The Card
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| The Card | |
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| Author | Arnold Bennett |
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| Country | United Kingdom |
| Language | English |
| Genre(s) | Comedy |
| Publisher | E. P. Dutton |
| Publication date | 1911 |
| Media type | Print (Hardcover) |
| Pages | 305 pp |
| ISBN | NA |
The Card is a short comedic novel written by Arnold Bennett in 1911. It was later made into a 1952 movie starring Alec Guinness and Petula Clark. It chronicles the rise of Edward Henry ("Denry") Machin from washerwoman's son to Mayor of Bursley (a fictitious town based on Burslem). This is accomplished through luck, initiative and a fair bit of chutzpah.
Denry Machin returned, as the slightly more mature "Edward Henry", in Bennett's sequel The Regent (1913) (titled The Old Adam in its first U.S. edition).
[edit] Plot summary
The novel begins when "Edward Henry Machin first saw the smoke on the 27th May 1867" -- the very day of Bennett's own birth. At age 12, Denry begins his career by altering his grade in a class enough to earn him a scholarship to grammar school. At 16, he leaves school to work for Mr. Duncalf, the town clerk and a solicitor. Duncalf is responsible for organizing an exclusive ball; Denry "invites" himself and a few others in exchange for favors, among them Ruth Earp, a dance instructor. On a bet, he audaciously asks the energetic, beautiful Countess of Chell (of whom everyone, including Machin, is in awe) to dance, thus earning himself the reputation of a "card" (a "character", someone able to set tongues wagging) - a reputation he is determined to cement.
Later, when Duncalf treats a disgruntled client brusquely, Denry leaves his employ after persuading the client to hire him as a rent collector. When some of the tenants fall behind, he begins loaning them money (at a highly profitable interest rate). Ruth herself is several months in arrears and tries to sneak away in the middle of the night. Denry catches her by accident, but rather than being angry, he admires her audacity and starts courting her.
While on vacation at the seaside resort town of Llandudno with Ruth and her friend Nellie Cotterill, he witnesses a shipwreck and the rescue of the sailors. Noting the interest generated, he buys a lifeboat, hires some of the stranded mariners as rowers, and conducts tours of the picturesque wreck. However, Ruth's spendthrift nature becomes alarmingly apparent during the trip and they break up.
By the end of the summer, Denry has made a substantial profit from the sightseers, which he uses to finance his boldest venture. He starts up the Five Towns Universal Thrift Club. Members deposit money little by little; once they have accumulated half the sum they need to purchase whatever it is they want, the club allows them to buy on credit, but only from stores associated with the club. Denry makes money by getting a discount from the vendors in return for access to his large customer base. When his capital starts to run out, he arranges an "accident" for the Countess's coach. He drives conveniently by and gives her a lift to an urgent appointment. On the way there, he talks her into becoming the club's sponsor, ensuring easy financing. This proves to be the making of Denry's fortune.
With his great success, he is appointed a town councillor. He also backs a new daily newspaper (to be bought out at a profit by its established rival anxious to keep its monopoly) and tricks his obstinate mother into moving into a luxurious new house. At this point, Ruth reappears in Denry's life, now the widow of a rich older man. He considers renewing their relationship, but at the last moment, realizes that Nellie is the one for him and marries her.
The crowning achievement comes when Denry decides to become the youngest mayor in the history of Bursley. To sway the voters, he purchases the rights to native son Callear, the "greatest centre forward in England", for the failing local football club.
His antics are regarded with affection and admiration by most others, as shown by the book's final exchange:
"What a card!" said one, laughing joyously. "He's a rare 'un, no mistake."
"Of course, this'll make him more popular than ever," said another. "We've never had a man to touch him for that."
"And yet," demanded Councillor Barlow, "what's he done? Has he ever done a day's work in his life? What great cause is he identified with?"
"He's identified," said the speaker, "with the great cause of cheering us all up."
[edit] Adaptations
| The Card | |
|---|---|
| Directed by | Ronald Neame |
| Produced by | John Bryan Earl St. John (exec.) Bob McNaught (assoc.) |
| Written by | Arnold Bennett (novel) Eric Ambler |
| Starring | Alec Guinness Petula Clark Valerie Hobson Glynis Johns |
| Running time | 85 min.; 91 min. (UK) |
| Country | United Kingdom |
| Language | English |
| IMDb profile | |
A black-and-white film version (entitled The Promoter for its American audience), adapted by Eric Ambler and directed by Ronald Neame, was released in 1952. It starred Alec Guinness as Denry Machin, Petula Clark as Nellie Cotterill, Valerie Hobson as the Countess, and Glynis Johns as Ruth Earp. The movie was mostly faithful to the novel, though it omitted the newspaper caper, Denry outmaneuvering his mother into moving, and a few other minor misadventures not noted in this article. It was filmed in Burslem in Stoke-on-Trent.
For Guinness, playing the romantic lead was a departure from his previously comic roles, and the film was one of the first adult screen roles for Clark who, as the hero's intended bride, received her first screen kiss. She recorded a vocal version of the film's theme, with lyrics by her long-term accompanist Joe "Mr Piano" Henderson.
In 1973, the married songwriting team of Tony Hatch and Jackie Trent composed the score for a musical stage version of the same name in London's West End. (Coincidentally, the pair wrote a considerable number of Clark's pop hits in the 1960s and '70s.) Although not a huge success, an original cast album was released, and one of the show's tunes, "Nothing Succeeds Like Success," was recorded by Clark as one of her album tracks.
In 2007, it was adapted as a two-part play for BBC Radio 4. Again, the adaptation was faithful to the novel, with the omission of the newspaper incident.
