The Constant Wife

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The Constant Wife, a comedy of manners, was written by W. Somerset Maugham in 1926 and later published for general sales in April 1927.

[edit] Plot

The leading character, Constance Middleton, is a calm, intelligent and self-possessed wife of a successful London doctor. Knowing full well of her husband's infidelity with her best friend Marie-Louise, Constance purposefully maintains the fiction held by her other friends, mother and sister that she has no idea of the affair. However, when confronted by Marie-Louise's jealous husband, Constance reacts in a way not expected by her husband, mother or sister. She first deftly conceals the affair from the husband, and then tells her family that she has known all along. She further shocks them by demonstrating a total lack of sentiment on the subject of matrimony. The modern wife, she explains, is nothing but a parasite, "a prostitute who doesn't deliver the goods." She resolves to establish her own economic independence ("which she considers the only real independence"), going into business as an interior decorator. After a year of successful employment, she pays her husband for her room and board, and then announces she is going off for an Italian vacation with a longtime admirer. Her husband is, in turn, shocked and outraged at this turn of events, but finally capitulates to her outrageous charm as the curtain falls.

[edit] Production history

The play was first produced at the Ohio Theatre (Loudonville) Ohio, on November 1, 1926, with Ethel Barrymore playing the title role, and Mabel Terry-Lewis, and C. Aubrey-Smith as support. It ran on Broadway for 295 performances, and was successfully toured by Ms. Barrymore afterwards. When the first edition of the play was published in 1927 Maugham dedicated it to her. Years later, he said that her performance was the best he had seen in any of his plays.

The West End premiere at the Strand Theatre in April 1927, starring Fay Compton, was by contrast, a critical and box-office fiasco. Subsequent London revivals have starred Ruth Chatterton (Globe Theatre, 1937); Ingrid Bergman (Albery Theatre, September 1973 — note, John Gielgud's staging, also starring Ingrid Bergman, was subsequently revived at the Shubert Theatre on Broadway in April 1975); and Jenny Seagrove (Apollo Theatre, April 2002, then transferring to the Lyric Theatre, June 2002).

Katharine Cornell played the title role at the National Theatre in New York in December 1951, while revivals in 2005 found success in New York City and Minneapolis, Minnesota.

The show was most recently performed at the Dock Street Theater in Charleston, SC as part of the 2007 Spoleto USA Festival ([1]) with Paris Jefferson playing the title role.