Talk:The Wall

From Wikipedia, the free encyclopedia

This is the talk page for discussing improvements to the The Wall article.
Article policies

Set Album to Class B & Top Importance, I'd argue Top over High, The Wall is one of the architypal Floyd albums Megamanic 09:18, 24 August 2006 (UTC)

Contents

[edit] Plot Relation to Continuity

At the end of the track, it is known that with the continuity, the words "Isn't this where..." are heard. As we all know, back at the beginning of the album, at the beginning of the track "In the Flesh?", the words "...we came in?" can be faintly heard. The plot spoiler for "Outside the Wall" states that the fate of Pink is unknown, but with the concept of continuity, can't it be theorized that the cycle starts all over for Pink even after he destroys his mental wall? As in, someone else he knows dies (perhaps his mother), and he goes through the same phase again? I dunno, just spitballing here. I'd like to here what the rest of you have to say about this. --- Xephyrwing

  • His fate is unknown- he may be free or it may start again. The point is, that even though he tore down his wall, someone out there, wether it be you, Pink or me, has begun the same cycle. MajorB 03:13, 3 September 2006 (UTC)
    • I don't get that it implies "someone out there" and not Pink starts over, that is a bit hard to be sure of, but I suspect we will each have slight variations in interpretation there. Is his fate sealed? I don't know, but it certainly implies that it is not over, and to me suggests that life is a series of trials and tribulations. The fact that the exact sentence rolls from the end of the album and onto the beginning suggests the same thing happening all over - just to what degree is it the same? Just my spitballing in return, not suggestions for article change here Fitzhugh 06:09, 13 December 2006 (UTC)
    • As I see it Pink is a symbol of humanity, and I think Roger Waters also said something to that effect in the DVD commentary. The cycle repeats itself, perhaps for Pink, but certainly for "someone out there". Clq 07:38, 13 December 2006 (UTC)
  • I think the story for Pink ends when the wall is finally torn town. The moral of the story at the end is that no matter how much we try, we are always going to fight against "the powers that be", mental or otherwise. The whole "isn't this where/where we came in?" can be seen as the vicious circle that is life. The voice can be considered separate from the concept of the album, as if someone is listening and asking "wait a minute, isn't this where we came in?" It's the observation of the concept, or movie, or whatever. It's a reference to the theme, but not about the theme. --Johmbolaya 19:29, 4 October 2007 (UTC)

[edit] Plot Section

I commented out the Plot section for these reasons:

  • It was less a plot section and more of a synopsis for each song.
  • It didn't look that good compared to the rest of the article, both in structure and style.
  • Each song has it's own article, and plot details should probably be placed there.
  • There's already a detailed plot description in the Concept section.
  • It did not take into account that the concept has some room for interpretation of events.

MajorB 19:41, 10 July 2006 (UTC)

[edit] Tour

Moved this from the article to here: <<Pink Floyd began a tour to promote The Wall, but the gigantic, elaborate state show was so expensive that it quickly lost money. The tour was cancelled after only a few performances.>> This is incorrect. The show played in New York, Los Angles, London, and another European venue too I think. Each city got 2 weeks of shows, or something. Waters, Gilmour, and Mason all invested in the show (Wright was kicked out of the band by now, yet still played the tour), and made no profits, pretty much paying themselves, and the crew, backup singers etc. to play. The shows were elaborate though, with three screens projected onto a carboard-brick wall that was built throughout the first half of the show, and broken down at the end

-- Zoe

  • Correct. From what I read, the tour was never meant to be a full scale, multi-city tour. With the stage set up and the costs involved to move it around, it would have been too much. I believe the idea all along was to keep it to a limited amount of cities and leave it at that. I believe this is the reason why the concerts were filmed, in the hopes of releasing it as a concert film. The concert film was never released, although bootleg copies have circulated for years. --Johmbolaya 19:31, 4 October 2007 (UTC)

[edit] Track Listing

Unfortunately I do not have this on vinyl, and have only a cd recording. But the first track of disc 2 on my album is "goodbye cruel world" done over with a longer intro and outro. Do I have an obscure version, did they change it from original vinyl to cd versioning, or is the track listing in need of correction? I am not certain, and am thus posting it here rather than editing. Kai

The version you are referring to is the soundtrack album from Pink Floyd The Wall (film). Just64helpin

