The Drones (British band)

From Wikipedia, the free encyclopedia

For the Australian rock band of the same name, see The Drones.
The Drones
The picture cover of the Drones May 1977 E.P.: Temptations Of A White Collar Worker
The picture cover of the Drones May 1977 E.P.: Temptations Of A White Collar Worker
Background information
Origin Manchester, England
Genre(s) Punk rock
Years active 1975–1982
1999
Label(s) O.H.M.S., Valer
Former members
M.J. Drone
Gus Gangrene
Steve ‘Whisper’ Cundall
Pete Purfect

The Drones were a punk rock band from Manchester, England.

One critic wrote: "Bonafide DIY three-chord wonders, the Drones were there at punk’s inception."[1]

Contents

[edit] Career

Formed in Manchester in 1975, the band started out as a pub rock outfit called Roller Coaster. When their only single did not have an impact, they reinvented themselves as a punk rock band. The band developed a local rivalry with the emerging band the Buzzcocks, but failed to match the success of their rivals outside of their home town. For a period of time, the band were produced and managed by Paul Morley.[2]

Most bands in the thriving Manchester punk scene stayed in the city, but The Drones relocated to London. They became one of the pioneering punk bands that performed in the first few months of the now-legendary Roxy Club. They supported The Vibrators in January 1977, headlined in February, and supported X-Ray Spex and Chelsea in March.[3] Later that year they supported The Stranglers on tour. The band appeared on two influential early punk compilation albums Streets and Short Circuit: Live at the Electric Circus.[4]

The band's debut EP, Temptations Of A White Collar Worker (1977), was described by one reviewer as "classic dole-queue punk." [5] In October 1977, the Drones’ second single, "Bone Idol", was released. In December 1977, they recorded a session at Maida Vale 4 studio for John Peel at BBC Radio 1. The tracklisting was "Be My Baby", "The Change", "Clique", and "Movement".[6] That same month they released their debut album, Further Temptations, which has come to be regarded as a punk classic.[7][8]

Fans would have to wait until May 1999 for the follow up album, Sorted. The band reformed and toured to promote the record; including concert dates in the United States.

In 2001 "Bone Idol" was included in Mojo magazine’s list of the best punk rock singles of all time. [9]

[edit] Discography

[edit] Singles

  • Temptations of a White Collar Worker EP: "Lookalikes" / "Corgi Crap" / "Hard on Me" / "You’ll Lose" (O.H.M.S., May 1977)
  • "Bone Idol" / "I Just Wanna Be Myself" (Valer, Oct. 1977)
  • "Be My Baby" / "Lift Off the Bans" (Valer, Jan. 1978)
  • "Can’t See" / "Fooled Today" (Fabulous, Mar. 1980)

[edit] Studio albums

[edit] Compilation albums

  • Expectations: Tapes From The Attic 1975 - 1982 (Overground, April 1997) - A collection of unreleased studio recordings, alternative versions and live tapes.
  • Further Temptations (Get Back) - A Double album of material

[edit] Compilation appearances

[edit] See also

[edit] External links

[edit] References

  1. ^ Strong, M.C. (2003) The Great Indie Discography, Canongate, Edinburgh, isbn= 1-84195-335-0, p. 58
  2. ^ Band biography at AMG
  3. ^ Thompson, Dave (2000). Punk. Ontario: Collector’s Guide Publication, p.61-62. ISBN 1-896522-27-0. ;
  4. ^ Johnny Forgotten (Jan 2004). Punk Rock Compilation classics. Retrieved on 2007-11-30.
  5. ^ Steve Gardner (1996) “Hiljaiset Levyt: 100 Best Punk singles”;
  6. ^ John Peel Sessions on BBC Radio 1. Retrieved on 2007-12-01.;
  7. ^ Joynson, V. (2001). Up Yours! A Guide to UK Punk, New Wave & Early Post Punk. Borderline Productions, Wolverhampton, p. 129. ISBN 978-1899855131. “"the typical enthusiasm of many of the early punk bands."” 
  8. ^ Gardner, Steve (1996). Hiljaiset Levyt: 100 Best Punk LP's. “"a great punk record... it's got the same kind of chugging rhythm section that made The Vibrators so great, and the songs are real catchy Ramones-type tunes with a real hot guitar sound."”
  9. ^ Mojo (October 2001) - 100 Punk Scorchers , Issue 95, London