The Adventures of Augie March
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| The Adventures of Augie March | |
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| Author | Saul Bellow |
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| Country | United States |
| Language | English |
| Genre(s) | Picaresque novel |
| Publisher | Viking Press |
| Publication date | 1953 |
| Media type | Print (Hardcover & Paperback) |
| Pages | 536 pp |
| ISBN | NA |
The Adventures of Augie March (1953) is a novel by Saul Bellow. It centers on the eponymous character who grows up during the Great Depression. This picaresque novel is an example of bildungsroman, tracing the development of an individual through a series of encounters, occupations and relationships from boyhood to manhood.
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[edit] The Novel
Although the picaresque style is among the earliest forms of the novel, Bellow's concerns are fundamentally modern. With an intricate plot and allusive style, he explores contrasting themes of alienation and belonging, poverty and wealth, love and loss.
Its protagonist may be said to represent the modern Everyman – an individual struggling to make sense of, and succeed in, an alienating world. The novel is also specific to the American literary canon in that it celebrates the capacity of the individual to progress in society by virtue of nothing more than his own "luck and pluck". This idea is stated explicitly in the opening and most famous lines of the novel, in which the narrator defines himself as an American. This was an important act of self-definition for the author and narrator, both immigrants to America. It also establishes the dual meaning of "America" in the novel: that is, the physical and political "America", as well as the more figurative "American" as a state-of-mind:
| “ | I am an American, Chicago born – Chicago, that somber city – and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent. But a man's character is his fate, says Heraclitus, and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles.[1] | ” |
This celebration of the individual determines Bellow's presentation of fate in the novel. Unlike other picaresque novels, such as Henry Fielding's Tom Jones, the plot of Augie March is never pre-determined. Things simply happen to Augie, one after another, with no evident story arc or hint as to where his adventures are leading. This contributes to the sense that Augie, as the Everyman, is lost in a chaotic world, but it also enhances the sense that the Everyman, as an autonomous creation, is in control of his own fate. By turns, Bellow exposes the alienating forces of the American city, while revealing the great opportunities that it offers.
[edit] Literary significance and criticism
Widely heralded as a classic of American literature, the novel has been included in Time Magazine's 100 best novels,[2][3] and is also number 81 on the Modern Library's list of the best 20th-century novels.[4]
[edit] Trivia
- The Australian band Augie March take their name from the title of this book. They are known for their descriptive, literary lyrical content.
- Singer/songwriter Fionn Regan references this book in his song "Put A Penny In The Slot".
[edit] Notes
- ^ Bellow, S., The Adventures of Augie March (London: Penguin Books, 2001), p. 3.
- ^ The Complete List - Time Magazine - All-Time 100 Novels. Retrieved on 2007-05-14.
- ^ The Adventures of Augie March (1953) Review. Retrieved on 2007-05-14.
- ^ The Modern Library - 100 Best Novels. Retrieved on 2007-05-14.
[edit] External links
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