I have a CD version I bought today, which was digitally re-mastered in 1994, and the track listing is the same as in the article. JP Godfrey 16:48, 25 November 2005 (UTC)

Would anyone happen to have the original track list as in the vinyl record lp? Like how the tracks broke down on each side. [unsigned]

Ok, i have changed this to reflect the original LP tracklisting. As this work was originally released before the advent of CD i feel the tracklisting should reflect its original release format. I think that with Pink Floyd in particular the constraints of having to split an album accross 4 sides made a difference in the production of their work. i.e. If CD's were around at the time you would probably find longer tracks, no breaks between tracks etc.. I hope this is okay with everyone? - Murphyweb 6th Feb 2006

[edit] It is indeed a rock opera

Someone who previously edited this article asked "what is a rock opera", and thereby removed the term from the article.

I have reinstated the "rock opera" status to "The Wall" as it is just that...this is an album that tells a definitive story. I also left the term "concept album" in the article, because, as it is explained under the rock opera article, sometimes a rock opera can also be classified as a "concept album", so "The Wall" carries both meanings.

Hiphats

[edit] Censorship.

The quotes near the bottom have an asterisk in the word "Fuck" in the last paragraph, but the word "fuckin'" does not. I assumed this was intentional censorship on the part of the writer and went into the editing console to remove it (since censorship should have no place in a reference material, in my opinion.)

I discovered that in the console, it is not censored.

...What's going on? Does wikipedia automatically censor it and simply not recognize the "fuckin'" string as a curse? And how would we go about curbing the censorship if it *were* automatic?

Test fuck 80.41.205.100 11:13, 30 June 2006 (UTC)

[edit] The Movie (and Concept)

The movie plot given in this article differs significantly from the story or concept behind the album, in that it claims that Pink tries to commit suicide, and actually does become a neo-nazi leader. I think that the movie pretty much mirrors the concept as described in the article - a lot of the events depicted in the movie are metaphorical. Pink tearing melting worms of his face and emerging as a fascist leader can't be taken literally.

Vhata

Of course it could be taken literally, it's a metaphorical story. Yes, the fact that he was a Neo-Nazi was a metaphore for turning fear into hate (or whatever your own interpretation of it is) but that doesn't mean it was a metaphore within the story. You could say that Cinderella was a metaphorical story, but that doesn't mean that the character in the story didn't really magically go to the ball.

I also strongly feel that there should be a part in the concept section that says the story can have multiple interpretations: The basic rock star/audience relationship, Isolation within the self, I know some serious Floyd fans who believe this album is actually about Hitler (Sitting in a bunker, here behind my wall). See the analytical web site linked at the bottom of this article for much more about the concept.

[edit] The Album Songs

I made articles for each of the songs (except for ones with an article). If there is any problem with them, either change it or we can duke it out. Househippie


[edit] The Article itself

Is wikipedia copyrighted? because ive seen the exact same article in various internet pages. Just thought that might interest someone. On a side note, I tend to second the opinion that alot of things can't be taken literally on the album. Though it is very difficult to say which, especially as the movie/album doesnt follow standard narrative.

-an anonymous user of wikipedia

[edit] Not a demo

A minor nitpick but it really should be addressed in the interest of accuracy. What you discuss here as a "demo" of The Wall isn't really a demo per se. You should probably just refer to it as early recordings. Demos are usually quite polished and intended to present the work to those not involved in the creation process like record execs and music industry people. I've heard these "demos" and it sounds more like a working rough meant for internal use, i.e., for band members, Bob Ezrin, etc. It's much too rough to be called a demo. You should change reference to it to "early recordings" and explain it something like "What is commonly thought of as a demo of The Wall is most likely an early recording intended for internal use only... blah blah..." Or at least include a disclaimer like "Note: we use the term 'demo' here only because it is frequently called that although it likely isn't a demo... etc."

I wrote an exhaustive, four-part examination of these recordings for Spare Bricks and you can read my intro to it here:

http://sparebricks.fika.org/sbzine12/brickbybrick.html

I explain this in much more detail there. If you want to use any of the wording from my article to explain this here, feel free.

Agreed, i do not think this needs to be referenced in here, all these songs are just early versions of the finished article, every single band will have early tracks of songs hanging around, many of them now on the net. This section would be more at place on the main Pink Floyd section under a heading of "unreleased material".

