The Crystal Palace

From Wikipedia, the free encyclopedia

The 1851 Great Exhibition in Hyde Park
The 1851 Great Exhibition in Hyde Park
The façade of the original Crystal Palace
The façade of the original Crystal Palace
Queen Victoria opens the Great Exhibition.
Queen Victoria opens the Great Exhibition.

The Crystal Palace was a cast-iron and glass building originally erected in Hyde Park, London, England, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in the Palace's 990,000 square feet (92,000 m²) of exhibition space to display examples of the latest technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was 1,850 feet (564 m) long, with an interior height of 108 feet (33 m).[1]

After the exhibition, the building was moved to a new park in a high, healthy and wealthy area of London called Sydenham Hill, an area not much changed today from the well-heeled suburb full of large Victorian villas that it was during its Victorian heyday. The Crystal Palace was enlarged and stood from 1854 until 1936, when it was destroyed by fire. It attracted many thousands of visitors from all levels of society. The name Crystal Palace (coined by the satirical magazine Punch)[2] was later used to denote this area of south London and the park that surrounds the site, home of the Crystal Palace National Sports Centre.

Contents

[edit] Original Hyde Park building

The huge, modular wood,[3] glass and iron structure at the top of Sydenham Hill was originally erected in Hyde Park in London to house The Great Exhibition of 1851, embodying the products of many countries throughout the world.[4]

The Crystal Palace's creator, Joseph Paxton, was knighted in recognition of his work. Paxton had been the head gardener at Chatsworth, in Derbyshire. There he had experimented with glass and iron in the creation of large greenhouses, and had seen something of their strength and durability, knowledge that he applied to the plans for the Great Exhibition building. Planners had been looking for strength, durability, simplicity of construction and speed—and this they got from Paxton's ideas. The project was engineered by Sir William Cubitt.

Full-size, living elm trees in the park were enclosed within the central exhibition hall near the 27-foot (8 m) tall Crystal Fountain. Sparrows became a nuisance; Queen Victoria mentioned this problem to the Duke of Wellington, who offered the famous solution, "Sparrowhawks, Ma'am".

The Crystal Palace was built by about 5,000 navvies (up to 2,000 on site at once).[5]

The ironwork contractors were Fox and Henderson. The 900,000 square feet (84,000 m²) of glass was provided by the Chance Brothers glassworks in Smethwick, Birmingham. They were the only glassworks capable of fulfilling such a large order, and had to bring in labour from France to meet it in time.

The Crystal Palace also featured the first public conveniences, the Retiring Rooms, in which sanitary engineer George Jennings installed his Monkey Closets. During the exhibition, 827,280 visitors paid one penny each to use them, and for this they got a clean seat, a towel, a comb and a shoe shine. This is the origin of the euphemism "to spend a penny".

[edit] Relocation

Relocation commemorative medallion
Relocation commemorative medallion

The life of the Great Exhibition was limited to six months, and something then had to be done with the building.[6] Against the wishes of Parliamentary opponents, the edifice was re-erected on a property named Penge Place that had been excised from Penge Common atop Sydenham Hill.[4] It was much modified and enlarged so much that it extended beyond the boundary of Penge Place, which was also the boundary between Surrey and Kent. Within two years, Queen Victoria again performed an opening ceremony.

The new site hosted concerts, exhibits, and public entertainment.[4]

Several localities claim to be the area to which the building was relocated. The street address of the Crystal Palace was Sydenham SE26, but the actual building and parklands were in Penge. At the time of relocation most of the buildings were in Croydon, as were a majority of the grounds. In 1899, the county boundary was moved, transferring the entire site to Penge Urban District in Kent. The site is now within the Crystal Palace Ward of the London Borough of Bromley.

Two railway stations were opened to serve the permanent exhibition. The Low Level Station is still in use as Crystal Palace railway station, and part of the High Level Station, from which a subway gave access to the Parade area, can also still be seen, with its Italian mosaic roofing. This subway is a Grade II listed building.

