The Emperor's New Groove
From Wikipedia, the free encyclopedia
| The Emperor's New Groove | |
|---|---|
 Promotional poster for The Emperor's New Groove |
|
| Directed by | Mark Dindal |
| Produced by | Randy Fullmer Don Hahn |
| Written by | Mark Dindal Chris Williams David Reynolds |
| Narrated by | David Spade |
| Starring | David Spade John Goodman Eartha Kitt Patrick Warburton John Fiedler |
| Distributed by | Buena Vista Pictures |
| Release date(s) | December 15, 2000 |
| Running time | 78 minutes |
| Language | English |
| Budget | $100,000,000 (estimated) |
| Gross revenue | $169,296,573 (worldwide) |
| Followed by | Kronk's New Groove (2005) |
| IMDb profile | |
The Emperor's New Groove is an Academy Award-nominated animated feature film produced by Walt Disney Feature Animation and released by Walt Disney Pictures through Buena Vista Distribution on December 15, 2000. The thirty-ninth film in the Disney animated features canon, The Emperor's New Groove is a comedy including adult and child humor. The title refers to the Danish fairy tale The Emperor's New Clothes by Hans Christen Andersen, though the two have nothing else in common. Produced by Randy Fullmer and directed by Mark Dindal over a six-year production timeline, The Emperor's New Groove was altered significantly from its original concept as a more traditional Disney musical entitled Kingdom of the Sun, to have been directed by Dindal and Roger Allers (co-director of The Lion King).
While not a blockbuster, The Emperor's New Groove was successful enough to warrant a direct-to-video sequel, Kronk's New Groove, released in December 2005, and an animated television series, The Emperor's New School, in January 2006.
The film received an Academy Award nomination for Best Song for "My Funny Friend and Me" performed by Sting, but lost against "Things Have Changed" from Wonder Boys by Bob Dylan.
Contents |
[edit] Plot
The story revolves around Kuzco, the self-centered, young emperor of a mountainous jungle nation, and one of his subjects, Pacha, a humble peasant and family man who is headman and representative of his village. Teenaged Kuzco is the self-proclaimed "King of the World"; although he is not an overly cruel tyrant, he does harbor a childish and spoiled desire to have everything go his way. After firing his ancient and power-hungry advisor Yzma (pronounced "EEZ-muh") he reveals to Pacha that his village is to be destroyed in order to build Kuzco's 18th birthday gift to himself: a gaudy summer-home called Kuzcotopia, complete with pool and waterslide. Pacha starts to protest and is dismissed from the palace. Before the final construction order can be issued, however, Yzma and her muscular, easily-distracted, but well-meaning lackey Kronk launch a poisoning plot against Kuzco. The plot is botched, resulting instead in Kuzco being turned into a llama; Yzma orders Kronk to take Kuzco out of town and kill him. Kronk finds himself unable to do this, and then loses the sack holding Kuzco's unconscious body.
Kuzco ends up at Pacha's village and arrogantly orders the peasant to return him to the palace. Pacha lets the newcomer wander off into the jungle, but then repents and rescues him from a pack of black jaguars, an effort which ends with the two of them tied to a dead tree trunk and taking a plunge over an enormous waterfall. After recovering from this, Pacha says that he will take Kuzco home only if the Emperor agrees to build Kuzcotopia somewhere else; Kuzco pretends to agree, and they set out for the palace. The emperor only truly begins to change after the two of them are forced to work together to survive the collapse of a rope bridge, even returning the favor of saving Pacha's life.