[edit] Covers

Aside from the well-known mentioned compilation, various artists have covered "The Wall". Best example I can find is [Luther Wright and the Wrongs] "Rebuild The Wall", but there are others - and other covers of single songs, like the Scissor Sisters' Comfortably Numb. Question is, do these bear mention?

[edit] Potsdamer Platz Live

I just found out that the live performance at the Potsdamer Platz (Berlin, 1990 or something) isn't here. People, that one is just too historical not to be featured. With some luck I'll be able to have that written within this week. Nazgjunk - - Signing is for Whimps 20:22, 20 November 2005 (UTC)

I don't know if there is a section for the live in berlin performance, but it occurs to me that with as many famous people that there were performing in it, there should be a lust on the page. -Idiotninja —Preceding unsigned comment added by 152.1.115.45 (talk) 18:54, 12 October 2007 (UTC)

[edit] Trivia

The newly added trivia section needs some formatting. -Ashwin Vishnu

The whole lyrics for "Waiting for the Worms" can be found at: [1]

[edit] Lyrics

I posted the lyrics to the songs on their pages. Promptly, I recieved a note telling me not to post lyrics anymore becausethey are copyrighted (which they are, that's not what I'm arguing). What I am saying is that it doesn't make sense, because these lyrics are not beig used for any personal gain other than the knowledge of the song's lyrics. And if ad-supporting sites such as songlyrics.com, letssingit.com, and lyrics007.com can post the lyrics to these songs, what makes wikipedia different. And if I am wrong, please do not slash me, but instead tell me courteously. P.S. If I added the copyright information to the lyrics/article, would that make it legal?

"If I added the copyright information to the lyrics/article, would that make it legal?" No. Artists can choose to close their eyes to all the lyrics, guitar tabs, etc., but they are still possible to be taken as copyright infringements. The only thing that makes them legal to be posted is a written authorization from the author. —Rotring 14:23, 18 February 2006 (UTC)

[edit] Waiting for the worms - Trivia

In the audio commentary on the new The Wall DVD, Roger Waters mentiones that the shout out commands were mostly improvised when recording. I am not sure if there is an online source to this. Can this be added without a linkable source? Thanks. Clq 20:33, 9 March 2006 (UTC)

[edit] "The Wall 2000"

The last item in the Trivia section mentions two tribute/re-imagining albums. Should Out of Phase's ambient/dance The Wall 2000 [2] be mentioned as well? —alxndr (t) 21:47, 9 June 2006 (UTC)

[edit] Goodbye Blue Sky

What is the real plot to this song? Is it just a matter of opinion? I personaly think it's Pink looking at the Germans bombing over London.24.188.127.35 03:10, 19 June 2006 (UTC)

Well, its rather Pink thinking about it than actually looking at it. The animation part in the film is based on the childhood memories of the animator, Gerald Scharfe. As far as the meaning of the plot goes, in my opinion it is more of a way to set the mood than an important part of the plot.

The following is from the wall - a complete analysis: "In an interview around the album's release, Waters described the song as being a recap of the first side of album one summing up Pink's life to that point. As Waters says, in it's most simplistic form "it's remembering one's childhood and then getting ready to set off into the rest of one's life." " and "Pink is saying "goodbye" to the "blue sky" of his childhood innocence and the protection of his mother."

Clq 17:20, 19 June 2006 (UTC)

I believe it is about the Cold War. "...the flames are all long but the pain lingers on...". This could be London on fire during the Blitz or radiation sickness.

[edit] Too long

Could we split this article in a near future?--Doktor Who 22:38, 30 July 2006 (UTC)

[edit] "When the Tigers Broke Free" contradiction

The page for When the Tigers Broke Free states this song was written "at the same time as The Wall, hence its copyright date of 1979". This suggests it was not "written for the movie" as stated in this article. However, it could be true if Waters was envisioning a movie even then — does anyone know if this is true? Alternately, is it known if this song was considered for inclusion on the album? --edgarde 05:05, 11 September 2006 (UTC)

As I understand it the When The Tigers Broke free pt. 1 was originally written for the album, but not included. I -think- the later part (where he thinks about his father) was written for the movie. I am not entirly sure about this however, but I know it is mentioned in the commentary on the new The Wall release. If someone could check this out it would be nice, Ill check it myself when I get the time for it. Clq 14:58, 11 September 2006 (UTC)

[edit] Piper at The Gates of Dawn one of Pink Floyd's best albums?