The South Gate is served by Penge West Railway Station. For some time this station was on an atmospheric railway. This is often confused with a 550-metre pneumatic passenger railway which was exhibited at the Crystal Palace in 1864, which was known as the Crystal Palace pneumatic railway.

There is an apocryphal story, popular among local schoolchildren, that Crystal Palace High Level Station was closed because a commuter train was trapped by a tunnel collapse and remains there to this day. In reality, the closure was a scheduled part of the decline of the railway network in the 1950s. This may have arisen as a result of the experimental pneumatic railway 1864, to which a similar story is attached. See below, and also Thomas Webster Rammell, the engineer behind the project.

[edit] Water features

Illustration of a Paxton water feature at Chatsworth with Victoria amazonica
Illustration of a Paxton water feature at Chatsworth with Victoria amazonica

Joseph Paxton was first and foremost a gardener, and his layout of gardens, fountains, terraces and cascades left no doubt as to his ability. One thing he did have a problem with was water supply. Such was his enthusiasm that thousands of gallons of water were needed in order to feed the myriad fountains and cascades which abounded in the Crystal Palace park. The two main jets were 250 feet (76 m) high.

Initially, water towers were constructed, but the weight of water in the raised tanks caused them to collapse. Isambard Kingdom Brunel was consulted and came up with the plans for two mighty water towers, one at the north and the other at the south end of the building. Each supported a tremendous load of water, which was gathered from three reservoirs, at either end of and in the middle of the park.

Two years later, the grand fountains and cascades were opened, again in the presence of the Queen, who got wet when a gust of wind swept mists of spray over the Royal carriage.

[edit] Attractions

The exhibits included almost every marvel of the Victorian Age, encompassing the products of many countries throughout the world. There was pottery and porcelain; ironwork and furniture; steam hammers and hydraulic presses; perfumes and pianos; houses and diving suits; firearms and barometers; fabrics and fireworks.

Waterhouse Hawkins' Megalosaurus statue
Waterhouse Hawkins' Megalosaurus statue

Among the attractions was the first-ever dinosaur exhibition, life-size (but anatomically inaccurate) models designed and made by Benjamin Waterhouse Hawkins, situated by the lower lakes, near the Anerley entrance and still there in 2008. Hawkins held a dinner party for 22 guests inside the hollow body of the Iguanodon. The dinosaurs were renovated in a £4,000,000 project in 2002, and were officially unveiled by the Duke of Edinburgh.

In 1857, the Handel Festival was relocated to Crystal Palace. This consisted of a three-day event in which massed choirs, consisting of several thousand singers, together with leading soloists, orchestra and conductor, performed Handel's oratorios The Messiah, Israel in Egypt and Judas Maccabaeus on successive nights. In 1859, the Centenary Festival was held, after which the event became triennial. The first live recordings of a public concert in Britain were made on wax cylinders during a performance of Israel in Egypt at Crystal Palace in 1888.

Queen Victoria loved the place and said she found it "enchanting".

Most FA Cup finals in the early years of the competition were held in Crystal Palace Park. The last to be held there was in 1914, when George V became the first reigning monarch to watch the final. Even before the creation of the Crystal Palace F.C., a team bearing the name Crystal Palace played in the competition, its players coming from the staff of the Crystal Palace.

The London County Cricket Club, founded by the Crystal Palace Company, played first-class cricket in the park between 1900 and 1908.

[edit] Decline

While the original palace cost £150,000, the relocation to Sydenham cost £1,300,000—burdening the company with a debt it never repaid,[7] partly because admission fees were depressed by the inability to cater for Sunday visitors: many people worked every day except the Sabbath,[8] when the Palace had always been closed.[9] No amount of protest had any effect: the Lord's Day Observance Society (as today) held that people should not be encouraged to work at the Palace or drive transport on Sunday, and that if people wanted to visit, then their employers should give them time off during the working week. This, naturally, they would not do.

