From Wikipedia, the free encyclopedia
Portal
|
The Posthumous Memoirs of Bras Cubas is within the scope of WikiProject Brazil, which aims to improve Wikipedia's coverage of Brazil and Brazil-related topics. If you would like to participate, visit the project page. |
Start |
This article has been rated as start-class on the quality scale. |
??? |
This article has not yet received a rating on the importance scale. |
To-do list for Brazil:
This article has been rated for quality and/or importance but has no comments yet. If appropriate, please review the article and then leave comments here to identify the strengths and weaknesses of the article and what work it will need.
|
|
This article is within the scope of WikiProject Novels, an attempt to build a comprehensive and detailed guide to narrative novels, novellas, novelettes and short stories on Wikipedia. If you would like to participate, you can edit one of the articles mentioned below, or visit the project page, where you can join the project and contribute to the general Project discussion to talk over new ideas and suggestions. |
Start |
This article has been rated as Start-Class. |
High |
This article has been rated as High-importance on the importance scale. |
|
This article is supported by the 19th century task force. (with unknown importance) |
Assessment comments
This article has been rated for quality and/or importance but has no comments yet. If appropriate, please review the article and then leave comments here to identify the strengths and weaknesses of the article and what work it will need.
|
The posthumous diaries of Bras Cubas, know in English as the Epitaph of a Small Winner, is a novel so far ahead of its time as to suprise many a reader, who, expecting the mannered and rational realism of a nineteenth century social satire, finds employed elegant and surreal devices of metaphor and construction such as might have please a magical realist of the twentieth century, and the witty narrative self-conciousness of a diciple of Nabakov.
The narrator inhabits a ominsicient but inert death, from which, with geat irony and humour, but not a little tenderness, he looks back upon his life, exposing the arbitrary and the ridiculous in a climate he describes as suitable for "The alarmingly rapid growth of ideas". His urbane and conversational style will amuse the reader, his exposition of the mores, caprices and pretensions of late nineteenth century Brazilian society will convince the reader that suprisingly little has changed, for all of the passage of a century and several thousand miles.
And it may be worth further encouraging any tempted by the above by pointing out that you are unlikely to survive more than a couple of sentences without a deep belly laugh, and an accompanying, satisfying, jolt of neurons stimulated by the elegant and unexpected combination of ridiculous ideas and the resultant sense of a sudden, epiphanic glimpse of the absurd truth.