I know the hardcore Floyd fans like to name drop Piper as being a great album...but seriously people. I think the idea of naming the "great" pink floyd albums is stupid anyway, since it's purely opinion. But most would definately agree that Wish you were here and Dark Side are on that list. I think putting Piper on that is dumb. I personally like Piper, but it is not at the same level as the other albums, and i know i'm going to get a million pretentious rhetorts...but there's just no way.

No, I completely agree. But I'll let it stay until consensus - perhaps you will hear a million pretentious replies (I don't think I noticed it still there, actually). Fitzhugh 06:03, 13 December 2006 (UTC)

[edit] The Berlin Wall

I have a photograph taken recently by me of a section of the Berlin Wall showing old graffiti of sleeve note art from the album. Would this be of use in the article? JP Godfrey (Talk to me) 16:58, 14 October 2006 (UTC)

[edit] Interpretation of Comfortably Numb

The current interpretation in the article seems really far off base. It seems highly implied that Pink is in an opium haze when they find him in his room. The doctor lies to him, saying "Just a little pinprick. There'll be no more pain, but you may feel a little sick." In the middle of his line he injects Pink with an opiate killer (Naloxone? Something like that), which kills the high almost instantly and hurts like hell. Hence.... all of Pink's screaming at this moment? 12.175.230.58 02:59, 31 October 2006 (UTC)

Fanciful. Utterly fanciful. --63.25.230.163 (talk) 16:35, 7 March 2008 (UTC)

Your suggestion regarding Naloxone fits perfectly (um, let's not get into how I know...) Assuming he was not truly strung out, just high, he would go through hell but then, after a very short while, be all ok and able to put on a show. If he were truly strung out he'd then be too sick with withdrawl to put on a sock, let alone a show - though that distinction probably doesn't matter for this case since I'm in no way trying to argue about whether he was strung out or just high... he had major issues regardless. Right now it says he was given antidepressants! I think we'd have a song about bunnies and flowers and bright happy days in the sun at this point if they gave him antidepressants... just kidding, not saying that a dose of prozac would fix him at that point, but it DOES NOT FIT! Plus, antidepressants are not given in shots. It also says above in Another Brick in the Wall part something that he had given up all the drugs by this point... doesn't Comfortably Numb occur right, soon, after he'd lined a vast array of drugs and stuff around on his hotel floor? I haven't seen it in years, I'm afraid, but I saw it many times as a teenager, so I am sure about the antidepressants not fitting, and the opiate haze/shot of opiate antagonist/utter screaming hell/able to function fitting very very well. Secondly, I concur that this whole section has problems, but I do think it is important information. I think perhaps a synopsis section here, with links to a separate full article for plot, would be the best approach since the songs as a whole DO tell a story, and that needs to be explained in some degree in the article, just not in this format.

After further contemplation; I really, really hate the entire Plot section. I agree broadly with MajorB, and add that this section comes off as fanboyish. The site (one of dozens) with an interpretation of the album (which is linked to in the article), leans toward my interpretation of Comfortably Numb. But; individual consideration of each song belongs in its own article. I support the Plot section's removal. 12.175.230.58 02:59, 31 October 2006 (UTC)

There should not be any attempts at "explaining" "Comfortably Numb", let alone attempting to nail down exactly what kind of substance he received in the doctor's injection. To me, it seems obvious it was a stimulant, but apparently all sorts of people think all sorts of things. I also must say, it is by no means obvious that "Pink" is an opioid addict. --63.25.230.163 (talk) 16:35, 7 March 2008 (UTC)

[edit] Album Length

I just counted up the length of the songs in the track listing and got 1h 17m 20s -- a full four minutes shorter than the previous total length. Could someone verify the length? --Jon Terry 20:26, 10 November 2006 (UTC)

Perhaps you counted the times as they are listed for each song and that (perhaps) doesn't account for the space between songs, as would be when you read about how long an album is start-to-finish? I don't know, just a possible answer. Fitzhugh 05:40, 13 December 2006 (UTC)

[edit] Some changes needed to shorten and tidy this article..

Hi, just some ideas but i think we all agree something is needed. This article should be about the recording "The Wall" and nothing else, it is important to talk about the live shows preceding and effectively giving birth to the album but apart from that this should be only about the album. There should be just a mention that a film was made and a link to the films article but nothing else, likewise with subsequent live shows etc..