However, the Palace was open on Sundays by May 1861, when there were 40,000 visitors on a Sunday alone.[10]

In 1911, the Festival of Empire was held at the building to mark the coronation of George V and Queen Mary. The building fell into disrepair and two years later the Earl of Plymouth purchased it, to save it from developers. A public subscription quickly re-purchased it for the nation.

During World War I, it was used as a naval training establishment under the name of HMS Victory VI, informally known as HMS Crystal Palace. At the cessation of hostilities it was re-opened as the first Imperial War Museum. Sir Henry Buckland took over as General Manager, and things began to look up, many former attractions being resumed, including the Thursday evening displays of fireworks by Brocks.

[edit] Destruction by fire

Despite attempts to revive The Crystal Palace, on 30 November 1936 came the final catastrophe, fire. Within hours, the Palace was destroyed; the flames lit up the night sky and were visible for miles. Just as in 1866, when the north transept burnt down, the building was not adequately insured to cover the cost of rebuilding.

The South Tower had been used for tests by television pioneer John Logie Baird for his mechanical television experiments, and much of his work was destroyed in the fire.[11][12] Winston Churchill, on his way home from the House of Commons said, "This is the end of an age".

Life ran a three-page photo article on the fire, titled "London's Biggest Fire...", in the 21 December 1936 issue.

All that was left standing were the two water towers, and these were taken down during World War II. The reason given was that the Germans could have used them to navigate their way to London. The north one was demolished with explosives in 1941;[13][14] the south tower was dismantled due to its proximity to other buildings. After the war, the site was used for a number of purposes. Between 1953 and 1973, a motor-car racing circuit operated on the site, and some the race meetings were supported by the Greater London Council.

[edit] Future

Over the years a number of proposals for the former site of the Palace have failed to come to fruition. Currently, there are two rival plans. The London Development Agency wants to spend £67.5 million on developments to the park, including new houses and a regional sports centre. Recently, a private consortium has announced plans to rebuild Crystal Palace and use it to house galleries, a snow slope, music auditorium, leisure facilities and a hotel.[15]

[edit] Influence

The Crystal Palace was the prototype for several other buildings, including the New York Crystal Palace of 1853, the Glaspalast in Munich of 1854, and the Palácio de Cristal in Porto of 1865.

The New York Crystal Palace was built for the Exhibition of the Industry of All Nations for the 1853 World's Fair on a site behind the Croton Distributing Reservoir, between Fifth and Sixth Avenues on 42nd Street (today's Bryant Park). The building was shaped as a Greek cross by the architects George Carstensen and Charles Gildemeister. The New York Crystal Palace was crowned by a dome 100 feet (30 m) in diameter and consisted of iron and glass only. It burned down in 15 minutes on 5 October 1858.

Only three years after The Crystal Palace in London, the German Glaspalast in Munich was opened for the Erste Allgemeine Deutsche Industrieausstellung on 15 July 1854. The Glaspalast, ordered by King Maximillian II of Bavaria and designed by August von Voit, hosted the biggest art exhibitions and international trade fairs before it burned down in 1931. The fire in the Glaspalast damaged more than 1,000 paintings and sculptures and destroyed more than 110 artworks from the early 19th century including many paintings from Caspar David Friedrich, Moritz von Schwind, Karl Blechen and Philipp Otto Runge.

Oxford Rewley Road railway station of 1851 used the same construction technology. The design of the Crystal Palace has also inspired many latter-day construction projects, such as the Dallas, Texas-based Infomart and the Eaton Centre shopping mall in downtown Toronto, Canada.

The Crystal Palace Foundation was created in 1979 to preserve its memory and consider its future.

[edit] The Crystal Palace in popular culture

The Crystal Palace made a strong impression on visitors coming from all over Europe, including a number of writers. It soon became a symbol of modernity and civilization, hailed by some and decried by others.