Back at the palace, Yzma has staged Kuzco's funeral and taken over as ruler of the Empire. She only then learns that Kuzco is still alive, and she and Kronk set out to look for him. After a string of near-misses at a roadside diner, they find and chase the heroes, who appear to decisively give them the shake, leaving the lightning-struck pursuers plunging towards the bottom of a chasm. Kuzco and Pacha make it back to Yzma's secret lab beneath the palace, where it turns out that in violation of all laws of physics and common sense (as the movie itself explicitly notes) Yzma and Kronk have somehow gotten there first and now hold the antidote to Kuzco's condition. Yzma again demands that Kronk kill the heroes. When he gets bogged down in a conversation with the good and bad sides of his conscience, Yzma viciously berates him for his stupidity, and then, in the last straw, insults his beloved cooking. Kronk changes sides, but his attempt to destroy Yzma fails, resulting in him getting dropped through a trapdoor.
Kuzco and Pacha take advantage of this distraction to steal the antidote, but Yzma manages to mix the bottle in with numerous other identical potions and then summon the palace guards. While being chased, Kuzco and Pacha try to find the right potion through trial and error, turning Kuzco into a turtle, a parrot, a whale, and back into a llama again. Finally, they escape the guards and narrow the choice down to two potions, but Yzma catches up with them. In her haste to reclaim the antidote, she accidentally smashes the other vial and turns herself into a tiny cat. Following a struggle high on the palace's outer walls, she still manages to steal back the final potion, only to be foiled at the last second by the sudden reappearance of Kronk.
Kuzco returns to human form and sets out repairing the damage done by his arrogant behavior. In the end, he builds a small cottage on the hill next to Pacha's village, and he spends his vacation with his newly "adopted" family. Meanwhile, outdoorsman Kronk becomes a scout leader, with kitten Yzma as an extremely reluctant member of his troupe.
[edit] Cast
David Spade as Emperor Kuzco, an arrogant and self-centered Emperor who plans on building a large summer home over Pacha's home, rendering him and his family homeless. Initially mean and snidely disrespectful to others, he eventually changes his ways when he realizes he needs Pacha's help and then notices the peasant's selflessness when doing so. He is voiced by Tatsuya Fujiwara in the Japanese version of the film.
John Goodman as Pacha, a peasant who tries to help the Emperor even after he attempts to go back on his promise not to build a summer retreat that will displace him and his family. He is voiced by Naomi Kusumi in the Japanese version of the film.
Eartha Kitt as Yzma, the Emperor's conniving, traitorous, and severely aged advisor who conspires to kill Kuzco and take over the empire. She is voiced by Hisako Kyōda in the Japanese version of the film.
Patrick Warburton as Kronk, Yzma's somewhat dimwitted and easily distracted henchman who is quite obedient (at least for the most part), but is actually a good man whose temptations and conscience visually argue with each other. He is voiced by Kenyū Horiuchi in the Japanese version of the film.
Wendie Malick as Chicha, Pacha's frustrated wife. Throughout most of the movie she is heavily pregnant with her third child, which is born before the final scene. She is voiced by Miru Hitotsuyanagi in the Japanese version of the film.
Other characters include the Theme Song Guy (voiced by Tom Jones), Rudy the Old Man (voiced by John Fiedler), and the Trampoline Guy (voiced by J.J. Martin)
[edit] Production crew
| Crew Position | |
|---|---|
| Directed by | Mark Dindal |
| Produced by | Randy Fullmer |
| Story by | Mark Dindal Chris Williams |
| Screenplay by | David Reynolds |
| Executive Producer | Don Hahn |
| Lyrics by | Sting |
| Music by | Sting David Hartley |
| Original Score by | John Debney |
| Associate Producer | Patricia Hicks |
| Art Director | Colin Stimpson |
| Film Editor | Pamela Ziegenhagen-Shefland |
| Artistic Supervisors | Stephen Anderson (Story supervisor) Jean-Christophe-Poulain (Layout supervisor) Natalie Franscioni-Karp (Background supervisor) Drew Shaw (Late-Scene Supervisor) Benjamin Stegemann (Animation supervisor) Vera Pacheco (Clean-up supervisor) Mauro Maressa (Effects supervisor) |
| Supervising Animator | Nik Ranieri (Kuzco) Bruce W. Smith (Pacha) Dale Baer (Yzma) Tony Bancroft (Kronk) Doug Frankel (Chicha) James Lopez (Tipo) Brian Ferguson (Chaca/Bucky) |
| Based on an Original Story by Associate Art Director Production Design Character Design Artistic Coordinator Production Manager |
Roger Allers and Matthew Jacobs Thomas Cardone Paul J. Felix Joseph C. Mosier Dan Hansen Tod C. Marsden |
[edit] Production
[edit] Kingdom of the Sun
Early in development, the film was titled Kingdom of the Sun, later Kingdom in the Sun, with Roger Allers as the film's director and Randy Fullmer as producer. Among those on Allers' production team were supervising animator Andreas Deja, who was in charge of the witch character of Yzma, and pop musician Sting, who, in the wake of Elton John's success with The Lion King's soundtrack, had been assigned to write several songs for the film.