Same as all the rest of the fillers in this article...

Post-Split - Get Rid Additional tracks from the film - Get Rid " " Live Concert - Get Rid

Unused Tracks - No, this is about the album, if they are not on the album then who cares? Do we have an article on unrecorded Floyd songs? if yes put them there, if not then maybe there should be one!

Cover Versions - No, Who cares? Likewise either put them in the Floyd article or make a new article for Floyd covers. I think the plot section has no place in this article at all, all it does is follow the plot of the film and this is just a version of the story of this album that was written for Hollywood. As we all should know this album carries too many story's and meanings to have any kind of plot, i am sure we all have our own ideas of what this album is about and non of us are wrong. I do not want to see someone else's interpretation given as fact.

As you can guess this album holds a special place in my heart and life as i have grown up with it since i was a boy when it was release. Many of the songs hold great meaning for me.

I propose a complete re-working of this article, starting from scratch and i would like to help do this. What do other think?

I think it is important to include at bare minimum some mention of side works. The Wall was planned to be a multi-pronged product from its inception - album, show, and movie. The additional songs not included in the initial album (such as When the Tigers Broke Free) should definitely be considered part of the canon of the works; they are available all over the place in a myriad of forms of "The Wall." The only part of this article that bothers me personally is The Plot section (see above), since it is outright WRONG in several places. I support removing it readily, and will do so in a few months if someone else doesn't speak up for it, or deletes it first. 12.175.230.38 21:03, 7 December 2006 (UTC)

[edit] song synopsis

should someone add a list of what each song in the wall would represent in the story...such as another brick in the wall part 1 being about Pink's father dieing in war overseas?

I remember we used to have that kinda thing for each song. But, I don't remember when it got removed. Maybe we should bring it back, it explaned alot to me about the songs when I first looked at it. --ASDFGHJKL=Greatest Person Ever+Coolest Person Ever 23:01, 11 April 2007 (UTC)
I think it may actually have been removed by the above poster (of Some changes needed to shorten and tidy this article..). ErleGrey 23:43, 11 April 2007 (UTC)

[edit] Movie soundtracks audible in background

I can't believe there is no list or analysis of the movie soundtrack extracts heard in the background throughout this album.

I came here to check if Citizen Kane is one of the ones used, just watched it and The Wall very almost parallels this movie, lots of the movie sounded familiar, and I wondered if The Wall is probably where I remember these lines from. Any ideas? I know there are a whole bunch of famous old flicks in there, so people, please help out with this if you can.

[edit] Waiting for the Worms

Why the heck has been removed that section as unsupported claim?

[...] To clean up the city. To burn up blacks again. To weed out the weaklings. To smash in their windows and kick in their doors. For the final solution to strengthen the strain. To follow the worms. Waiting for the worms. To turn on the showers and fire the ovens. Waiting for the queers, coons, the reds and the jews

It can be clearly heard/listened to on the LP, CD and movie.--Dr. Who 13:36, 9 February 2007 (UTC)

Could people PLEASE check their album/CD covers for the actual words to songs before putting them up. The words here are "To put on a blackshirt" (nothing about burning up blacks again) and "For the queens and the coons and the reds and the jews" Perhaps someone removed them because they are wrong! NH79.121.143.143 (talk) 22:33, 17 February 2008 (UTC)

[edit] Best selling?

The Pink Floyd's best selling album: The Dark Side of the Moon. 15x Platinum - 15 million unit. The Wall: 23x Platinum, DUBLE ALBUM! - 11,5 million units. 82.141.159.95 19:42, 10 March 2007 (UTC)

Correct. I fixed the lead to reflect that. 74.77.208.52 03:05, 22 August 2007 (UTC)

[edit] Why's the album divided into 4 (i.e. as the cassette release)?