  • Robert Baden-Powell organized a meeting of Boy Scouts there in 1909, when he first noticed how many girls were interested in scouting, leading to the founding of Girl Guide and Girl Scouts.[16][17]
  • French author Valéry Larbaud left a short text describing his impressions of the Crystal Palace.
  • The Crystal Palace appears as a full chapter in the Edward Rutherfurd novel "London" where it is a pivotal part of the book's sub-plot in that chapter.
  • In What Is to Be Done?, Russian author and philosopher Nikolai Chernyshevsky pledges to transform the society into a Crystal Palace thanks to a socialist revolution.
  • Fyodor Dostoevsky implicitly replied to Chernyshevsky in Notes from Underground. The narrator thinks that human nature will prefer destruction and chaos to the harmony symbolized by the Crystal Palace.
  • The Palace (or a similar structure) was in the 2004 anime film Steam Boy, and it also featured in the 2005 anime series Eikoku Koi Monogatari Emma (Emma-A Victorian Romance).
  • Following damage during World War II, the replacement for the East window in St John the Evangelist in Penge High Street features an idyllic view of the local landscape at the time the church was built, including the Crystal Palace.
  • The Crystal Palace serves as the location in the finale of the fantasy book Ptolemy's Gate.
  • The Crystal Palace is the name of a nightclub run by Chrysalis in the Wild Cards fictional shared universe.
  • Italian writer Alessandro Baricco incorporated the Crystal Palace into his novel Land of glass using a mixture of fiction and fact.
  • German philosopher Peter Sloterdijk uses the Crystal Palace as a metaphor for the European project.
  • Contemporary artist Tori Amos mentions the Crystal Palace in her song Winter, singing, "Mirror mirror, where's the Crystal Palace? But I only can see myself."
  • Having previously appeared in at least one Doctor Who comic strip (printed in the Radio Times), the Great Exhibition was properly featured as the setting for one of the audio adventures of Paul McGann's Eighth Doctor in 2005: Other Lives, which also featured as a character in the drama a contemporary figure associated with events, the then-aged Duke of Wellington.
  • Famed children's author E. Nesbit made many references to the Crystal Palace in her work, most notably in the short story "The Ice Dragon," which commences with the child protagonists watching the Crystal Palace fireworks display from their backyard.
  • The Crystal Palace Restaurant in the Walt Disney World Resort (Magic Kingdom, Main Street, USA) is inspired by the Crystal Palace.
  • In book 3 of The Invisible Detective series by Justin Richards, the finale takes place at the Crystal Palace and it is the final destruction of the Ghost army that causes the fire that destroys the palace.
  • In the Book The Death Collector, the Crystal Palace Gardens and Large Dinosaur statues contain a secret which leads to the solving of the mystery in the book.
  • In September 2007 the Anglo-Dutch martial neoclassical music group, H.E.R.R., released a mini-album concerning the rise and fall of the Crystal Palace, entitled Fire & Glass: A Norwood Tragedy.
  • When Queen Victoria's avatar is on-screen in the computer game Civilization IV, the palace can be seen in the background.
  • There is a scene in the 1979 Sean Connery movie The First Great Train Robbery wherein Connery's character strolls around outside the Crystal Palace whilst a fireworks display is being held. The Palace is a miniature used in a foreground projection shot.
  • In the VeggieTales episode The Star of Christmas (which takes place in 1882 London) Larry the Cucumber's character Millward Phelps was going to drive a "rocket carriage" through the Crystal Palace to avoid being late for the church Christmas pageant. (His fellow passengers quickly dissuaded him from this idea.)
  • NORAD headquarters in the movie WarGames is called "The Crystal Palace".
  • The Crystal Palace appears in both The Adventures of Luther Arkwright and its sequel Heart of Empire.