Kingdom of the Sun was to have been a tale of a greedy, selfish emperor who finds a peasant (voiced by Owen Wilson) who looks just like him; the emperor swaps places with the peasant for fun, much as in author Mark Twain's archetypal novel The Prince and the Pauper. However, the evil witch Yzma has plans to summon a dark spirit named Supai and capture the sun so that she may retain her youth forever (the sun gives her wrinkles, so she surmises that living in a world of darkness would prevent her from wrinkling). Discovering the switch between the prince and the peasant, Yzma turns the real emperor into a llama and threatens to reveal the pauper's identity unless he obeys her. The emperor-llama learns humility in his new form, and even comes to love a girl llama-herder. Together, the girl and the llama set out to undo the witch's plans.
[edit] Troubled production
Development suffered from several attempts at trying to make the plot more original, and also from a general lack of direction. Upper management felt the plot was too similar to any number of other "Prince and Pauper" stories, and test screenings of the work-in-progress generated poor feedback. Disney hired Mark Dindal, director of Warner Bros.'s comedic animated musical Cats Don't Dance, in hopes that Dindal would be able to punch-up Allers' epic, yet uninvolving, story. The result was that Dindal and Allers essentially began making two separate films, with Dindal pushing his scenes toward comedy and Allers pushing his toward drama.
Disney chief Michael Eisner and his studio executives were not pleased at the uneven story, the lukewarm test-audience response, and the slow pace of production. However, the executives were at first reluctant to intervene because of Allers' success with The Lion King, which had also had a troubled time in production. In addition, most of Allers' crew had complete faith in the director, who was determined to create a sweeping epic on the scale of The Lion King.
By the summer of 1998, it was apparent that Kingdom of the Sun was not far along enough in production to be released in the summer of 2000 as planned. At this time, one of the Disney executives stormed into Randy Fullmer's office and, placing his thumb and forefinger a quarter-inch apart, angrily remarked that "your film is this close to being shut down".[1] Fullmer approached Allers, and informed him of the need to finish the film on time for its summer 2000 release (crucial promotional deals with McDonald's, Coca-Cola, and others were already established and depended upon meeting that release date). Allers acknowledged that the production was falling behind, but was confident that, with an extension of between six months to a year, he could complete the film. When Fullmer denied Allers' request for an extension, the director quit the project.
[edit] Overhaul
Eisner, hearing Allers had quit, became furious, and gave Fullmer two weeks to prove the film could be salvaged or else Eisner would personally shut down production. Fullmer and Dindal halted production for six months to retool Kingdom in the Sun, while their animators were reassigned to work on the Rhapsody in Blue segment of Fantasia 2000. In the interim, Dindal, Fullmer, and writers Chris Williams and David Reynolds overhauled the film completely.
When work on the film resumed, it had a new title and a new story. Gone were the sun-capturing plot, the look-alike peasant, and the llama-herder love interest. Now the film was a buddy movie, with Yzma depicted more as a mad scientist. The co-lead became Pacha, a portly farmer from the countryside. Eisner worried that the new story was too close in tone to Disney's 1997 film Hercules, which had performed decently but yet below expectations at the American box office. Dindal and Fullmer assured him that The Emperor's New Groove, as the film was now called, would have a much smaller cast, making it easier to involve audiences.
