The Fairy Godmother
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| The Fairy Godmother | |
| Author | Mercedes Lackey |
|---|---|
| Country | United States |
| Language | English |
| Series | Tales of the Five Hundred Kingdoms |
| Genre(s) | Fantasy novel |
| Publisher | Luna Books |
| Publication date | 2004 |
| Media type | Print (Hardcover & Paperback) |
| Pages | 496 pp |
| ISBN | ISBN 0373802455 |
| Followed by | One Good Knight |
The Fairy Godmother is a novel by Mercedes Lackey, published in 2004 and the first book of the Tales of the Five Hundred Kingdoms series.
[edit] Plot summary
It is about a young woman named Elena, the daughter of a wealthy gentleman. After the death of her mother, her father married a devious social climber with two daughters of her own. Not long after the marriage, Elena's father dies and her stepmother regulates her into the position of a house servant. She seems to be the perfect Cinderella candidate, except the prince of the land is many years younger than her- he is eleven. Also, she is 21, when most fairy-tale endings for girls normally happen at 16 or 18. One day, Elena's stepmother and stepsisters plan a temporary excursion out of town, for the purpose of ensnaring a new rich husband so they can pay the numerous debts they owe. Left alone in the house, Elena goes to the hiring fair in hopes of finding work as a servant. At the end of the day, a fairy godmother appears and offers to take Elena on as her apprentice. Elena accepts and moves to the godmother's cottage, where she meets the three brownies that help with household duties.
The latter half of the book deals with Elena's time as a full-fledged godmother and her problems with turning an arrogant prince named Alexander into a decent person.
[edit] Tradition
The Tradition is an imperative force that helps events play out as they do in fairy-stories. Each repetition of the events of a certain 'story' makes the story happen more easily. People who understand the Tradition can use the knowledge to control it, and divert the Traditional Potential into another, more agreeable story should the Tradition be trying to make a tragedy. This is rather similar to the Discworld concept of narrative causality/