I think the title says it all. The cassette relese is the lesser of the three types, as with the majority of albums. I understand that the album has sold more copies on record than anything, then CD and then cassette, but I think it would be fair to assume that the CD is the most common and most accessible version. I think it'd be best to change the tracklisting according to the CD. Actually, I'm just saying this so that people can see why I did when they look at the edit I do.
--lincalinca 13:50, 2 April 2007 (UTC)

It was a double record album, that means it had 4 sides, right? I would revert it and add a separate CD listing. Your edit has removed precious content, something that newcomers would look for.--Doktor Who 14:07, 2 April 2007 (UTC)
Perhaps we are both wrong, 'cos according to the article the album was released as a single cassette, though I'm sure that in continental Europe it was a double cassette.Doktor Who 22:36, 2 April 2007 (UTC)
I have a single-cassette version (USA). That doesn't mean it wasn't initially a double. --63.25.238.237 (talk) 16:34, 9 March 2008 (UTC)

If you had bothered to look at a previous post entitled 'track listing' you would have seen that last year i changed the track listing from the CD style to the original Double album format, why you decided to change it back is beyond me. Just because the CD is the most accessible format at this moment, very soon this will have been overtaken by downloads anyway and there will be no sides whatsoever. It is important that the original format of the release is kept regardless of what technology people are using now to listen to it. There is a very good reason for this in that when writing, composing and arranging this recording Pink Floyd would have been handicapped by the available minutes on 4 sides of vinyl to get this down. If Cd's, or computer hard drives had been available in 1971 this would have been a very different record. I am changing back hope no-one minds.

You make an excellent point. Gilmour and Waters both have said many times that content was cut just to fit the time constraints. I'm sure "Young Lust" was meant to have an intro (but it's perfect the way it turned out, IMO), and that intro to "In the Flesh" was always meant to be longer, as Roger always does in concert. It would be cool to have a list of all the specific cuts that were made. Yes, technical limitations shaped the work itself.
--63.25.238.237 (talk) 16:34, 9 March 2008 (UTC)

[edit] Another Synchrony?

Call me crazy, but I noticed when watching the funeral scene in the movie Hellboy and listining to Empty Spaces, there are some similarities in the song and scene. Anyone else want to test this out? --ASDFGHJKL=Greatest Person Ever+Coolest Person Ever 17:36, 10 April 2007 (UTC)

I'm not "calling you crazy" per se, but it's not uncommon to notice synchronization between two random things at times...some of this is addressed in the Dark Side of the Rainbow article, although I think the DSOTR people have a better claim here. Put simply, one random song and one random scene can be found to match in some ways, and I doubt that they would try and do something that obscure unless they tried to sync with the whole album. Sir Elderberry 22:06, 22 May 2007 (UTC)

[edit] Sources

This article doesn't cite its sources. And also, just as the anonymous user of Wikipedia said, alot of Wikipedia's pages are on other pages.

Kaaos 19:36, 9 May 2007 (UTC)

[edit] Worldwide sales claim

The worldwide sales claim of 30 million copies needs a citation. 74.77.208.52 03:03, 22 August 2007 (UTC)

[edit] Double album RIAA sales figures

The RIAA double counts double albums as of 1997. This means The Wall is certified at 23x platinum for sales of 11.5 million copies. Not 23 million copies. I've already fixed this once. Do not revert again. 74.77.208.52 17:33, 28 August 2007 (UTC)

DO NOT REVERT AGAIN. 74.77.208.52 04:57, 8 September 2007 (UTC)
The RIAA say that since it is 81 (roughly) minutes long, it counts as a single album. That means 23x Platinum = 23 million copies/46 million CDs. NOT 11.5 million copies, 23 million CDs. I think that should sort out all confusion. In debates people appear to have been discussing things as if the RIAA certification is counting each double-album as being worth 2 sales units each. (The Elfoid 17:36, 7 September 2007 (UTC)) Christo jones 10:53, 23 September 2007 (UTC)
The RIAA certification is counting each double-album as being worth 2 sales units each. They have been doing this since 1997. That's why The Wall received that huge jump in platinum status in 1999. It's based on number of discs, not length. The Wall is on two discs. It's certified at 23x platinum for sales of 11.5 million copies. You're a fool if you think it has sold more copies than The Dark Side of the Moon.74.77.222.188 (talk) 11:56, 9 December 2007 (UTC)

[edit] Hit singles?

Since when are "Young Lust", "Hey You", "Comfortably Numb" and "Run Like Hell" hit singles? Don't you have to hit the top forty, at least, to be considered a hit? None of those cuts hit the top forty. They received airplay on classic rock stations. 74.77.208.52 18:57, 19 September 2007 (UTC)

[edit] Ron diBlasi

I think this should be Joe diBlasi... he's been credited for working with Floyd on numerous other sites. Joes an L.A. studio musican, an awesome all around musician, and a great guy. Plays more than just classical. —Preceding unsigned comment added by 129.98.122.123 (talk) 17:50, 14 October 2007 (UTC)

[edit] B-Class?