Andreas Deja declined to return to the film, and moved to Orlando, Florida to work on Lilo & Stitch, instead. Sting's songs, related to specific scenes that were now gone, had to be dropped. Sting was bitter about the removal of his songs (which are available on The Emperor's New Groove soundtrack album). "At first, I was angry and perturbed. Then I wanted some vengeance."[2]
The Emperor's New Groove made $89,302,687 at the U.S. box office, and an additional $80,025,000 worldwide; totals lower than those for most of the Disney Feature Animation productions released in the 1990s. New Groove and all but two of the five future traditional Disney Feature Animation films - 2002's Lilo and Stitch and 2003's Brother Bear - would sustain losses during their theatrical releases.
[edit] Influences
The title of the film is derived from that of the popular Danish fairy tale The Emperor's New Clothes. Similarly, the personality of a self-obsessed ruler who puts himself first to the detriment of his own people is also based on the fairy-tale.
The setting and culture of The Emperor's New Groove are based on the Inca Empire that developed in what is now modern-day Peru. Along with the architecture, roads, intricate waterworks, sun worship, and llamas as domestic beasts, Kuzco's name is similar to Cusco, the Peruvian city considered the capital of the Inca Empire, and Pacha's name is drawn from Pachacuti, considered the most important ruler of the Inca Empire, and a historical figure. Names and imagery mingle elements of Incan culture with elements from pre-Incan Peruvian cultures and non-Incan cultures of Central and South America. There are also incongruities and anachronisms, some for humorous effect and some simply the result of not prioritizing historical authenticity. While the animators made a research trip to Peru for inspiration, the film and its publicity are notably non-specific about the geographical or historical setting of the story.[3]
The movie itself is very satirical and utilizes much self-referential humor; common clichés and plot devices are often used and subsequently parodied. For example, during the final battle, Yzma plummets off of the palace wall (in a moment referential to the ultimate fate of the villain in at least five previous Disney animated films: Snow White and the Seven Dwarfs, The Great Mouse Detective, The Rescuers Down Under, Beauty and the Beast, and The Hunchback of Notre Dame) only to be saved by a conveniently placed giant trampoline. In the same sequence, Yzma's metamorphosis into a seemingly-harmless kitten is a parody of villainess Maleficent's climactic transformation into a dragon in Disney's Sleeping Beauty. Humorous anachronisms include "The Girl from Ipanema" bring piped in over a formal dinner, a chef quitting and packing an electric toaster, and the children's use of an electric floor polisher to abet the sliding exit of Yzma from Pacha's house. The animation's fast pace, emphasis on pose to pose techniques, and use of humor based on self-reference, anachronism, and the non sequitur are more reminiscent of Warner Bros. Cartoons and the MGM Cartoons of Tex Avery than characteristic of typical Disney features (and consistent with Warner Bros. animator Dindal's installation as director late into the production).
Unlike many previous Disney animated films, The Emperor's New Groove is almost completely devoid of musical numbers. It is the first Walt Disney Feature Animation film since 1990's The Rescuers Down Under to not be a musical, and the start of a larger trend where the studio began to move away from musicals.
[edit] Deleted scenes
The standard DVD release includes a nearly complete deleted scene, in which Pacha witnesses a practice attack by royal guards on a mock-up of his village. Much of this scene is seen as complete animation in full color. The 2001 two-disc collector's edition DVD includes several other scenes which did not make it past the storyboarding phase, including Kuzco (as a llama) meeting Pacha's sitcom-esque extended family.
