The Great White Hype
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| The Great White Hype | |
|---|---|
 The movie poster for The Great White Hype. |
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| Directed by | Reginald Hudlin |
| Produced by | Fred Berner Joshua Donen |
| Written by | Tony Hendra Ron Shelton |
| Starring | Jeff Goldblum Samuel L. Jackson Damon Wayans Corbin Bernsen Peter Berg Jon Lovitz Salli Richardson Jamie Foxx Cheech Marin John Rhys-Davies |
| Music by | Marcus Miller |
| Distributed by | 20th Century Fox |
| Release date(s) | May 3, 1996 |
| Running time | 91 min. |
| Language | English |
| IMDb profile | |
The 1996 movie The Great White Hype stars Samuel L. Jackson, Peter Berg, Damon Wayans, Jeff Goldblum, Jon Lovitz, Cheech Marin, John Rhys-Davies and Jamie Foxx .
The movie is loosely based on the Larry Holmes/Gerry Cooney fight of 1983, and the concept is based on the Henry Tillman/Mike Tyson amateur fights during the boxoffs for the United States American team. The name is a play on the title of the 1970 film, The Great White Hope.
The film was distributed by 20th Century Fox.
Contents |
[edit] Plot
James "The Grim Reaper" Roper (Damon Wayans), the undefeated heavyweight boxing champ of the world, defeats his latest challenger with ease and visits an after-party thrown by the Rev. Fred Sultan (Samuel L. Jackson), a conniving and manipulative businessman who also acts as Roper's fight promoter. The Sultan relays some bad news to everyone: The fight was a financial flop. He deduces the reason that boxing events have become far less profitable is because audience members are sick of watching only black boxers fight each other. The Sultan predicts that a white contender, even one without a viable chance of winning, would create a huge payday for all involved in the fight, and he vows to either find or "create" a white contender in no time at all.
After failing to find a white boxer currently in the sport suitable by any means, he discovers that Roper actually lost to a white boxer, Terry Conklin (Peter Berg), back in his amateur days. The Sultan and his unethical crew (which contains actors Cheech Marin, Jon Lovitz and Corbin Bernsen) find Conklin in Cleveland, where he fronts a heavy metal band, advocates peace and Buddhism, and constantly preaches progressive social issues. Conklin is uninterested in returning to boxing to face Roper, though he is eventually coaxed through ego-stroking by the Sultan and a promise of $10 million to help his quest in eradicating homelessness.
Conklin arrives in Las Vegas, where he is "cleaned up," and starts to train for his return to the ring. Thanks to shady dealing, Conklin suddenly is named the No. 8 challenger in the world. Boxing pundits and officials easily see the scam unfolding and label the fight a disgrace. No matter, though, as the prospect of a white vs. black fight appears to be as lucrative as first hoped. Conklin gets in shape quickly, regaining some of his old form, while Roper dismisses the fight as a joke - to the point where he puts on 25 pounds and is barely able to run.
Meanwhile, crusading television journalist Mitchell Kane (Jeff Goldblum) has finally gathered enough evidence to disgrace the unethical Sultan, but at the last moment, Kane is seduced by power and joins the Sultan's squad. As the Sultan's ego grows, Kane sees an opportunity to usurp him in power. Though Conklin was never believed to stand a chance in the fight, Kane recognizes that Conklin may actually win, and has Conklin sign with him, rather than the Sultan. Throughout all this, the true top contender to the heavyweight title, Marvin Shabazz, is repeatedly denied his rightful chance to a fight, and he proceeds to cause a headache for everyone involved in the hype scam.
The Sultan and his crew (using the media) heavily promote the fight and publicize the white vs. black angle, even fabricating an Irish ancestry for Conklin. The racism angle works, and money starts to pour in. On the fight day, millions tune into Pay-Per-View for the fight, and Kane is confident a new era is beginning with a Conklin upset. The fight begins, and Conklin gets in only one good punch before the out-of-shape Roper easily dispatches of his foe - which was the plan all along. Conklin quits boxing again; Kane's plan falls short; the Sultan cleans up financially; Roper's critics are silenced; and Shabazz, refusing to wait any longer, attacks the champ inside the ring. As the two fistfight, the Sultan screams to not give away something they can sell.
[edit] Soundtrack album
| The Great White Hype OST | ||
|---|---|---|
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| Soundtrack by Various artists | ||
| Released | April 1996 | |
| Genre | East Coast hip hop, hardcore hip hop | |
| Label | Epic Soundtrax | |
The Great White Hype OST is the 1996 soundtrack album to the film of the same name.
[edit] Track listing
Tracks
| # | Title | Performer(s) | Time |
|---|---|---|---|
| 1 | "Movin' On" | DJ U Neek | 4:11 |
| 2 | "Baller's Lady" | Passion E Forty |
3:42 |
| 3 | "Shoot 'Em Up" | Bone Thugs N Harmony | 5:18 |
| 4 | "If It's Alright With You" | Cappadonna U-God |
3:34 |
| 5 | "Who's the Champion" | Ghostface Killah RZA |
3:42 |
| 6 | "Coolie High" | Camp Lo | 4:00 |
| 7 | "Running Song" | Ambersunshower | 4:24 |
| 8 | "Knocked Nekked (From the Waist Down)" | Jamie Foxx Dolemite |
4:35 |
| 9 | "We Got It" | DJ Premier | 3:57 |
| 10 | "I've Got You Under My Skin" | Lou Rawls Biz Markie |
3:58 |
| 11 | "Bring the Pain" | Method Man | 3:17 |
| 12 | "And I Love You" | Marcus Miller | 4:38 |
| 13 | "Chicken Huntin' (Slaughterhouse No Blood Radio Mix)" | Insane Clown Posse | 3:42 |
[edit] Trivia
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Trivia sections are discouraged under Wikipedia guidelines. The article could be improved by integrating relevant items and removing inappropriate ones. |
- Before the final fight begins, Samuel L. Jackson's character is greeting other individuals on the floor next to the boxing ring and encounters a man dressed similar to John Travolta's character Vincent Vega, the hitman from the film Pulp Fiction. He briefly greets him and asks if he has "seen Jules", referencing the character Jackson played alongside Vincent Vega in the film, Jules Winnfield.
- This was Nedra Volz's last acting performance.