Oh no, this is far from THAT quality. It's an analyzation, and most edits there are focused on the concept of the album and analyzing every last speck of it right to death. Pinkfloydfreak 04:24, 27 October 2007 (UTC)

[edit] Misunderstood metaphors?

I think some of the song synopses could do with some tweaking. I'd do it myself but I'm not much of a writer.

The Happiest Days of Our Lives: the chain reaction of violence is sketchy at best - I'd imagine the violence the fat psychopathic wives inflicted on their husbands would be more of a hen-pecking, psychological type. For instance, the movie shows a scene of the schoolmaster's wife browbeating him into eating everything on his dinner plate, which is a far cry from physically beating him.

Hey You: "the worms ate into his brain" is about how his paranoid delusions slowly overtook his mind, not about worms literally rotting his brain. —Preceding unsigned comment added by 203.217.28.88 (talk) 01:52, 18 December 2007 (UTC)

[edit] RIAA certification

The Wall is certified at 23x platinum for sales of 11.5 million copies. Double albums are double counted as of 1997. The Wall was certified platinum in 1980 for sales of one million copies. It was certified 4x platinum in 1984 for sales of four million copies. It was certified 7x platinum in 1989 for sales of seven million copies. It was certified 8x platinum in 1991 for sales of eight million copies. It was certified 10x platinum in 1995 for sales of ten million copies. Note that it took sixteen years to sell ten million copies. Then, in 1997, it was certified TWICE because the rules changed. Double albums would now be double counted. The Wall is certified 11x platinum in 1997 for sales of eleven million copies and then, due to the new rules, it is certified at 22x platinum for sales of eleven million copies of a double album. This is all verifiable by going to riaa.com, clicking on "gold and platinum" and looking the album up in their searchable database. I'm sure no one will argue that The Wall sold eleven million copies in 1997 alone. In 1999 The Wall was certified at 23x platinum for sales of 11.5 million copies of the double album. It has not been certified since. Hopefully this will put an end to the debate. 74.77.222.188 (talk) 06:58, 21 December 2007 (UTC)

[edit] Fair use rationale for Image:Waters Loses Temper With Audience.ogg

Image:Waters Loses Temper With Audience.ogg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

Please go to the image description page and edit it to include a fair use rationale. Using one of the templates at Wikipedia:Fair use rationale guideline is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.

If there is other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images lacking such an explanation can be deleted one week after being tagged, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.

BetacommandBot (talk) 03:27, 12 February 2008 (UTC)


[edit] Inaccuracies

Hi,I am fairly new to this but reading through the entire Wall entry, track by track, I'm most concerned at glaring errors, many of which seem to be coming from Fitch and Mahon's cited book on The Wall. I have grave doubts about the musicians' credits where we have keyboard parts credited to musicians when there are no keyboard parts. An example being Clavinet and Organ on "The happiest days of our Lives". There are NO keyboards on that track so I've removed them. Also we KNOW Rick Wright was ousted very early on because he wasn't coming up with anything. Yet he is credited with some sort of keyboard contribution on nearly every track!

Gilmour seems to have become the bass player yet the only bass part I've heard him claim to be playing was the fretless on "Hey You"

WHAT drill on Comfortably Numb? I've not read their book but unless they can back up some of their wild claims I don't think they should be cited. 79.121.143.143 (talk) 01:17, 13 February 2008 (UTC)NH 13th Feb 08 —Preceding unsigned comment added by 79.121.143.143 (talk) 01:05, 13 February 2008 (UTC)

I have the 2nd edition of Fitch's The Pink Floyd Encyclopedia, and it doesn't claim there are any keyboards on "Happiest". But it does credit Wright with specific keyboard instruments on those songs which have keyboards (with the disclaimer, "Personnel (Known musicians only):"
As for Gilmour, I've read an interview in which he said he played most of the bass on the records, after a certain point in the band's career, because Waters couldn't be bothered. Roger would win polls in music magazines for best bass player, and thank Dave for it. Dave revealed all this to Musician magazine, then a few months later they put Roger on the cover (promoting Amused to Death) and interviewed him, and he admitted it readily. I actually still have the issue somewhere, so if I can be bothered I'll get it out to use as a source. But you could probably find a transcription somewhere.
When one of the guitar magazines transcribed "Pigs (Three...)" for guitar and bass, I tried learning the bass line (not my instrument of choice), and it's intensely difficult. I don't mean the solo stuff, that's just a matter of playing tastefully. But the verses and the ending section are quite tricky. No way in hell Roger played that one. Fitch's book backs me up on that. (Oh, and I know he played bass on the KAOS shows when they did "Pigs", but it's a much simpler bass line he's doing.)
--63.25.238.237 (talk) 17:19, 9 March 2008 (UTC)