The film's ending originally had Kuzco building his Kuzcotopia amusement park on another hill near Pacha's, and inviting Pacha and his family to visit. Sting, an environmentalist, protested against the ending because it appeared that Kuzco had destroyed portions of the rain forest to build his park. The ending was rewritten so that Kuzco changes his mind about destroying more land, constructs a shack similar to Pacha's and spends his vacation among the villagers.
[edit] Reception
The film received positive reviews and currently holds an 83% "Fresh" rating on Rotten Tomatoes.com.
[edit] Annie Awards
| Result | Award | Winner/Nominee Recipient(s) |
|---|---|---|
| NOMINATED | Animated Theatrical Feature | |
| NOMINATED | Individual Achievement in Directing | Mark Dindal (Director) |
| NOMINATED | Individual Achievement in Writing | Mark Dindal (Story) Chris Williams (Story) David Reynolds (Screenplay) |
| NOMINATED | Individual Achievement in Storyboarding | Stephen J. Anderson (Story Supervisor) |
| NOMINATED | Individual Achievement in Storyboarding | Don Hall (Story Artist) |
| NOMINATED | Individual Achievement in Production Design | Colin Stimpson (Art Director) |
| WON | Individual Achievement in Character Animation | Dale Baer (Supervising Animator - Yzma) |
| WON | Individual Achievement in Voice Acting - Female | Eartha Kitt ("Yzma") |
| NOMINATED | Individual Achievement in Voice Acting - Male | Patrick Warburton ("Kronk") |
| WON | Individual Achievement in Music | Sting (Music/Lyrics) David Hartley (Music) |
[edit] Afterlife
[edit] The Sweatbox
Trudie Styler, a documentarian, had been allowed to film the production of Kingdom of the Sun/The Emperor's New Groove as part of the deal that originally brought her husband Sting to the project. As a result, Styler recorded on film much of the struggle, controversy, and troubles that went into making the picture (including the moment when producer Fullmer called Sting to inform the pop star that his songs were being deleted from the film). Styler's completed documentary, The Sweatbox, premiered at the Toronto Film Festival on September 13, 2002. Disney owns the rights to the documentary, and currently has not allowed its release on home video or DVD.
[edit] Derivative works
While not a blockbuster at the box office, the film was successful enough to create a franchise of its own. A direct-to-DVD sequel titled Kronk's New Groove was released in December 2005, and a Disney Channel cartoon series, The Emperor's New School followed, but without David Spade voicing Kuzco and John Goodman voicing Pacha, as they had in the original film and sequel. Patrick Warburton, Eartha Kitt, and Wendie Malick reprised their roles for the series. John Goodman has subsequently reprised his role for the current season of The Emperor's New School.
Kuzco was featured as a guest in House of Mouse and Mickey's Magical Christmas: Snowed in at the House of Mouse.
Disney Interactive and Sandbox later introduced a video game adaptation for the Playstation and Game Boy Advance systems, separately and respectively (published by SCEA and Ubisoft, also separate and respective to order), both versions released in the same year as the original movie and then released in PAL format the following year.
[edit] See also
[edit] References
- ^ Jim Hill, "The Long Story Behind the Emperor's New Groove". Part 1, page 3. [1]
- ^ (Dec. 14, 2000). "Studio Briefing: How Sting Spun Out Of The Groove". Internet Movie Database. [2]
- ^ See Helaine Silverman, "Groovin' to ancient Peru: A critical analysis of Disney's The Emperor's New Groove" in Journal of Social Archaeology 2002, 2: 298-322.
[edit] External links
- The Emperor's New Groove at the Internet Movie Database
- The Emperor's New Groove at the Big Cartoon DataBase
- The Emperor's New Groove at RottenTomatoes.com
- The Sweatbox at the Internet Movie Database
- TVGuide.com/movies: The Emperor's New Groove
- Designing the Emperor's New Groove Disney’s 39th Animated Feature Film is previewed by taking a look at the production designs, background art and character designs that went into creating the mythical South American world of The Emperor’s New Groove.
|
||||||||||||||
