.
  22. ^ Berardinelli, James (2002). Review: Hustler. Reelviews.net. Retrieved on 2008-04-24. “25 years late, Newman won the Best Actor Oscar for playing Fast Eddie.”
  23. ^ "New to the National Film Registry", The Library of Congress Information Bulletin, Library of Congress, December 1997. Retrieved on 2008-03-20. 
  24. ^ 101 Greatest Screenplays. Writers Guild of America West. Retrieved on 2008-03-20.
  25. ^ Dyer p. 119
  26. ^ Dyer p. 117
  27. ^ Dyer pp. 121-2
  28. ^ Dyer p. 127

[edit] References

  • Dyer, R. A. (2003). Hustler Days: Minnesota Fats, Wimpy Lassiter, Jersey Red, and America's Great Age of Pool. New York, Muf Books. ISBN 156731807X.
  • Starr, Michael and Michael Seth Starr (2004). Bobby Darrin: A Life. Taylor Trade Publications. ISBN 1589791215.

[edit] External links

Preceded by
The Apartment		 BAFTA Award for Best Film from any Source
1960
tied with Ballad of a Soldier		 Succeeded by
Lawrence of Arabia
v • d • e
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Pocket billiards (pool)
Carom billiards
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