[edit] See also

[edit] References

  1. ^ The Crystal Palace of Hyde Park. Retrieved on 2008-04-04.
  2. ^ The 1850-11-02 Punch issue is credited with bestowing the "Crystal Palace" name on the design by Strieter, Terry (1999). Nineteenth-Century European Art: A Topical Dictionary, 50. ISBN 031329898X.  (And Crystal Palace. BBC. Retrieved on 2007-11-21. “The term 'Crystal Palace' was first applied to Paxton's building by Punch in its issue of 2nd November 1850”.) Punch had originally sided with The Times against the Exhibition committee's own proposal of a fixed brick structure, but featured the Crystal Palace heavily throughout 1851 (for example in Punch Issue 502. included the article "Travels into the Interior of the Crystal Palace" of February 1851). Any earlier name has been lost, according to Everything2 Crystal Palace Exhibition Building Design #251 (2003)..
  3. ^ Hobhouse, Hermione (2002). The Crystal Palace and the Great Exhibition, 34. ISBN 0485115751. “It was essentially a modular building of iron, wood and glass, built of components which were meant to be recyclable.”  The prefabricated parts were constructed in the manufacture's ironworks and sawmills (page 36).
  4. ^ a b c The Great Exhibition of 1851. Duke Magazine (2006-11). Retrieved on 2007-07-30.
  5. ^ The peak figure of 2,000 workers daily is given in: The Crystal Palace and the Great Exhibition, 34. ISBN 0485115751.  and by the University of Virginia's Modeling the Crystal Palace (2001). project: The Crystal Palace Animation Exterior and Interior. Retrieved on 2007-11-20.
  6. ^ Crystal Palace history Leaving Hyde Park October 1851.
  7. ^ Crystal Palace history The Building 1852 - 1854. Retrieved on 2007-11-21. These amounts are in successive years, and partly reflect the extension to five stories made at Sydenham. The £150,000 cost of the Hyde Park Crystal Palace includes the (re-usable) component material cost, so the extent to which the reconstructed Palace had an (unexpectedly) higher construction cost is even greater than the comparison of totals implies.
  8. ^ Memorial from the National Sunday League on the Sunday opening of the British Museum. “working men and their families [...] worked long hours and all day Saturday. Many could not afford a day's unpaid leave to come to the Museum.”
  9. ^ The Great Exhibition was always closed on Sunday, see: Crystal Palace - On a hot summer's day Facts and Figures. “No Sunday opening was allowed, no alcohol, no smoking and no dogs”. The Crystal Palace at Sydenham continued the observance, opening only to shareholders on Sundays: Crystal Palace History Open again. “neither the building nor grounds were open on Sundays”
  10. ^ Google Books: Palace of the People: The Crystal Palace at Sydenham 1854-1936
  11. ^ Glen, Richard E (2003-04-05). Baird's independent television. Transdiffusion Broadcasting System. Retrieved on 2008-05-29.
  12. ^ Herbert, Ray (July 1998). "Crystal Palace Television Studios". Soundscapes 1 (4). Groningen, The Netherlands: University of Groningen. ISSN 1567-7745. 
  13. ^ "War's Worst Raid" (1941-04-28). TIME. 
  14. ^ Pescod, David FRS (2005-02-10). "Correspondence" (PDF). The Linnean 21 (2): 36. London: Linnean Society of London. 
  15. ^ Will Crystal Palace rise again? | News
  16. ^ Baden-Powell and the Crystal Palace Rally. Baden-Powell Photo Gallery. Pinetree web (1997). Retrieved on 2007-01-22.
  17. ^ History of the Girl Scouts Movement. Girl Scouts of the Philippines (1997). Retrieved on 2007-01-22.

[edit] Further reading

  • Dickinson's Comprehensive Pictures of the Great Exhibition of 1851, Dickinson Brothers, London, 1854.[1]
  • Jan Piggott: "Palace of the People", London, 2004
  • Ian Leith: "Delamotte's Crystal Palace", London, 2005

[edit] External links

Wikimedia Commons has media related to:

Coordinates: 51.41987° N 0.07067° W