The Golden Age of Grotesque
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| The Golden Age of Grotesque | |||||
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| Studio album by Marilyn Manson | |||||
| Released |  May 12, 2003 May 13, 2003 May 13, 2003 May 13, 2003 May 19, 2003 June 17, 2003 May 5, 2003 |
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| Recorded | Unknown Sources | ||||
| Genre | Heavy Metal Hard Rock |
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| Length | 57:40 | ||||
| Label | Nothing, Interscope | ||||
| Producer | Marilyn Manson, Tim Sköld | ||||
| Professional reviews | |||||
| Marilyn Manson chronology | |||||
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The Golden Age of Grotesque is the fifth full length album by Marilyn Manson released in 2003. It incorporates themes from the glamorous Swing era of the thirties, as well as from the Weimar Republic of pre-Nazi Germany. It was the last Marilyn Manson album with guitarist John 5.
These themes were primarily drawn from Mel Gordon's 2000 book Voluptuous Panic: The Erotic World of Weimar Berlin. Concerned that Gordon might take issue with use of the book's material, Manson called Gordon, who said he couldn't imagine a greater compliment than a popular CD based on an academic book. [1] The Album artwork is also influenced by the illustrations found in Voluptuous Panic.
This album drew a mixed critical response. Although ending up in many critics' 'best of' lists for 2003, other critics consider this Manson's weakest album, arguing that it lacks originality and thoughtful lyrics compared to its predecessors.
Instrumentally, this album is more beat-driven and electronic than previous albums. This is perhaps due to Tim Skold's presence — some believe this album's sound is at times reminiscent of KMFDM, with whom Skold had collaborated prior to recording with Manson.
Lyrically, this album is full of historical and pop references, much like Holy Wood. References include Peter Pan, Hitler, and Oscar Wilde. As in many of his other works, he makes use of word play and double-meanings, coining words like "gloominati", "scabaret sacrilegends", "vivi-sex symbol", "cocaingels", "Mobscene", "vodevil" and "para-noir".
The Austrian-Irish artist Gottfried Helnwein collaborated with Manson on this album. The cover and the artwork inside the album sleeve was created by Helnwein, and this artwork was also shown in his exhibitions.
Also included with some copies was a DVD titled Doppelherz (Double-heart), a short film directed by Manson.
The album follows the evolution of Manson himself ("Thaeter") through to "Obsequey (The Death of Art)", or "art into a product". This album takes on dual layer storylines, first as a punk rock ballad spouting the notion to live life to its fullest in presumption that there is no future. The second storyline takes a parody to the idea that living life to the fullest has led us into a nihilistic stupidity, hence the "rebel to sell" references within 'The Bright Young Things' and the transformation into a commercially acceptable "happy" icon, Mickey Mouse (Manson posed as Mickey Mouse throughout the album's publicity.) In the song Obsequey there is a dialogue in the background. This dialogue can also be heard on the Japan Bonus Track Baboon Rape Party. It was revealed in a 2007 edition of the British rock magazine Kerrang! that this was intended to be Marilyn Manson's departure from music. His divorce drove him to write GAOG's successor - Eat Me, Drink Me
Contents |
[edit] Track listing
| # | Title | Length |
|---|---|---|
| 1. | "Thaeter" | 1:14 |
| 2. | "This is the New Shit" | 4:19 |
| 3. | "mOBSCENE" | 3:25 |
| 4. | "Doll-Dagga Buzz-Buzz Ziggety-Zag" | 4:11 |
| 5. | "Use Your Fist and Not Your Mouth" | 3:34 |
| 6. | "The Golden Age of Grotesque" | 4:05 |
| 7. | "(s)AINT" | 3:42 |
| 8. | "Ka-boom Ka-boom" | 4:02 |
| 9. | "Slutgarden" | 4:06 |
| 10. | "♠" | 4:34 |
| 11. | "Para-noir" | 6:01 |
| 12. | "The Bright Young Things" | 4:19 |
| 13. | "Better of Two Evils" | 3:48 |
| 14. | "Vodevil" | 4:39 |
| 15. | "Obsequey (The Death of Art)" | 1:48 |
[edit] Bonus Tracks
| # | Title | Length |
|---|---|---|
| 16. | "Tainted Love" (International Bonus Track) | 3:24 |
| 17. | "Baboon Rape Party" (UK Bonus Tracks) | 2:41 |
| 18. | "Paranoiac" (Japan Bonus Tracks) | 3:57 |
[edit] Credits
- Chuck Bailey - Assistant Engineer
- Tom Baker - Mastering
- Jon Blaine - Hair Stylist
- Blumpy - Digital Editing
- Jeff Burns - Assistant
- Ginger Fish - Drums, Rhythm Direction
- Ross Garfield - Drum Technician
- Lily & Pat - Vocals (Mobscene & Para-noir)
- Ben Grosse - Producer, Engineer, Digital Editing, Mixing
- Marilyn Manson - Vocals, Synthesizer, Keyboards, Loops, Editing, Electronics, Melody Arrangement, Producer[2]
- John 5 - Guitar, Piano, Orchestration
- Tim Sköld - Bass, Guitar, Accordion, Keyboards, Producer, Loops, Artwork, Digital Editing, Drum Programming, Synthesizer Bass, Electronics, Beats
- Madonna Wayne Gacy - Live Keyboards
- Mark Williams - A&R
- Gottfried Helnwein - Art Direction
[edit] Charting positions
Album
| Year | Chart | Position |
|---|---|---|
| 2003 | The Billboard 200 | 1 |
| 2003 | The European Album Chart | 1 |
| 2003 | Top Internet Albums | 1 |
Singles
| Year | Single | Chart | Position |
|---|---|---|---|
| 2003 | "Mobscene" | Mainstream Rock Tracks | 18 |
| 2003 | "Mobscene" | Modern Rock Tracks | 26 |
| Preceded by Body Kiss by The Isley Brothers feat. Ronald Isley |
Billboard 200 number-one album May 31 - June 6, 2003 |
Succeeded by 14 Shades of Grey by Staind |