[edit] Track-by-track analysis

Someone(s) have worked very hard on this section; unfortunately it has to go as it is clearly Original Research. If the original contributor(s) have references or sources for any parts of the analysis here, they can be added with citations. I'd recommend that this stuff finds another home on one of the various Floyd fan pages out there. Jgm (talk) 14:22, 23 February 2008 (UTC)

[edit] Alice in Wonderland SYNC

I synced Alice in wonderland with pink floyd the wall and it went togther perfect.

both alice and wonderland and pink floyd the wall and the same length!

here is a link to back up my clam

[3]

[edit] Brian Wilson? Oh, please . . . .

Somebody put "Brian Wilson: Vocal arrangements" in the Personnel section. Why? Does this person think Bruce Johnston can't do anything without Brian there to hold his hand? Any number of people could have arranged the harmonies. Johnston himself, or in collaboration with others. The main four guys, Chemay/Farber/Haas/Joyce, could have done it. Gilmour could have done it. I would bet Johnston. He's a smart man who knew a lot before he joined the Beach Boys, and then he watched and learned from the master for years. I find it exceedingly unlikely that Brian would have had anything to do with The Wall. In 1979, Brian Wilson wasn't involved with much of anything, not even his own band. Johnston has talked about his experience frequently, and never mentioned that Brian was involved. Brian has never revealed such a thing, and wouldn't you mention it if you were on such a famous album?

Even though I'm certain this is strictly someone's fantasy (Imagine if Brian and Roger wrote a song together!), I'm going to put a citeneeded on it, instead of removing it outright. --63.25.238.237 (talk) 17:43, 9 March 2008 (UTC)

[edit] References section

Seems to be misnamed, to say the least?

Kst447 (talk) 03:23, 2 April 2008 (UTC)

[edit] Roger Waters as possible reincarnation of Nazi Hermann Goring

Roger Waters could be the possible reincarnation of nazi Hermann Goring who committed suicide before he could be put on trial at the Nuremburg trials.

Much of the pictures and images in the movie, 'The Wall', depict the torment within his psychy in his former and current lifetime experiences.

Including the masks of the children, depicting those he went to boarding school in both lifetimes, looking as the leather hat warn when he was a pilot in WWII.

The white uniform warn by the former Nazi leader is as the white uniform later warn by Waters during the concert performance of 'The Wall' worldwide.

Waters stated he felt as if standing in front of "Neo-Nazi rallies" when he was performing live during concerts and that he wanted to be able to throw out those fans he didn't like.

The symbol of the cross hammer and eagle are as the same symbols Goring used for the Nazi party during their conquest of Europe.

The places they performed, Berlin and other places in Germany, are the same places that Waters lived in his former lifetime.

http://en.wikipedia.org/wiki/Hermann_G%C3%B6ring —Preceding unsigned comment added by Pinkfloyd2050 (talk • contribs) 02:42, 14 May 2008 (UTC)

No, go on! this is fascinating... Ewen (talk) 06:13, 14 May 2008 (UTC)

[edit] Wrong track listed

In the very intro text, the example of a The Wall track dealing with Pink's father death in war is wrong, totally wrong. The right track on the matter is "When The Tigers Broke Free" and not "Another Brick in The Wall", as mentioned. I corrected the wrong information. —Preceding unsigned comment added by Mister Nighttime (talk • contribs) 11:18, 15 May 2008 (UTC)

The problem is... "When the Tigers Broke Free" isn't on the album. It was on a single, and used in the film. But the article is about the album. ABITW part 1 is not "totally wrong" as an example of what the paragraph is trying to stay, so I'm restoring it.
PS, when you add a section to a page, please add it to the bottom, or use the tab at the top for creating a new section. And don't forget to sign your posts; it will look nicer than when dear old SineBot does it for you. --A Knight Who Says Ni (talk) 13:08, 15 May 2008 (UTC)